Избранная литература

Беккер, Г. Аутсайдеры: исследования по социологии девиантности [1966]. М., 2018.

Бирн, Д. Как работает музыка [2012]. М., 2020.

Рейнольдс, С. Ретромания. Поп-культура в плену собственного прошлого [2011]. М., 2015.

Рихтер, Х. Дада – искусство и антиискусство. Вклад дадаистов в искусство XX века [1965]. М., 2014.

Сонтаг, С. Против интерпретации и другие эссе [1966]. М., 2014.

Томкинс, К. Марсель Дюшан. Послеполуденные беседы [2013]. М., 2014.

Adams, H. Art of the Sixties. London, 1978.

Adorno, T. W. Quasi Una Fantasia: Essays on Modern Music. Frankfurt, 1963.

All Yesterday’s Parties: The Velvet Underground in Print 1966–1971 / Heylin C., editor. Cambridge (Mass.), 2006.

Anatomy of Pop / Cash T., editor. London, 1970.

Archer, M. Art Since 1960. London, 1997.

Barthes, R. Image Music Text. London, 1977.

Becker, H. S. Outsiders: Studies in the Sociology of Deviance. New York, 1966.

Bourdieu, P. The Field of Cultural Production. Cambridge, 1993.

Bak, C. Pataphysics: The Poetics of Imaginary Science. Illinois, 2002.

Bokris, V. Beat Punks. Cambridge (Mass.), 2000.

Boyd, J. White Bicycles: Making Music in the 1960s. London, 2006.

Bracewell, M. Roxy: The Band that Invented an Era. London, 2007.

Bracewell, M. The Space Between. London,2012.

Browne, D. Goodbye 20th Century: Sonic Youth and the Rise of the Alternative Nation. Cambridge (Mass.), 2008.

Buckley, D. Strange Fascination – David Bowie: The Definitive Story. London, 2005.

Bryars, G. Notes on Marcel Duchamp’s Music // Studio International. № 192. London, 1976.

Cale, J., Bokris, V. What’s Welsh for Zen? London, 1999.

Cateforis, T. Are We Not New Wave?: Modern Pop at the Turn of the 1980s. Ann Arbor, 2011.

Chapman, R. Syd Barrett: A Very Irregular Head. London, 2010.

Collings, M. Blimey!: From Bohemia to Britpop. London, 1997.

Critchley, S. On Humour. London; New York, 2002.

Crow, T. The Rise of the Sixties. London, 1996.

Davis, H. The Beatles. London, 1968.

Davies, R. X-Ray: The Unauthorised Autobiography. New York, 2007.

Doggett, P. The Man WhoSold the World: David Bowie and the 1970s. London, 2011.

Evans, M. The Art of the Beatles. Liverpool, 1984.

Evans, M. N. Y. C. Rock: Rock’n’Roll In The Big Apple. London, 2003.

Fineberg, J. Art Since 1945: Strategies of Being. London, 1995.

Fox, D. Pretentiousness: Why it Matters. London, 2016.

Frith, S., Horne, H. Art Into Pop. London, 1987.

Glam: The Performance of Style / Pih D., editor. London, 2013.

Harris, M. E. The Arts at Black Mountain College. Cambridge (Mass.), 1987.

Hathaway, N., Nadel, D. Electrical Banana: Masters of Psychedelic Art. Bologna, 2011.

Hebdige, D. Subculture: The Meaning of Style. London, 1979.

Heylin, C. From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World. New York, 1993.

Heylin, C. All the Madmen. London, 2012.

Higgins, H. Fluxus Experience. Los Angeles, 2002.

Hopkins, D. After Modern Art 1945–2000. Oxford, 2000.

Huron, D. Sweet Anticipation: Music and the Psychology of Expectation. Cambridge (Mass.), 2007.

John Cage / Kostelanetz R., editor. New York, 1970.

Jovanovic, R. The Velvet Underground Peeled. London, 2010.

Lambert, C. Music Ho!:A Study of Music in Decline. London, 1934.

Leonard, G. L. Into the Light of Things: The Art of the Commonplace from Wordsworth to John Cage. Chicago, 1994.

Lucie-Smith, E. Movements in Art Since 1945. London, 1975.

Lydon, J., Zimmerman, K., Zimmermann, K. Rotten: No Irish, No Blacks, No Dogs. London,1994.

Macleay, I. Malcolm McLaren. London, 2010.

Marcus, G. Lipstick Traces: A Secret History of the Twentieth Century. London, 2001.

Masters, M. No Wave. London, 2007.

McNamee, D. Paul Morley Interviewed: The Rise of Zang Tuum Tumb and the Fall of ZTT // TheQuietus.com. 15 December 2008.

McRobbie, A. But Is It Art? // Marxism Today. November/December 1998.

Melly, G. Revolt Into Style: The Pop Arts in Britain. London, 1970.

Metzger, R. London in the Sixties. London, 2012.

Miles, B. In The Sixties. London, 2002.

Miles, B. Frank Zappa. London, 2004.

Miles, B. London Calling: A Countercultural History of London Since 1945. London, 2010.

Milner, G. Perfecting Sound Forever: The Story of Recorded Music. London, 2009.

Molon, D. Sympathy For The Devil: Art and Rock and Roll Since 1967. Chicago, 2007.

Myers, R. H. Erik Satie. New York, 1968.

Neville, R. Hippie Hippie Shake. London, 2009.

Norman, P. John Lennon: The Life. London, 2008.

McNeil, L., McCain G. Please Kill Me. London, 1996.

Owen, T., Dickson D. High Art: A History of the Psychedelic Poster. London, 1999.

Punk / Colegrave S., Sullivan C., Morgan S., editors. London, 2001.

Reynolds, S. Energy Flash: A Journey through Rave Music and Dance Culture. London, 1998.

Reynolds, S. Rip It Up And Start Again: Postpunk 1978–1984. London, 2005.

Rich, A. American Pioneers: Ives to Cage and Beyond. London, 1995.

Richards, K., Fox, J. Life. London, 2010.

Rogers, H. Sounding The Gallery: Video and the Rise of Art-Music. New York, 2013.

Roth, M. Difference/Indifference: Musings on Postmodernism, Marcel Duchamp and John Cage. Amsterdam, 1998.

Sandford, C. Bowie: Lovingthe Alien. London, 1996.

Savage, J. England’s Dreaming. London, 1991.

Smith, P. S. Andy Warhol’sArt and Films. Ann Arbor, 1986.

Sound: Documents of Contemporary Art / Kelly C., editor. London, 2011.

Springer, M. Selling Cool: Lou Reed’s Classic Honda Scooter Commercial, 1984 // Film, Music, Television. 11 July 2013.

Stanley, B. Yeah Yeah Yeah: The Story of Modern Pop. London, 2013.

Strange, R. Strange: The Memoirs of Richard Strange. London, 2002.

Stubbs, D. Fear of Music: Why People get Rothko but don’t get Stockhausen. Alresford, 2009.

The Ballad of John and Yoko / Cott J., Doudna C., editors. London, 1982.

The New York Schools of Music and Visual Arts / Johnson S., editor. New York, 2011.

The Sharper Word: A Mod Anthology / Hewit P., editor. London, 2009.

Townshend, P. Who I Am. London, 2012.

Vergo, P. The Music of Painting. London, 2010.

Walker, J. A. Cross-Overs: Art into Pop, Pop into Art. London, 1987.

Witts, R. Vorsprung durch Technik – Kraftwerk and the British Fixation with Germany // Kraftwerk: Music Non-Stop. London,2011.

Young, R. Electric Eden: Unearthing Britain’s Visionary Music. London, 2011.

Youngblood, G. Expanded Cinema. New York, 1970.

York, P. Style Wars. London, 1980.

Zappa, F., Occhiogrosso, P. The Real Frank Zappa. New York, 1989.

Источники иллюстраций

Правообладатели произведений

82: © The Ray Johnson Estate;

83: © Reinhart Wolf Stiftung;

90: Karl Wirsum © Изображение любезно предоставлено художником;

92: © Estate of Martin Sharp. Copyright Agency / Licensed by DACS, 2018;

94: © The estate of Richard Hamilton;

95: © Ralf Schenkel;

161, внизу: © Hannes Schmid;

165: © Jurgen Klauke, VG-Bild;

167: © Christian Schad Stiftung Aschaffenburg / VG Bild-Kunst, Бонн, и DACS, Лондон, 2018;

168: Donation Jorn, Silkeborg / billedkunst.dk / DACS, 2018;

169: Публикуется с разрешения Джейми Рида и галереи Джона Марчанта; Copyright Sex Pistols Residuals;

170: Hannah Hach © DACS, 2018;

171: Copyright Linder. Публикуется с разрешения художника и Стюарта Шейва / Modern Art, Лондон и Blum & Poe, Лос-Анджелес / Нью-Йорк / Токио;

172, внизу: Erich Heckel © DACS, 2018;

173: Robert Longo © ARS, Нью-Йорк, и DACS, Лондон, 2018;

174: © The Estate of Jean-Michel Basquiat / ADAGP, Париж, и DACS, Лондон, 2018;

175: © Michael Halsband / DACS, Лондон, и ARS, Нью-Йорк, 2018;

242, вверху: Fortunato Depero © DACS, 2018;

242, внизу: © Peter Saville;

243: © Jean-Paul Goude;

244, вверху: © Jenny Holzer. ARS, Нью-Йорк, и DACS, Лондон, 2018;

Правообладатели фотографий

83: Фото Райнхарда Вольфа / Собрание Астрид Кирхгерр;

85: Keystone / Hulton Archive / Getty Images;

86: Фото Рэя Стивенсона / REX / Shutterstock;

88: Частное собрание / De Agostini Picture Library / A. Dagli Orti / Bridgeman Images (Verve Records);

89: Частное собрание (The Charlatans);

91: Фото Эндрю Уиттака / Redferns / Getty Images;

93: Sjvinyl / Alamy Stock Photo (Parlophone);

162: Фото Джека Митчелла / Getty Images;

163: Дэвид Лихнекер / Alamy (RCA Records);

166: Фото Джо Стивенса;

170: Granger Historical Picture Archive / Alamy Stock Photo;

173: Публикуется с разрешения художника и Metro Pictures, Нью-Йорк;

174: The Broad Art Foundation. Фото Douglas M. Parker Studio, Лос-Анджелес;

175: Изображение любезно предоставлено Sotheby’s, 2018;

241: RCA Records;

242, вверху: Музей современного искусства Тренто и Роверето;

242, внизу: Публикуется с разрешения Питера Сэвилла;

244, внизу, 248: Частное собрание;

245: PA / PA Archive / PA Images;

253: K Foundation;

Издатели предприняли все усилия, чтобы найти правообладателей изображений, и приносят извинения за возможные упущения.