Книга: Творение. История искусства с самого начала
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Литература

глава 1
Тайные знаки жизни

Ajoulat N. The Splendours of Lascaux. London, 2005.

Bahn P. G., Vertut J. Images of the Ice Age. Leicester, 1988.

Chauvet J.-M., Brunel Deschamps E., Hillaire C. Chauvet Cave: The Discovery of the World’s Oldest Paintings. London, 1996.

Clottes J. Cave Art. London, 2008.

Cook J. The Swimming Reindeer. London, 2010.

Grigson G. Painted Caves. London, 1957.

Hill R. Stonehenge. London, 2008.

Ice Age Art: Arrival of the Modern Mind. Exh. cat., British Museum Jill Cook. London, 2013.

Image and Imagination: A Global Prehistory of Figurative Representation / eds. C. Renfrew, I. Morley. Cambridge, 2007.

Lewis-Williams D. The Mind in the Cave: Consciousness and the Origins of Art. London 2002.

Malta before History: The World’s Oldest Freestanding Stone Architecture / ed. D. Cilia. Malta, 2004.

Megalithic Cultures in Asia / ed. B. Kim. Seoul, 1982.

Nelson S. M. The Archaeology of Korea. Cambridge, 1993.

Renfrew C. Prehistory: The Making of the Human Mind. London, 2007.

Sieveking A. The Cave Artists. London, 1979.

The Human Past: World Prehistory and the Development of Human Societies / ed. C. Scarre. London, 2005.

The Oxford Handbook of Ancient Anatolia / eds. G. McMahon, S. R. Steadman. Oxford, 2011.

глава 2
Широко открытые глаза

Art of the First Cities: The Third Millenium B.C. from the Mediterranean to the Indus. Exh. cat., The Metropolitan Museum of Art, New York / ed. J. Aruz. New York, 2003.

Babylon: Myth and Reality. Exh. cat., British Museum / eds. I. Finkel, M. J. Seymour. London, 2008.

Collins P. Assyrian Palace Sculptures. London, 2008.

Collins P. Mountains and Lowlands: Ancient Iran and Mesopotamia. Oxford, 2016.

Curtis J. The Cyrus Cylinder and Ancient Persia. London, 2013.

Edzard S., Edzard D. O. Gudea and His Dynasty: The Royal Inscriptions of Mesopotamia, Early Periods. Toronto, 1997.

Frankfort H. Cylinder Seals: A Documentary Essay on the Art and Religion of the Ancient Near East. London, 1939.

Frankfort H. The Art and Architecture of the Ancient Orient Harmondsworth, 1954.

Landscapes: Territories, Frontiers and Horizons in the Ancient Near East / eds. L. Milano, S. de Martino, F. M. Fales, G. B. Lanfranchi. Padua, 1999.

Porada E. Ancient Iran: The Art of Pre-Islamic Times. London, 1964.

Robinson A. The Indus Lost Civilizations. London, 2015.

Shapur Shahbazi A. The Authoritative Guide to Persepolis. Tehran, 2004.

The Epic of Gilgamesh: The Babylonian Epic Poem and Other Texts in Akkadian and Sumerian / trans. A. George. London, 1999.

The World of Achaemenid Persia: History, Art and Society in Iran and the Ancient Near East / eds. J. Curtis, St.-J. Simpson. London, 2010.

Wheeler M. Flames over Persepolis. London, 1968.

Woolley L. Ur: The First Phases. London, 1946.

глава 3
Эпоха утонченности

Aldred C. Egyptian Art in the Days of the Pharaohs. London, 1980.

Ancient Egypt Transformed: The Middle Kingdom. Exh. cat., Metropolitan Museum of Art, New York / eds, A. Oppenheim, D. Arnold, D. Arnold, K.Yamamoto. New York, 2015.

Davies W. V. Egyptian Hieroglyphics. London, 1987.

Davis W. The Canonical Tradition in Ancient Egyptian Art. Cambridge, 1989.

Egypt’s Dazzling Sun: Amenhotep III and His World. Exh. cat., Cleveland Museum of Art / eds. A. P. Kozloff, B. M. Bryan. Cleveland, OH, 1992.

Eyo E., Willett F. Treasures of Ancient Nigeria. New York, 1980.

Fagg B. Nok Terracottas. Lagos, 1977.

Garlake P. Early Art and Architecture in Africa. Oxford, 2002.

Glanville S. R. K. The Legacy of Egypt. Oxford, 1942.

Iversen E. Canon and Proportions in Egyptian Art. London, 1955.

Petrie F. The Arts and Crafts of Ancient Egypt. London, 1923.

Robins G. Proportion and Style in Ancient Egyptian Art. Austin, TX, 1994.

Robins G. The Art of Ancient Egypt. London, 1997.

Sandman M. Texts from the Time of Akhenaten. Brussels, 1938.

Schafter H. Principles of Egyptian Art / trans. J. Baines. Oxford, 1974.

Shaw I. Ancient Egypt: A Very Short Introduction. Oxford, 2004.

The Legacy of Egypt / ed. J. R. Harris. Oxford, 1971.

Through Ancient Eyes: Egyptian Portraiture. Exh. cat., Birmingham Museum of Art / ed. D. Spanel. Birmingham, AL, 1988.

Wilkinson T. The Rise and Fall of Ancient Egypt. London,2010.

Wilson P. Sacred Signs: Hieroglyphs in Ancient Egypt. Oxford, 2003.

глава 4
Нефрит и бронза

Ancient Sichuan: Treasures from a Lost Civilisation. Exh. cat., Seattle Art Museum / ed. R. Bagley. Seattle, WA, 2001.

Bronze. Exh. cat., Royal Academy, London / ed. D. Ekserdjian. London, 2012.

Deydier C. Chinese Bronzes, trans. Janet Seligman. New York, 1980.

Fiedel S. Prehistory of the Americas. Cambridge, 1987.

Forgotten Cities of the Indus: Early Civilization in Pakistan from the 8th to the 2nd Millennium BC / eds. M. Jansen, M. Mulloy, G. Urban. Mainz, 1991.

Hawkes J. The First Great Civilisations: Life in Mesopotamia, the Indus Valley, and Egypt. London, 1973.

Hung W. The Art of the Yellow Springs: Understanding Chinese Tombs. Honolulu, HA, 2010.

Keightley D. N. Sources of Shang History: The Oracle-Bone Inscriptions of Bronze Age China. Berkeley, CA, 1978.

Kubler G. The Art and Architecture of Ancient America: The Mexican Maya and Andean Peoples. Harmondsworth, 1962.

Mei J., Rehren T. Metallurgy and Civilisation: Eurasia and Beyond. London, 2009.

Miller M. E. The Art of Mesoamerica: From Olmec to Aztec. London, 2001.

Olmec Art of Ancient Mexico. Exh. cat., National Gallery of Art, Washington, DC / eds. E. P. Benson, B. de la Fuente. Washington, DC, 1996.

Olmec: Colossal Masterworks of Ancient Mexico. Exh. cat., Fine Arts Museum of San Francisco / eds. K. Berrin, V. M. Fields. New Haven, CT, 2010.

Qian S. The First Emperor: Selections from the Historical Record / trans. R. Dawson. Oxford, 2007.

Rawson J. Ancient China: Art and Archaeology. London, 1980.

Rawson J. Chinese Bronzes: Art and Ritual. London, 1987.

The First Emperor: China’s Terracotta Army. Exh. cat., British Museum, London / ed. J. Portal. London, 2007.

The Great Bronze Age of China: An Exhibition from the People’s Republic of China. Exh. cat., The Metropolitan Museum of Art, New York / ed. W. Fong. New York, 1980.

The Power of Dogu: Ceramic Figures from Ancient Japan. Exh. cat., British Museum, London / ed. S. Kaner. London, 2009.

The Search for Immortality: Tomb Treasures of Han China / ed. J. C. S. Lin. New Haven, CT, 2012.

глава 5
Человеческое измерение

Павсаний. Описание Иллады / пер. С. Кондратьева под ред. Е. Никитюк. СПб., 1996.

Arias P. E. A History of Greek Vase Painting / trans. B. B. Shefton. London, 1962.

Beard M. The Parthenon. Cambridge, 2010.

Boardman J. The History of Greek Vases. London, 2001.

Evans A. J. The Palace of Minos at Knossos. 4 vols. London, 1921–1936.

Getz-Gentle P. Early Cycladic Sculpture: An Introduction. Malibu, CA, 1994.

Havelock C. M. The Aphrodite of Knidos and Her Successors: A Historical Review of the Female Nude in Greek Art. Ann Arbor, MI, 1995.

Haynes D. Greek Art and the Idea of Freedom. London, 1981.

Higgins R. A. Minoan and Mycenaean Art. London, 1967.

Hood S. The Arts in Prehistoric Greece. Harmondsworth, 1978.

Hood S. The Minoans. London, 1971.

Mylonas G. E. Ancient Mycenae: The Capital City of Agamemnon. Princeton, NJ, 1957.

Neer R. T. Art & Archaeology of the Greek World: A New History c.2500–150 BCE. London, 2012.

Pollitt J. J. Art in the Hellenistic Age. Cambridge, 1986.

Renfrew C. The Cycladic Spirit. New York, 1991.

Richter G. M.A. A Handbook of Greek Art. London, 1959.

Robertson M. A Shorter History of Greek Art. Cambridge, 1981.

Robinson M. The Art of Vase-Painting in Classical Athens. Cambridge, 1992.

Scythians: Warriors of Ancient Siberia. Exh. cat., British Museum, London / eds. St.-J. Simpson, S. Pankova. London, 2017.

Spivey N. Greek Sculpture. Cambridge, 2013.

Spivey N. Understanding Greek Sculpture: Ancient Meanings, Modern Readings. London, 1996.

Wace A. J. B. Mycenae: An Archaeological History and Guide. Princeton, NJ, 1949.

глава 6
Все дороги ведут к империи

Beard M. Pompeii: The Life of a Roman Town. London, 2008.

Beard M. SPQR: A History of Ancient Rome. London, 2015.

Beard M., Henderson J. Classical Art from Greece to Rome. Oxford, 2001.

Boardman J. The Greeks Overseas. Harmondsworth, 1964.

Brendel O. J. Prolegomena to the Study of Roman Art. New Haven, CT, and London, 1979.

Castriota D. The Ara Pacis Augustae and the Imagery of Abundance in Later Greek and Early Roman Imperial Art. Princeton, NJ, 1995.

Colledge M. A. R. The Art of Palmyra. London, 1976.

Cosh S. R., Neal D. S. Roman Mosaics of Britain. South-West Britain. London, 2005.

Crawford M. The Roman Republic. 2nd edn. London, 1992.

Favro D. The Urban Image of Augustan Rome. Cambridge, 1996.

Fierz-David L. Women’s Dionysian Initiation: The Villa of Mysteries at Pompeii. Dallas, TX, 1988.

Haynes S. Etruscan Civilization: A Cultural History. London, 2000.

Kleiner D. E. E. Roman Sculpture. New Haven, CT, and London, 1992.

MacDonald W. L. The Pantheon: Design, Meaning and Progeny. London, 1976.

Ostenberg I. Staging the World: Spoils, Captives, and Representations in the Roman Triumphal Procession. Oxford, 2009.

Peters W. J. T. Landscapes in Romano-Campanian Mural Painting. Assen, 1963.

Pollitt J. J. Art in the Hellenistic Age. Cambridge, 1986.

Stewart P. Roman Art. Oxford, 2004.

Toynbee J. M. C. Art in Britain under the Romans. Oxford, 1964.

Toynbee J. M. C. Art in Roman Britain. London, 1962.

Walker S., Bierbrier M. Ancient Faces: Mummy Portraits from Roman Egypt. London, 1997.

глава 7
Страдание и желание

Agnew N. Marcia Reed and Tevvy Ball, Cave Temples of Dunhuang: Buddhist Art on China’s Silk Road. Exh. cat. Getty Center, Los Angeles. Los Angeles, CA, 2016.

Ananda K. Coomaraswamy, The Dance of Śiva: Fourteen Indian Essays. New York and London, 1942.

Beguin G. Buddhist Art: An Historical and Cultural Journey. Bangkok, 2009.

Coomaraswamy A. K. The Transformation of Nature in Art. Cambridge, 1934.

Craven R. C. Indian Art: A Concise History. London, 1997.

Dehejia V. Indian Art. London, 1997.

Empson W. The Face of the Buddha. Oxford, 2016.

The Global Connections of Gandharan Art / eds. W. Rienjang, P. Stewart. Oxford, 2020.

Gupta S. P. The Roots of Indian Art. Delhi, 1980.

Harle J. C. Gupta Sculpture: Indian Sculpture of the Fourth to the Sixth Centuries A.D. New Delhi, 1996.

Imagining the Divine. Exh. cat., Ashmolean Museum, Oxford. Oxford, 2018.

Jessup H. I. Art & Architecture of Cambodia. London 2004.

Knox R. Amaravati: Buddhist Sculpture from the Great Stupa. London, 1992.

Kramrisch S. The Presence of Śiva. Princeton, NJ, 1981.

Legge J. The Travels of Fa-Hien. Oxford, 1886.

Rosenfield J. M. The Dynastic Art of the Kushans. Berkeley; Los Angeles, CA, 1967.

Rowland B. The Art and Architecture of India: Buddhist, Hindu, Jain. Harmondsworth, 1967.

Shimada A., Willis M. Amaravati: The Art of an Early Buddhist Monument in Context. London, 2016.

глава 8
Золотые святые

Beckwith J. Early Christian and Byzantine Art. Harmondsworth, 1970.

Buchthal H. The Miniatures of the Paris Psalter. London, 1938.

Byzantium 330–1453. Exh. cat., Royal Academy, London / eds. R. Cormack, M. Vassilaki. London, 2008.

Byzantium and Islam: Age of Transition 7th–9th Century. Exh. cat., Metropolitan Museum of Art, New York / eds. H. C. Evans, B. Ratliff. New York, 2012.

Dalrymple W. From the Holy Mountain: A Journey in the Shadow of Byzantium. London, 1997.

The Dura-Europos Synagogue: A Re-Evaluation / ed. J. Gutmann. 1932–1992. Atlanta, GA, 1992.

Eastmond A. Byzantine and East Christian Art. London, 2013.

Ettinghausen R. From Byzantine to Sasanian Iran and the Islamic World. Leiden, 1972.

Eusebius, Life of Constantine, introduction, trans. and commentary by A. Cameron, S. G. Hall. Oxford, 1999.

Finney P. C. The Invisible God: The Earliest Christians on Art. Oxford, 1994.

The Glory of Byzantium: Art and Culture of the Middle Byzantine Era A.D. 843–1261. Exh. cat., Metropolitan Museum of Art, New York / eds. H. C. Evans, W. D. Wixom. New York, 1997.

Grabar O. Christian Iconography: A Study of Its Origins. London, 1969.

Harrison M. A Temple for Byzantium: The Discovery and Excavation of Anicia Juliana’s Palace-Church in Istanbul. Austin, TX, 1989.

Hilsdale C. J. Byzantine Art and Diplomacy in an Age of Decline. Cambridge, 2014.

Krautheimer R. Early Christian and Byzantine Architecture. Harmondsworth, 1965.

Mango C. The Art of the Byzantine Empire, 312–1453: Sources and Documents. Englewood Cliffs, NJ, 1972.

Medieval Woman / ed. D. Baker. Oxford, 1978.

Nicolotti A. From the Mandylion of Edessa to the Shroud of Turin: The Metamorphosis and Manipulation of a Legend. Leiden, 2014.

Rodley L. Byzantine Art and Architecture: An Introduction. Cambridge, 1994.

The Royal Hunter: Art of the Sasanian Empire. Exh. cat., The Asia Society, New York / ed. P. O. Harper. New York, 1978.

Runciman S. Byzantine Style and Civilisation. Harmondsworth, 1975.

The Synagogue in Late Antiquity / ed. L. I. Levine. Philadelphia, PA, 1987.

Women, Men and Eunuchs: Gender in Byzantium / ed. L. James. London, 1997.

глава 9
Имя пророка

The Adventures of Hamza: Painting and Storytelling in Mughal India. Exh. cat., Freer Gallery of Art, Washington / ed. J. Seyller. Washington, DC, 2002.

Al-Andalus: The Art of Islamic Spain. Exh. cat., Metropolitan Museum of Art, New York / ed. J. D. Dodds. New York, 1992.

Al-Khalili J. Pathfinders: The Golden Age of Arabic Science. London, 2010.

Allen T. Five Essays on Islamic Art. Sebastopol, CA, 1988.

The Arts of the Mamluks in Egypt and Syria: Evolution and Impact / ed. D. Behrens-Abousief. Bonn, 2012.

Beach M. Mughal and Rajput Painting. New York, 1992.

Blair S., Bloom J. M. The Art and Architecture of Islam 1250–1800. New Haven, CT, and London, 1994.

Bloom J. M. Paper before Print: The History and Impact of Paper in the Islamic World. New Haven, CT; London, 2001.

Brend B., Melville C. Epic of the Persian Kings: The Art of Ferdowsi’s ‘Shahnameh’. Exh. cat., Fitzwilliam Museum. London; New York, 2010.

Carboni S. Glass from Islamic Lands. London, 2001.

Chandra P. The Cleveland Tuti-nama Manuscript and the Origins of Mughal Painting. 2 vols. Cleveland, OH, 1976.

A Century of Princes: Sources on Timurid History and Art / selected and trans. W. M. Thackston. Cambridge, MA, 1989.

Creswell K. A. C. Early Muslim Architecture. 2 vols. Oxford, 1969.

Ettinghausen R., Grabar O., Jenkins-Madina M. Islamic Art and Architecture, 650–1250. New Haven, CT; London, 2001.

Grabar O. The Dome of the Rock. Cambridge MA, and London, 2006.

Grabar O. The Great Mosque of Isfahan. London, 1990.

Grabar O., Blair S. Epic Images and Contemporary History: The Illustrations of the Great Mongol Shahnama. Chicago, IL, 1980.

Jayyusi S. K. The Legacy of Muslim Spain. Leiden, 1992.

Lindberg D. C. Theories of Vision from al-Kindi to Kepler. Chicago, IL, 1976.

Maclagan E. The Jesuits and the Great Mogul. London, 1932.

Peacock, Court and Cosmos: The Great Age of the Seljuqs. Exh. cat., The Metropolitan Museum of Art, New York / eds. S. R. Canby, D. Beyazit, M. Rugiadi and A. C. S. New York, 2016.

Sheila S. Blair, Islamic Calligraphy. Edinburgh, 2006.

Sims E., Marshak B. I., Grube E. J. Peerless Images: Persian Painting and Its Sources. New Haven, CT; London, 2002.

глава 10
Завоеватели и изобретатели

Anglo-Saxon Kingdoms: Art, Word, War. Exh. cat., British Library, London. London, 2018.

Brown M. P. The Lindisfarne Gospels and the Early Medieval World. London, 2011.

Carragain E. O. Ritual and the Rood: Liturgical Images and the Old English Poems of the ‘Dream of the Rood’ Tradition. London and Toronto, 2005.

Dodwell C. R. Painting in Europe, 800–1200. Harmondsworth, 1971.

Einhard and Notker the Stammerer, Two Lives of Charlemagne / trans. L. Thorpe. Harmondsworth, 1969.

Evans A. C. The Sutton Hoo Ship Burial. London, 1986.

Horst K., Noel W., Wustefeld W. C. M. The Utrecht Psalter in Medieval Art: Picturing the Psalms of David. Utrecht, 1996.

Karkov C. E. Text and Picture in Anglo-Saxon England: Narrative Strategies in the Junius 11 Manuscript. Cambridge, 2001.

Lasko P. Ars Sacra, 800–1200. New Haven, CT; London, 1994.

Mayr-Harting H. Ottonian Book Illumination. 2 vols. London, 1991.

Nordenfalk C. Celtic and Anglo-Saxon Painting: Book Illumination in the British Isles, 600–800. London, 1977.

Talbot C. H. The Anglo-Saxon Missionaries in Germany. London; New York, 1954.

The Ruthwell Cross / ed. B. Cassidy. Princeton, NJ, 1992.

Webster L. Anglo-Saxon Art. London, 2006.

Webster L. Anglo-Saxon Art: A New History. London, 2012.

Wilson D. Anglo-Saxon Art: From the Seventh Century to the Norman Conquest. London, 1984.

глава 11
Змеи, черепа и стоячие камни

Benson E. P. Birds and Beasts of Ancient Latin America. Gainesville, FL, 1997.

Fash W. L. Scribes, Warriors and Kings: The City of Copán and the Ancient Maya. London, 1991.

Kubler G. The Art and Architecture of Ancient America: The Mexican, Maya and Andean Peoples. Harmondsworth, 1962.

Maya Civilization / eds. P. Schmidt, M. de la Garza, E. Nalda. London, 1998.

Miller M., O’Neil M. Maya Art and Architecture. London, 2014.

Miller M., Taube K. The Gods and Symbols of Ancient Mexico and the Maya: An Illustrated Dictionary of Mesoamerican Religion. London, 1993.

Moche Art of Peru. Exh. cat., Los Angeles Museum of Cultural History / ed. C. B. Donnan. Los Angeles, CA, 1978.

Pasztory E. Aztec Art. New York, 1983.

Quilter J. The Moche of Ancient Peru: Media and Messages. Cambridge, MA, 2010.

Summers D. Real Spaces. London, 2003.

Teotihuacan: Art from the City of the Gods. Exh. cat., Fine Arts Museum of San Francisco / eds. K. Berrin, E. Pasztory. San Francisco, CA, and New York, 1993.

Teotihuacan: City of Water, City of Fire. Exh. cat., de Young Museum, San Francisco / ed. M. H. Robb. San Francisco, CA, 2017.

Townsend R. F. The Aztecs. London, 2000.

глава 12
Звук и свет

Панофский Э. Аббат Сюжер и аббатство Сен-Дени / пер. А. Панасьева // Богословие в культуре Средневековья. Киев, 1992

The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, Duc de Berry. Exh. cat., Metropolitan Museum of Art, New York / ed. T. B. Husband. New York, 2008.

Bony J. Gothic Architecture of the 12th and 13th Centuries. Berkeley, CA, 1983.

Brown S. Stained Glass: An Illustrated History. London, 1992.

Cattin G. Music of the Middle Ages / trans. S. Botterill. Cambridge, 1984.

Conant K. Romanesque Architecture, 800–1200. London, 1966.

Erlande-Brandenbourg A. The Cathedral Builders of the Middle Ages. London, 1995.

Fernie E. Romanesque Architecture. New Haven, CT; London, 2014.

Froissart, Chronicles / ed. John Jolliffe. London, 1967.

Grant L. Abbot Suger of St-Denis: Church and State in Early Twelfth-Century France. London; New York, 1998.

Grivot D., Zarnecki G. Gislebertus, Sculptor of Autun. London, 1961.

Grodecki L. Gothic Architecture. London, 1986.

Kuback H. E. Romanesque Architecture. New York, 1978.

Longon J., Cazelles R. The Tres Riches Heures of Jean, Duke of Berry. New York, 1969.

Martindale A. Gothic Art from the Twelfth to Fifteenth Centuries. London, 1967.

Meiss M. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries. 2 vols. New York, 1974.

Murray S. Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic. Cambridge, 1996.

Petzold A. Romanesque Art. London, 1995.

Rudolph C. The ‘Things of Greater Importance’: Bernard of Clairvaux’s ‘Apologia’ and the Medieval Attitude toward Art. Philadelphia, PA, 1990.

Sauerlander W. Gothic Sculpture in France, 1140–1270. London, 1972.

Schapiro M. Romanesque Art. New York, 1977.

Simson O. von. The Gothic Cathedral. London, 1956.

The St Albans Psalter: Painting and Prayer in Medieval England. Exh. cat., Getty Museum, Los Angeles / ed. K. Collins, P. Kidd, N. K. Turner. Los Angeles, CA, 2013.

Stones A., Gerson P. The Pilgrim’s Guide to Santiago de Compostela: A Critical Edition. London, 1998.

Williamson P. Gothic Sculpture, 1140–1300. New Haven, CT; London, 1995.

Zarnecki G. Romanesque Art. London, 1971.

глава 13
Путники в тумане

Binyon L. Painting in the Far East. London, 1934.

Bush S. Theories of the Arts in China. Princeton, NJ, 1983.

Bush S., Shih H. Early Chinese Texts on Painting. Cambridge, MA, 1985.

Cahill J. Chinese Painting [1960]. New York, 1985.

Cahill J. Hills beyond a River: Chinese Painting of the Yuan Dynasty, 1279–1368. New York; Tokyo, 1976.

Clunas C. Art in China. Oxford, 1997.

Clunas C. Chinese Painting and its Audiences. Princeton, NJ, 2017.

Clunas C. Elegant Debts: The Social Art of Wen Zhengming, 1470–1559. London, 2004.

Clunas C. Pictures and Visuality in Early Modern China. Princeton, NJ, 1997.

Edwards R. The Field of Stones: A Study of the Art of Shen Zhou (1427–1509). Washington, DC, 1962.

Fong W., Watt J. Possessing the Past: Treasures from the National Palace Museum, Taipei. New York, 1996.

Gu Kaizhi and the Admonitions Scroll / ed. S. McCausland. London, 2003.

Loehr M. The Great Painters of China. Oxford, 1980.

Medley M. The Chinese Potter: A Practical History of Chinese Ceramics. Oxford, 1976.

Rowley G. Principles of Chinese Painting. Princeton, NJ, 1947.

Silbergeld J. Chinese Painting Style: Media, Methods and Principles of Form. Seattle, WA, London, 1982.

Siren O. The Chinese on the Art of Painting. Beijing, 1936.

Stuart J. The Admonitions Scroll, British Museum Objects in Focus. London, 2014.

Sullivan M. Symbols of Eternity: The Art of Landscape Painting in China. Oxford, 1979.

Sullivan M. The Birth of Landscape Painting in China London, 1962.

Sullivan M. The Meeting of Eastern and Western Art. Berkeley, CA, 1989.

Vainker S. Chinese Pottery and Porcelain. London, 1991.

Wagner M. L. Wang Wei. Boston, MA, 1981.

Waley A. An Introduction to the Study of Chinese Painting. London, 1923.

Watt J. The World of Khubilai Khan: Chinese Art in the Yuan Dynasty. New York, 2010.

Wen F. Beyond Representation: Chinese Painting and Calligraphy 8th–14th Century. New Haven, CT; London, 1992.

глава 14
Завороженные

Akiyama A. Shinto and its Architecture. Kyoto, 1936.

Akiyoshi W., Hiroshi K., Varley P. Of Water and Ink: Muromachi-Period Paintings from Japan, 1392–1568. Detroit, MI, 1986.

Awakawa Y. Zen Painting / trans. J. Bester. New York, 1970.

Bownas G., Thwaite A. The Penguin Book of Japanese Poetry [1964]. Harmondsworth, 1998.

Flowering in the Shadows: Women in the History of Chinese and Japanese Painting / ed. M. Weidner. Honolulu, HA, 1990.

Gregory L., Lippit Y. Awakenings: Zen Figure Painting in Medieval Japan. New York, 2007.

Lippit Y. Japanese Zen Buddhism and the Impossible Painting. Los Angeles, CA, 2017.

McCormick M. The Tales of Genji: A Visual Companion. Princeton, NJ, 2018.

Momoyama: Japanese Art in the Age of Grandeur. Exh. cat., The Metropolitan Museum of Art, New York / ed. J. Meech–Pekarik. New York, 1975.

Shinto: The Ancient Art of Japan. Exh. cat., British Museum, London / ed. V. Harris. London, 2000.

Soper A. C. The Evolution of Buddhist Architecture in Japan. Princeton, NJ, 1942.

Stanley-Baker J. Japanese Art. London, 1984.

The Great Age of Japanese Buddhist Sculpture AD 600–1300. Exh. cat. Kimbell Art Museum, Fort Worth / ed. N. Kyōtarō, E. J. Sano. Fort Worth, TX, 1982.

Yashiro Y. Two Thousand Years of Japanese Art. London, 1958.

глава 15
Новая жизнь

Гинзбург К. Загадка Пьеро / пер. М. Велижева. М., 2019.

Berenson B. A Sienese Painter of the Franciscan Legend. London, 1910.

Berenson B. The Central Italian Painters of the Renaissance. London, 1909.

The Cambridge Companion to Piero della Francesca / ed. J. M. Wood. Cambridge, 2002.

Christiansen K. Gentile da Fabriano. London, 1982.

Clark K. Piero della Francesca. London, 1951.

Hills P. The Light of Early Italian Painting. New Haven, CT; London, 1987.

Hyman T. Sienese Painting: The Art of a City-Republic, 1278–1477. London, 2003.

Lavin M. A. Piero della Francesca: The Flagellation. London, 1972.

Lubbock J. Storytelling in Christian Art from Giotto to Donatello. New Haven, CT; London, 2006.

Maginnis H. B. J. Painting in the Age of Giotto. University Park, PA, 1997.

Martindale A. Simone Martini. Oxford, 1987.

Mommsen T. E. Petrarch’s Testament. Ithaca, NY, 1957.

Moskowitz A. F. Italian Gothic Sculpture c.1250–c.1400. Cambridge, 2001.

Painting in Renaissance Siena, 1420–1500. Exh. cat., Metropolitan Museum of Art, New York / eds. K. Christiansen, L. B. Kanter, C. B. Strehlke, New York, 1988.

Pope-Hennessy J. Italian Gothic Sculpture. London, 1986.

Pope-Hennessy J. Paradiso: The Illuminations to Dante’s ‘Divine Comedy’ by Giovanni di Paolo. London, 1993.

Richards J. Altichiero: An Artist and His Patrons in the Italian Trecento. Cambridge, 2000.

Sassetta: The Borgo San Sepolcro Altarpiece / ed. M. Israels. Leiden, 2009.

Seidel M. Father and Son: Nicola and Giovanni Pisano. Munich, 2012.

The Renaissance Philosophy of Man / eds. E. Cassirer et al. Chicago, IL, 1948.

глава 16
Упорядочение взгляда

Альберти Л. Б. Три книги о живописи / пер. А. Габричевского // Десять книг о зодчестве. М., 1937.

Вазари Д. Жизнеописания наиболее знаменитых живописцев, ваятелей и зодчих / пер. А. Габричевского, А. Венедиктова. М., 2008.

Andrea Mantegna. Exh. cat., Royal Academy, London / ed. J. Martineau. London, 1992.

Belting H. Florence and Baghdad: Renaissance Art and Arab Science / trans. D. L. Schneider. Cambridge, MA, 2011.

Berenson B. Italian Painters of the Renaissance. New York, 1952.

Blunt A. Artistic Theory in Italy, 1450–1600. Oxford, 1962.

Giotto to Dürer: Early Renaissance Painting in the National Gallery / eds. J. Dunkerton. London, 1991.

Krautheimer R. Lorenzo Ghiberti. Princeton, NJ, 1970.

Kristeller P. O. Renaissance Thought and the Arts. Princeton, NJ, 1980.

Manetti A. The Life of Brunelleschi / trans. C. Engass. London, 1970.

Mantegna & Bellini. Exh. cat., National Gallery, London / ed. C. Campbell. London, 2018.

Martindale A. The Triumphs of Caesar by Andrea Mantegna in the Collection of Her Majesty the Queen at Hampton Court. London, 1979.

Paoletti J. T., Radke G. M. Art in Renaissance Italy. London, 1997.

Pisanello: Painter to the Renaissance Court. Exh. cat. National Gallery, London / eds. L. Syson, D. Gordon. London, 2001.

Pope-Hennessy J. Paolo Uccello. London and New York, 1950.

Weiss R. The Spread of Italian Humanism. London, 1964.

глава 17
Впечатляющие мелочи

Bartrum G. German Renaissance Prints, 1490–1550. London, 1995.

Baxandall M. The Limewood Sculptures of Renaissance Germany. London, 1980.

Belting H. Hieronymus Bosch: Garden of Earthly Delights. Munich and London, 2002.

Bruegel: The Master. Exh. cat., Kunsthistorisches Museum, Vienna / eds. A. Hoppe-Harnoncourt, E. Oberthaler, S. Penot. Vienna, 2018.

Campbell L. The Fifteenth Century Netherlandish Schools, National Gallery Catalogues. London, 1998.

Campbell L. Van der Weyden. London, 1979.

Early Netherlandish Engraving c.1440–1540. Exh. cat., Ashmolean Museum, Oxford / ed. U. Mayr-Harting. Oxford, 1997.

Gibson W. S. Pieter Bruegel and the Art of Laughter. Berkeley, CA, 2006.

Heal B. A Magnificent Faith: Art and Identity in Lutheran Germany. Oxford, 2017.

Heard K., Whitaker L. The Northern Renaissance: Dürer to Holbein. London, 2011.

Hueffer F. M. Hans Holbein the Younger. London, 1905.

Ilsink M. et al. Hieronymus Bosch: Painter and Draughtsman. New Haven, CT; London, 2016.

Investigating Jan Van Eyck / eds. S. Foister, S. Jones, D. Cool. Brepols, 2000.

Jean Fouquet. Exh. cat., Musee du Louvre, Paris / ed. N. Reynaud. Paris, 1981.

Jean Fouquet: peintre et enlumineur du Xve siecle. Exh. cat., Bibliotheque Nationale, Paris / ed. F. Avril. Paris, 2003.

Kemperdick S. Martin Schongauer: eine Monographie. Petersberg, 2004.

Koerner J. L. Bosch and Bruegel. From Enemy Painting to Everyday Life. Princeton, NJ, and Oxford, 2016.

Landau D., Parshall P. The Renaissance Print, 1470–1550. New Haven, CT; London, 1994.

Lehmann P. W. Cyriacus of Ancona’s Egyptian Visit and its Reflections in Gentile Bellini and Hieronymus Bosch. New York, 1977.

Nuecherlein J. Translating Nature into Art: Holbein, the Reformation, and Renaissance Rhetoric. Philadelphia, PA, 2011.

Nuttall P. From Flanders to Florence: The Impact of Netherlandish Painting, 1400–1500. New Haven, CT; London, 2004.

Pacht O. Early Netherlandish Painting: From Rogier van der Weyden to Gerard David. London, 1997.

Panofsky E. Early Netherlandish Painting: Its Origins and Character. Vol. 1. Cambridge, MA, 1953.

Parker K. T. The Drawings of Hans Holbein in the Collection of her Majesty the Queen at Windsor Castle. London, 1983.

Petrus Christus: Renaissance Master of Bruges. Exh. cat., Metropolitan Museum of Art, New York / ed. M. W. Ainsworth. New York, 1994.

Purtle C. J. The Marian Paintings of Jan van Eyck. Princeton, NJ, 1982.

Rogier van der Weyden, 1400–1464: Master of Passions. Exh. cat., Museum Leuven / eds. L. Campbell, J. van der Stock. Leuven, 2009.

Shestack A. The Complete Engravings of Martin Schongauer. New York, 1969.

Tilman Riemenschneider: Master Sculptor of the Late Middle Ages / eds. J. Chapuis. New Haven, CT; London, 1999.

Upton J. M. Petrus Christus: His Place in Fifteenth-Century Flemish Painting. University Park, PA, 1990.

Van Eyck: An Optical Revolution. Exh. cat., Museum voor Schone Kunsten, Ghent / eds. M. Marten, T.-H. Borchert, J. Dumolyn, J. De Smet, F. Van Dam. Ghent, 2020.

Weale W. H. J. Hubert and John Van Eyck: Their Life and Work. London, 1908.

глава 18
Бронзовые короли

Africa: The Art of a Continent. Exh. cat., Royal Academy, London / ed. T. Phillips. London, 1995.

Art of the Dogon: Selections from the Lester Wundermann Collection. Exh. cat., Metropolitan Museum of Art, New York / ed. K. Ezra. New York, 1988.

Beier U. Yoruba Poetry: An Anthology of Traditional Poems. Cambridge, 1970.

Ben-Amos P. The Art of Benin. London, 1995.

Ben-Amos P., Rubin A. The Art of Power: The Power of Art: Studies in Benin Iconography. Los Angeles, CA, 1983.

Bovin M. Nomads Who Cultivate Beauty. Uppsala, 2001.

Dynasty and Divinity: Ife Art in Ancient Nigeria. Exh. cat., Museum of African Art, New York / eds. H. N. Drewal, E. Schildkrout. New York, 2009.

Garlake P. Early Art and Architecture of Africa. Oxford, 2002.

Garlake P. Great Zimbabwe. London, 1973.

Garlake P. The Hunter’s Vision: The Prehistoric Art of Zimbabwe. London, 1995.

Gillon W. A Short History of African Art. London, 1984.

Griaule M. Masques Dogon. Paris, 1938.

Hodgkin T. Nigerian Perspectives: An Historical Anthology. Oxford, 1960.

I Am Not Myself: The Art of African Masquerade / ed. H. M. Cole. Los Angeles, CA, 1985.

Olusoga D. First Contact: The Cult of Progress. London, 2018.

Phillipson D. W. Aksum: Its Antecedents and Successors. London, 1998.

The Royal Art of Benin: The Perls Collection. Exh. cat., Metropolitan Museum of Art, New York / ed. K. Ezra. New York, 1992.

Shaw T. Unearthing Igbo-Ukwu. Archaeological Discoveries in Eastern Nigeria. Ibadan, 1977.

Vinnicombe P. People of the Eland. Pietermaritzburg, 1976.

Visona M. B. et al. A History of Art in Africa. London, 2000.

Willett F. African Art: An Introduction. London, 1971.

глава 19
Вот это гений!

Палладио А. Четыре книги об архитектуре / пер. И. Жолтовского. М., 1938.

Челлини Б. Жизнь Бенвенуто, сына маэстро Джованни Челлини, флорентийца, написанная им самим во Флоренции / пер. М. Лозинского. М., 1991.

Ackerman J. S. Palladio. London, 1966.

Ackerman J. S. The Architecture of Michelangelo. London, 1961.

The Age of Sultan Süleyman the Magnificent. Exh. cat., National Gallery, Washington, DC / ed. E. Atil. Washington, DC, 1987.

Atasoy N., Raby J. Iznik: The Pottery of Ottoman Turkey. London, 1989.

Avery C. Giambologna: The Complete Sculpture. Oxford, 1987.

Bambach C. Leonardo da Vinci Rediscovered. New Haven, CT; London, 2019.

Burns H. Fairbairn L., Boucher B. Andrea Palladio, 1508: The Portico and the Farmyard. London, 1975.

Carswell J. Iznik Pottery. London, 1998.

Clark K. Leonardo da Vinci. London, 1939.

Dunkerton Jill, Foister S., Penny N. Dürer to Veronese: Sixteenth-Century Painting in the National Gallery. New Haven, CT; London, 1999.

Freiberg J. Bramante’s Tempietto, the Roman Renaissance, and the Spanish Crown. Cambridge, 2014.

Giambologna, Sculptor to the Medici. Exh. cat., Arts Council of Great Britain. London, 1978.

Gould C. The Studio of Alfonso d’Este and Titian’s ‘Bacchus and Ariadne’: A Re-Examination of the Chronology of the Bacchanals and of the Evolution of One of Them. London, 1969.

Hall J. Michelangelo and the Reinvention of the Human Body. London, 2005.

Hibbard H. Michelangelo. New York, 1974.

Hills P. Venetian Colour: Marble, Mosaic, Painting and Glass, 1250–1550. New Haven, CT; London, 1999.

Howard D. Venice and the East: The Impact of the Islamic World on Venetian Architecture, 1100–1500. New Haven, CT; London, 2000.

Humfrey P. Titian. London, 2007.

Jones R., Penny N. Raphael. New Haven, CT; London, 1983.

Kemp M. Leonardo da Vinci: The Marvellous Works of Nature and Man. London, 1981.

Leonardo da Vinci: Painter at the Court of Milan. Exh. cat., National Gallery, London / ed. L. Syson. London, 2011.

Levey M. The World of Ottoman Art. London, 1975.

The Literary Works of Leonardo da Vinci / ed. J. P. Richter. London, 1970.

Necipoğlu G. The Age of Sinan: Architectural Culture in the Ottoman Empire. London, 2005.

Paoletti J. T. Michelangelo’s ‘David’: Florentine History and Civic Identity. Cambridge, 2015.

Perlingieri I. S. Sofonisba Anguissola: The First Great Woman Artist of the Renaissance. New York, 1992.

Pope-Hennessy J. Cellini. London, 1985.

Pope-Hennessy J. Raphael. London, 1970.

Summers D. Michelangelo and the Language of Art. Princeton, NJ, 1981.

The Sultan’s World: The Ottoman Orient in Renaissance Art. Exh. cat., Centre for Fine Arts, Brussels / ed. R. Born, M. Dziewulski, G. Messling. Ostfildern, 2015.

Veronese: Magnificence in Renaissance Venice. Exh. cat., National Gallery, London / ed. X. F. Salomon. London, 2014.

Wackernagel M. The World of the Florentine Renaissance Artist: Projects and Patrons, Workshop and Art Market / trans. A. Luchs, Princeton, NJ, 1981.

Wittkower R. Architectural Principles in the Age of Humanism. New York, 1962.

глава 20
Тени и власть

Вёльфлин Г. Ренессанс и барокко / пер. Е. Лундберга. М., 2024.

Alpers S. The Making of Rubens. New Haven, CT; London, 1995.

Beyond Caravaggio. Exh. cat., National Gallery, London / ed. L. Treves. London, 2016.

Blunt A. Art and Architecture in France, 1500–1700. New Haven, CT; London, 1999.

Blunt A. Nicolas Poussin. London, 1958.

Bull M. The Mirror of the Gods. Oxford, 2005.

Burckhardt J. Recollections of Rubens. London, 1950.

Charles I: King and Collector. Exh. cat., Royal Academy, London / ed. P. Rumberg, D. Shawe-Taylor. London, 2018.

Clark K. The Nude: A Study in Ideal Form. New York, 1956.

Cropper E., Dempsey C. Nicolas Poussin: Friendship and the Love of Painting. Princeton, NJ, 1996.

Duffy S., Hedley J. The Wallace Collection’s Pictures: A Complete Catalogue. London 2004.

Friedlander W. Caravaggio Studies. New York, 1969.

Hibbard H. Bernini. Harmondsworth, 1965.

Krautheimer R. The Rome of Alexander VII, 1655–1667. Princeton, NJ, 1985.

Lavin I. Bernini and the Unity of the Visual Arts. New York and London, 1980.

Mahon D. Studies in Seicento Art and Theory. Westport, CT, 1971.

Orazio and Artemisia Gentileschi. Exh. cat., Metropolitan Museum of Art, New York / eds. K. Christiansen, J. W. Mann. New Haven, CT, 2001.

Poussin and Nature: Arcadian Visions. Exh. cat., Metropolitan Museum of Art, New York / eds. P. Rosenberg, K. Christiansen. New York, 2007.

Saints and Sinners: Caravaggio and the Baroque Image. Exh. cat., Charles S. and Isabella V. McMullen Museum of Art., Boston / ed. F. Mormando. Boston, MA, 1999.

The Genius of Rome. Exh. cat., Royal Academy, London / eds. B. L. Brown. London, 2001.

The Paper Museum of Cassiano dal Pozzo: Catalogue Raisonné of Drawings and Prints in the Royal Library at Windsor Castle, the British Museum, Institut de France and Other Collections / eds. F. Haskell, J. Montagu. London, 1994–[ongoing].

Van Dyck: A Complete Catalogue of the Paintings / ed. S. J. Barnes, N. de Poorter, O. Millar, H. Vey. New Haven, CT; London, 2004.

Warwick G. Bernini: Art as Theatre. New Haven, CT; London, 2012.

Wittkower R. Art and Architecture in Italy, 1600–1750 [1973]. New Haven, CT; London, 1999.

Wittkower R. Bernini: The Sculptor of the Roman Baroque. London, 1955.

Wright C. Poussin: Paintings, a Catalogue Raisonné. London, 1984.

глава 21
Открытое окно

Алперс С. Предприятие Рембрандта. Мастерская и рынок / пер. В. Ахтырской. М., 2003.

Мандер К. Книга о художниках / пер. В. Минорского. СПб., 2007.

Alpers S. The Art of Describing: Dutch Art in the Seventeenth Century. London, 1983.

Asia in Amsterdam: The Culture of Luxury in the Golden Age. Exh. cat., Peabody Essex Museum, Salem, MA / eds. K. H. Corrigan, J. van Campen, F. Diercks. New Haven, CT, 2016.

Beck H.-U. Jan van Goyen, 1596–1656. 2 vols. Amsterdam, 1972–1973.

Brown C. Scenes of Everyday Life: Dutch Genre Painting of the Seventeenth Century. London, 1984.

Chapman H. P. Rembrandt’s Self-Portraits: A Study in Seventeenth-Century Identity. Princeto, NJ, 1990.

Clark K. An Introduction to Rembrandt. London, 1978.

Friedlander M. Landscape, Portrait. Still-Life. New York, 1963.

Gabriel Metsu: Rediscovered Master of the Dutch Golden Age. Exh. cat., National Gallery of Ireland, Dublin / ed. A. E. Waiboer. Dublin, 2010.

Gowing L. Vermeer. London, 1952.

Griffith A. The Print before Photography: An Introduction to European Printmaking 1550–1820. London, 2016.

Haak B. The Golden Age: Dutch Painters of the Seventeenth Century. New York, 1984.

Hercules Seghers: Painter–Etcher. Exh. cat., Rijksmuseum, Amsterdam / eds. H. Leeflang, P. Roelofs. Amsterdam, 2017.

Impey O. The Early Porcelain Kilns of Japan: Arita in the First Half of the Seventeenth Century. Oxford, 1996.

Jan Steen: Painter and Storyteller. Exh. cat., National Gallery of Art, Washington, DC / ed. G. M. C. Jansen. Washington, DC, 1996.

Judith Leyster: A Dutch Master and Her World. Exh. cat., Worcester Art Museum / eds. J. A. Welu, P. Biesboer. New Haven, CT, 1993.

Montias J. M. Vermeer and His Milieu: A Web of Social History. Princeton, NJ, 1989.

North M. Art and Commerce in the Dutch Golden Age / trans. C. Hill. New Haven, CT; London, 1997.

Rembrandt and the Inspiration of India. Exh. cat., J. Paul Getty Museum, Los Angeles / ed. S. Schrader. Los Angeles, CA, 2018.

Rembrandt by Himself. Exh. cat., National Gallery / eds. C. White, Q. Buvelot. London. London, 1999.

Rembrandt: The Master & his Workshop. Vol. I: Paintings / eds. C. Brown, J. Kelch and P. J. J. van Thiel; Vol. II: Drawings and Etchings / eds. H. Bevers, P. Schatborn, B. Welzel. Exh. cat. Altesmuseum, Berlin; Rijksmuseum, Amsterdam; National Gallery, London. New Haven, CT; London, 1991–1992.

Sandrart J. Lives of Rembrandt, Baldinucci and Houbraken. London, 2007.

Schama S. The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age. New York, 1987.

Segal S. A Prosperous Past: The Sumptuous Still Life in the Netherlands, 1600–1700. The Hague, 1988.

Slive S. Dutch Painting, 1600–1800. New Haven, CT; London, 1995.

Slive S. Frans Hals. London, 2014.

Waiboer A. E. Gabriel Metsu: Life and Work. A Catalogue Raisonné. New Haven, CT; London, 2012.

White C. Rembrandt. London, 1984.

Wright E. Muraqqá: Imperial Mughal Albums from the Chester Beatty Library, Dublin. Alexandria, 2008.

глава 22
Оставаться человеком

Arnason H. H. The Sculptures of Houdon. London, 1975.

Banks O. T. Watteau and the North: Studies in the Dutch and Flemish Baroque Influence on French Rococo Painting. New York; London, 1977.

Bindman D. Hogarth. London, 1981.

Brookner A. David J.-L. London, 1980.

Bryson N. Looking at the Overlooked: Four Essays on Still Life Painting. London, 1990.

La Chine revée de François Boucher: une des provinces du rococo / eds. N. Surlapierre, Y. Rimaud, A. Laing, L. Mucciarelli. Paris, 2019.

Cowley R. L. S. Marriage A-la-Mode: A Re-View of Hogarth’s Narrative Art. Manchester, 1989.

Crow T. Painters and Public Life in Eighteenth-Century Paris. New Haven, CT; London, 1985.

Eccentric Visions: The Worlds of Luo Ping. Exh. cat., Museum Rietberg, Zurich / eds. K. Karlsson, A. Murck, M. Matteini, Zurich, 2009.

Elisabeth Louise Vigée Le Brun. Exh. cat., Grand Palais, Paris / ed. J. Baillio, X. Salmon. Paris, 2016.

Hayes J. Gainsborough: Paintings and Drawings. London, 1975.

Hayes J. The Landscape Paintings of Thomas Gainsborough. 2 Vols. London, 1982.

Hogarth’s Marriage A-la-Mode. Exh. cat., National Gallery, London / ed. J. Egerton. London, 1997.

Hsu G. C.-C. A Bushel of Pearls: Painting for Sale in Eighteenth-Century Yangchow. Stanford, CA, 2001.

Joshua Reynolds: The Creation of Celebrity. Exh. cat., Tate Britain, London / ed. M. Postle. London, 2005.

Karlsson K., Ping L. The Life, Career and Art of an Eighteenth-Century Chinese Painter. Bern, 2004.

Richardson T. The Arcadian Friends: Inventing the English Landscape Garden. London, 2007.

Stephens F. G. English Children as Painted by Sir Joshua Reynolds. London, 1867.

Sullivan M. The Meeting of Eastern and Western Art from the Sixteenth Century to the Present Day. London, 1973.

The Elegant Brush: Chinese Painting under the Qianlong Emperor, 1735–1795. Exh. cat., PhoenixArt Museum / eds. J. Chou, C. Brown. Phoenix, AZ, 1985.

Tomlinson J. Goya: A Portrait of the Artist. Princeton, NJ, 2020.

Uglow J. Hogarth: A Life and a World. London, 1997.

Wildenstein G. The Paintings of Fragonard: Complete Edition. London, 1960.

глава 23
Поэтический импульс

Ackroyd P. Blake. London, 1995.

The Arts of the North American Indian: Native Traditions in Evolution / ed. E. L. Wade. New York, 1986.

Bindman D. Blake as an Artist. Oxford, 1977.

Brookner A. Romanticism and Its Discontents. London, 2000.

Church’s Great Picture ‘The Heart of the Andes’. Exh. cat., Metropolitan Museum, New York / ed. K. J. Avery. New York, 1993.

Eitner L. Géricault’s ‘Raft of the Medusa’. London, 1972.

Grave J. Caspar David Friedrich, trans. Fiona Elliott. Munich, 2017.

Grigson G. Samuel Palmer: The Visionary Years. London, 1947.

Honour H. Romanticism. Harmondsworth, 1979.

Howat J. K. Frederic Church. New Haven, CT, 2005.

Lane R. Images of the Floating World: The Japanese Print, Including an Illustrated Dictionary of Ukiyo-e. Oxford, 1978.

The Plains Indians: Artists of Earth and Sky. Exh. cat., Metropolitan Museum of Art, New York / ed. G. Torrence. New York, 2015.

Poster A. G., Smith H. D. Hiroshige: One Hundred Famous Views of Edo. London, 1986.

The Reception of Blake in the Orient / eds. S. Clark, M. Suzuki. London and New York, 2006.

Romanticism and Realism: The Mythology of Nineteenth Century Art / eds. C. Rosen, H. Zerner. London, 1984.

Thomas Cole: Landscape into History / eds. W. H. Truettner, A. Wallach. New Haven, CT; London, 1994.

Turner: Imagination and Reality. Exh. cat., Museum of Modern Art, New York / ed. L. Gowing. New York, 1966.

Vaughan W. Samuel Palmer: Shadows on the Wall. New Haven, CT; London, 2015.

Vigne G. Ingres / trans. J. Goodman. New York, 1995.

Waterhouse D. B. Harunobu and His Age: The Development of Colour Printing in Japan. London, 1964.

Wordsworth W. The Prelude: A Parallel Text, ed. J. C. Maxwell. Harmondsworth, 1971.

глава 24
Повседневные революции

Ван Гог В. Письма / пер. П. Мелковой. М.; Л., 1966.

Вентури Л. Импрессионисты. Дневники и письма / пер. П. Мелковой. М., 2020.

Лесли Ч.-Р. Жизнь Джона Констебля, эсквайра / пер. Р. Сефа, Л. Мирцевой. М., 1964.

Ревалд Д. История импрессионизма / пер. П. Мелковой. Л.; М., 1959.

Adolph Menzel, 1815–1905: Between Romanticism and Impressionism. Exh. cat., National Gallery, Washington, DC / eds. C. Keisch, M. U. Riemann-Reyher. New Haven, CT, 1996.

Atkins A. Sun Gardens: Victorian Photograms. New York, 1985.

Barajas P. A. Hermenegildo Bustos [1956]. Guanjuato, 1996.

Bowness A. Poetry and Painting: Baudelaire, Mallarmé, Apollinaire and Their Painter Friends. Oxford, 1994.

Browse L. Degas Dancers. London, 1949.

Busch W. Adolph Menzel: Leben und Werk. Munich, 2004.

Clark T. J. Image of the People: Gustave Courbet and the 1848 Revolution. London, 1973.

Clark T. J. The Absolute Bourgeois: Artists and Politics in France, 1848–1851. London, 1973.

Clark T. J. The Painting of Modern Life: Paris in the Art of Manet and His Followers. London, 1999.

Danchev A. The Letters of Paul Cézanne. London, 2013.

Degas and the Ballet: Picturing Movement. Exh. cat., Royal Academy, London / eds. R. Kendall, J. Devonyar. London, 2011.

Degas by Himself / ed. R. Kendall. London, 1987.

Gordon S. Shadows of War: Roger Fenton’s Photographs of the Crimea, 1855. London, 2017.

Gustave Le Gray, 1820–1884. Exh. cat., Getty Museum, Los Angeles / eds. S. Aubena, G. Baldwin. Los Angeles, CA, 2002.

House J. Impressionism: Paint and Politics. London, 2004.

Ilya Repin. Russia’s Secret. Exh. cat., Groninger Museum / eds. H. van Os, S. Scheijen. Groningen, 2001.

Jean-François Millet: Drawn into the Light. Exh. cat., Sterling and Francine Clark Art Institute, Williamstown, MA / eds. A. R. Murphy, R. Rand, B. T. Allen, J. Ganz, A. Goodin, New Haven, CT, 1999.

Julia Margaret Cameron: The Complete Photographs / eds. J. Cox, C. Ford. London, 2003.

Manet by Himself / ed. J. Wilson-Bareau. London, 1991.

Manet: Portraying Life. Exh. cat., Royal Academy, London / eds. M. Stevens et al. London, 2013.

Mary Cassatt: Modern Woman. Exh. cat., The Art Institute of Chicago / ed. J. A. Barter. New York, 1998.

Mary Cassatt: Prints. Exh. cat., National Gallery, London / ed. K. Adler. London, Leo 2006.

Mathews N. M. Mary Cassatt: A Life. New Haven, CT; London, 1994.

Moore G. Impressions and Opinions. London, 1891.

Nineteenth-Century Art: A Critical History / ed. S. F. Eisenman. London, 2011.

Paz O. Essays on Mexican Art. New York, 1993.

Pollock G. Mary Cassatt: Painter of Modern Women. London, 1998.

Schivelbusch W. Disenchanted Night. The Industrialisation of Light in the Nineteenth Century / trans. A. Davies. Berkeley, Los Angeles, CA, 1988.

Talbot W. H. F. The Pencil of Nature [1844]. Chicago, IL; London, 2011.

Tibol R. Hermenegildo Bustos: pintor del pueblo. Mexico City, 1999.

Valkenier E. Russian Realist Art: State and Society. The Peredvizhniki and Their Tradition. New York, 1989.

Weisberg G. P. The Realist Tradition: French Painting and Drawing 1830–1900. Cleveland, OH, 1981.

Wue R. Art Worlds: Artists, Images and Audiences in Late Nineteenth-Century Shanghai. Honolulu, HA, 2014.

глава 25
Горы и океаны

Данчев А. Сезанн. Жизнь / пер. Л. Житкова, А. Захаревич, М. Денисьева. М., 2016.

Рильке Р. М. Письма о Сезанне / пер. Г. Ратгауза // Р. М. Рильке. Письма к молодому поэту. Письма о Сезанне. М., 2020.

Adorning the World: Art of the Marquesas Islands. Exh. cat., Metropolitan Museum of Art, New York / eds. E. Kjellgren, C. S. Ivory. New York, 2005.

Art in Oceania: A New History / eds. P. Brunt, N. Thomas. London, 2012.

The Art of the Pacific Islands. Exh. cat., National Gallery of Art, Washington, DC / eds. P. Gathercole, A. L. Kaeppler, D. Newton. Washington, DC, 1979.

Attenborough D. The Tribal Eye. London, 1976.

Barbeau M. Totem Poles of the Gitksan, Upper Skeena River, British Columbia, Bulletin of the National Museum of Canada, no. 61. 1929.

Bonnard. Exh. cat., Tate Gallery, London / ed. S. Whitfield, J. Elderfield. London, 1998.

Cézanne in Provence. Exh. cat., National Gallery of Art, Washington, DC / eds. P. Conisbee, D. Coutagne. New Haven, CT, 2006.

Childs E. C. Vanishing Paradise: Art and Exoticism in Colonial Tahiti. Berkeley, CA, 2013.

Duret T. Histoire des peintres impressionnistes: Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin [1874]. Paris, 1922.

From Manet to Toulouse-Lautrec: French Lithographs 1860–1900. Exh. cat., British Museum, London / eds. F. Carey, A. Griffiths,. London, 1978.

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Gell A. Wrapping in Images: Tattooing in Polynesia. Oxford, 1993.

Hilma af Klint. Paintings for the Future. Exh. cat., Guggenheim Museum, New York / ed. T. Bashkoff. New York, 2019.

Japonisme: Japanese Influence on French Art 1854–1910. Exh. cat., Cleveland Museum of Art / eds. G. P. Weisberg et al. Cleveland, OH, 1975.

Jonaitis A. From the Land of the Totem Poles: The Northwest Coast Indian Art Collection at the American Museum of Natural History. New York, 1988.

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Korewori: Magic Art from the Rainforest. Exh. cat., Museum der Kulturen, Basel / ed. C. Kaufmann. Basel, 2003.

Muller-Westermann I. Hilma af Klint: A Pioneer of Abstraction. Ostfildern, 2013.

Pacific Encounters: Art & Divinity in Polynesia, 1760–1860. Exh. cat., Sainsbury Centre for Visual Arts, Norwich / eds. S. Hooper. London, 2006.

Paradise Remembered: The Noa Noa Prints. Exh. cat., Princeton University Art Museum / eds. A. Wright, C. Brown. Princeton, NJ, 2010.

Rewald J. The Paintings of Paul Cézanne: A Catalogue Raisonné. 2 vols. London, 1996.

Roskill M. Van Gogh, Gauguin and the Impressionist Circle. Greenwich, CT, 1970.

Royal Hawaian Featherwork: Na Hulu Ali’i. Exh. cat., de Young Museum, San Francisco / eds. L. Caldeira, C. Hellmich, A. L. Kaeppler, B. Lou, K. G. Rose. Honolulu, HA, 2015.

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Thomas N. Oceanic Art. London, 2018.

Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge. Exh. cat., Courtauld Institute, London / ed. N. Ireson. London, 2011.

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Watkins N. Bonnard. London, 1994.

глава 26
Новые миры

Итальянский футуризм: манифесты и программы 1909–1941. В 2 т. / cост. Е. Лазарева. М., 2020.

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Ades D. Photomontage. London, 1976.

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Cooper H. Mondrian: The Transatlantic Paintings. Cambridge, MA, 2001.

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Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris. Exh. cat., National Gallery of Art, Washington DC / eds. L. Dickerman, B. Doherty. Washington, DC, 2005.

Dalí: The Centenary Retrospective. Exh. cat., Palazzo Grassi, Venice / ed. D. Ades. London, 2005.

Dickermann L., Smithgall E. Jacob Lawrence: The Migration Series. New York and Washington, DC, 2015.

Eldredge C. C. Georgia O’Keeffe. New York, 1991.

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Tomkins C. Duchamp: A Biography. New York, 1996.

глава 27
После травмы

Розенберг Г. Традиция нового / пер. О. Демидовой. М., 2019.

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Andrews J. F. Painters and Politics in the People’s Republic of China, 1949–1979. Berkeley, CA, 1994.

Dan Flavin. A Retrospective. Exh. cat., National Gallery of Art, Washington, DC / eds. M. Govan, T. Bell. New Haven, CT, 2005.

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Gerhard Richter: Doubt and Belief in Painting. Exh. cat., Museum of Modern Art, New York / ed. R. Storr. New York, 2002.

Germany Divided: Baselitz and His Generation, from the Duerckheim Collection. Exh. cat., British Museum, London / ed. J.-P. Stonard. London, 2014.

Greenberg C. Art and Culture. New York, 1961.

It Is What It Is: Writings on Dan Flavin since 1964 / eds. P. Feldman, K. Schubert. London, 2004.

Joseph Beuys: The End of the 20th Century. The Move from the Haus der Kunst to the Pinakothek der Moderne München / eds. B. Heimberg, S. Willisch. Munich, 2007.

Krauss R. Terminal Iron Works: The Sculpture of David Smith. Cambridge, MA, 1971.

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Lygia Clark: The Abandonment of Art, 1948–88. Exh. cat., Museum of Modern Art, New York / eds. C. H. Butler, L. Perez-Oramas. New York, 2014.

Moorhouse P. Interpreting Caro. London, 2005.

Newman B. Selected Writings and Interviews. Berkeley, CA, 1990.

Nochlin L. Women, Art and Power: And Other Essays. New York, 1988.

Postwar: Art between the Pacific and the Atlantic, 1945–1965. Exh. cat., Haus der Kunst, Munich / eds. O. Enwezor, K. Siegel, U. Wilmes. Munich, 2016.

Rachel Whiteread: House / ed. J. Lingwood. London, 1995.

Radical Women: Latin American Art, 1960–1985. Exh. cat., Hammer Museum, Los Angeles / eds. C. Fajardo-Hill, A. Giunta. New York, 2017.

Richard Hamilton. Exh. cat., Tate Modern, London / eds. M. Godfrey, P. Schimmel, V. Todoli. London, 2014.

Sherman C. The Complete Untitled Film Stills. New York, 2003.

The Short Century: Independence and Liberation Movements in Africa 1945–1994. Exh. cat., Museum Villa Stuck, Munich / ed. O. Enwezor. Munich, 2001.

Traces: Ana Mendieta. Exh. cat., Hayward Gallery, London / ed. S. Rosenthal. London, 2013.

We Won’t Play Nature to Your Culture: Barbara Kruger. Exh. cat., ICA, London / eds. I. Blazwick, S. Nairne. London, 1983.

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