Библиография

Бадью А. 2006. Этика: очерк о сознании зла. СПб.: Machina.

Барт Р. 1989. Смерть автора // Барт Р. Избранные работы: Семиотика. Поэтика. М.: Прогресс.

Барт Р. 2011. Camera lucida. Комментарий к фотографии. М.: Ад Маргинем Пресс.

Бегбедер Ф. 2006. Windows on the World. М.: Иностранка, Азбука-Аттикус.

Бейкер Н. 2006. Бельэтаж. М.: Эксмо.

Блох Э. 1997. Тюбингенское введение в философию. Екатеринбург: Издательство Уральского университета.

Болтански Л., Кьяпелло Э. 2011. Новый дух капитализма. М.: НЛО.

Бодрийяр Ж. 2000. Символический обмен и смерть. М.: Добросвет.

Бодрийяр Ж. 2016. Дух терроризма // Бодрийяр Ж. Дух терроризма. Войны в Заливе не было. М.: РИПОЛ классик.

Буррио Н. 2016. Реляционная эстетика // Буррио Н. Реляционная эстетика. Постпродукция. М.: Ад Маргинем Пресс.

Вермюлен Т., ван ден Аккер Р. 2015. Заметки о метамодернизме // http://metamodernizm.ru/notes-on-metamodernism/

Витгенштейн Л. 1989. Лекция об этике // Историко-философский ежегодник 1989 / Под ред. Н.В. Мотрошиловой. М.: Наука.

Витгенштейн Л. 1994. Логико-философский трактат // Витгенштейн Л. Философские работы. Ч. I. М.: Гнозис. С. 73.

Витгенштейн Л. 2017. Логико-философский трактат. М: Канон + РООИ «Реабилитация».

Гегель Г.В.Ф. 1977. Энциклопедия философских наук: В 3-х тт. М.: Мысль, Т. 3.

Гегель Г.В.Ф. 2000. Феноменология духа. М.: «Наука».

Гор А. 2007. Неудобная правда. Глобальное потепление. Как остановить планетарную катастрофу. М.: Амфора.

Гофман И. 2004. Анализ фреймов. Эссе об организации повседневного опыта. М.: Институт социологии РАН – Институт Фонда «Общественное мнение».

Данилевский М. 2019. Дом листьев. Екатеринбург: Гонзо.

Делез Ж. 2011. Фрэнсис Бэкон. Логика ощущения. М.: Machina.

Делез Ж., Гваттари Ф. 2007. Анти-Эдип: Капитализм и шизофрения. Екатеринбург: У-Фактория; Астрель.

Делез Ж., Гваттари Ф. 2010. Тысяча плато: Капитализм и шизофрения. Екатеринбург – М.: У-Фактория; Астрель.

Деррида Ж. 2006. Призраки Маркса. Государство долга, работа скорби и новый интернационал. М.: Logos-altera, издательство «Ecce homo».

Деррида Ж. 2012. Подпись Событие Контекст // Деррида Ж. Поля философии М.: Академический Проект.

Джеймисон Ф. 2014. Постмодернизм и общество потребления // Джеймисон Ф. Марксизм и интерпретация культуры. М. – Екатеринбург: Кабинетный ученый.

Джеймисон Ф. 2019. Постмодернизм, или Культурная логика позднего капитализма. М.: Издательство Института Гайдара.

Евгенидис Д. 2012. А порою очень грустны. М.: Астрель, Corpus.

Жижек С. 2002. Добро пожаловать в пустыню Реального. М.: Прагматика культуры.

Жижек С. 2011. Искусство смешного возвышенного. О фильме Дэвида Линча «Шоссе в никуда». М.: Европа.

Зебальд В.Г.М. 2019. Кольца Сатурна. Английское паломничество. М.: Новое издательство.

Иглтон Т. 2010. Теория литературы: введение. М.: Издательский дом «Территория будущего».

Краус К. 2019. I love Dick. М.: No Kidding Press.

Лакан Ж. 1999. Семинары. Книга 2. «Я» в теории Фрейда и в технике психоанализа. М.: Гнозис, Логос.

Лернер Б. 2015. 22:04. М.: Астрель, Corpus.

Моррисон Т. 2005. Возлюбленная. М.: Иностранка.

Платон. 1993. Пир // Платон. Собр. Соч.: В 4-х тт. М.: Мысль. Т. 3.

По Э. 1984. Похищенное письмо // По Э. Избранное. М.: Издательство «Художественная литература». (Перевод И. Гуровой цит. по: )

Смит З. 2010. О красоте. М.: Издательство Ольги Морозовой.

Сонтаг С. 2013. О фотографии. М.: Ад Маргинем Пресс.

Тернер, Люк. Манифест метамодернизма // http://metamodernizm.ru/ manifesto/

Уоллес Д.Ф. 2018. Старый добрый неон //

Уоллес Д.Ф. 2019. Бесконечная шутка. М.: Эксмо.

Фрай Н. 1987. Анатомия критики // Зарубежная эстетика и теория литературы XIX–XX вв. М.: Изд-во Московского университета.

Франзен Д. 2013. Поправки. М.: Астрель, Corpus.

Франзен Д. 2017. Мистер сложный. Уильям Гэддис и проблема чтения сложных книг //

Фукуяма Ф. 2005. Конец истории и последний человек. М.: АСТ.

Фукуяма Ф. 2012. Будущее истории. Сможет ли либеральная демократия пережить упадок среднего класса // Россия в глобальной политике. № 1.

Харви Д. 2007. Краткая история неолиберализма. Актуальное прочтение. М.: Поколение.

Хардт М., Негри А. 2004. Империя. М.: Праксис.

Чаадаев П.Я. 1991. Полное собр. соч. и избранные письма. В 2-х тт. М.: Наука.

Эггерс Д. 2007. Душераздирающее творение ошеломляющего гения. М.: Эксмо.

Эко У. 2007. Постмодернизм, ирония, занимательность // Эко У. Заметки на полях «Имени розы». СПб.: Симпозиум.

Abramson, Seth. 2015a. ‘The Metamodernist Manifesto’. The Hufёngton Post. 8 April 2015. Accessed 20 May 2015. http://www.hufёngtonpost.com/seth-abramson/the-metamodernist-manifes_7_b_6995644.html

Abramson, Seth. 2015b. ‘Metamodern Literature and the Metaverse’. Huffington Post. 15 April 2015. Accessed 20 May 2015.

Adorno, Theodor. 2003 [1967]. ‘Art and the Arts’. In Can One Live After Aushwitz?: A Philosophical Reader, edited by Rolf Tiedemann, translated by Rodney Livingstone, 368–387. Stanford, CA: Stanford University Press.

van den Akker, Robin. 2013. ‘Whatever Works’. Review of NW, by Zadie Smith. In American Book Review, In Focus: Metamodernism, edited by Christian Moraru. May/June 3–4. 15 and 30.

Allen, Stan and Marc McQuade, eds. 2011. Landform Building: Architecture’s New Terrain. Zurich: Lars Muller. al-Samad, Abdel Kaё. 2014. ‘Lebanon’s Islamists View Declaration of Caliphate as Heresy’. Al-Akhbar English. 1 July 2014. Accessed 15 August 2014.

Amery, Jean. 1980. At the Mind’s Limits. Bloomington: Indiana University Press. The Andrew Marr Show. 2016. BBC 1, 10 July 2016.

Arquilla, John. 2011. ‘The (B)end of History’. Foreign Policy. 27 December 2011. Accessed 15 January 2013. http://www.foreignpolicy.com/arti-cles/2011/12/27/the_bend_of_history

Attridge, Derek. 2004. The Singularity of Literature. London: Routledge.

Avanessian, Armen. 2016a. ‘Asynchronous Present Past’. In Speculative Art Histories, edited by Sjoerd van Tuinen. Edinburgh: Edinburgh University Press.

Avanessian, Arme. 2016b. Der Zeitkomplex: Postcontemporary. Berlin: Merwe.

Badiou, Alain. 2001. Ethics. An Essay on the Understanding of Evil. London: Verso.

Badiou, Alain. 2012. The Rebirth of History: Times of Riots and Uprising. London; New York: Verso.

Baker, Nicholson. 2010 [1988]. The Mezzanine. New York: Grove.

Bal, Mieke. 1991. Reading ‘Rembrandt’: Beyond the Word – Image Opposition. Cambridge: Cambridge University Press.

Barker, Chris and Emma A. Jane. 2016. Cultural Studies: Theory and Practice. Fifth Edition. London: Sage.

Barth, John. 1988 [1968]. ‘Title’. In Lost in the Funhouse, 105–113. New York: Anchor.

Barthes, Roland. 1977 [1968]. ‘The Death of the Author’. In Image-Music-Text, translated by Stephen Heath, 142–148. London: Fontana Press.

Barthes, Roland. 1981 [1980]. Camera Lucida. Reяections on Photography. Translated by Richard Howard. New York: Hill and Wang.

Basu, Laura. 2014. ‘British Satire in The Thick of It’. The International Journal of Media and Culture 12(2): 89–103.

Batchen, Geoffrey. 2011. Photography Degree Zero. Reяections on Roland Barthes′s Camera Lucida. MIT Press.

Baudrillard, Jean. 1993 [1976]. Symbolic Exchange and Death. Translated by Iain Hamilton Grant. London: Sage.

Baudrillard, Jean. 1983. Simulations. Cambridge, MA: MIT Press.

Baudrillard, Jean. 2003 [2002]. The Spirit of Terrorism and Other Essays. New Edition. Translated by Chris Turner. London; New York: Verso.

Beard, William. 2005. ‘Maddin and Melodrama’. Canadian Journal of Film Studies 14(1): 2–17.

Beasley-Murray, Jon. 2010. Posthegemony: Political Theory and Latin America. Minneapolis; London: University of Minnesota Press.

Benn Michaels, Walter. 2013. ‘Forgetting Auschwitz: Jonathan Littell and the Death of a Beautiful Woman’. New Literary History 25(4): 915–930.

Berg, Gretchen. 1989. ‘Nothing to Lose: An Interview with Andy Warhol’. In Andy Warhol: Film factory, edited by Michael O’Pray, 54–61. London: BFI.

Bergthaller, Hannes. 2006/2007. ‘Dis(re)memebering History’s Revenants: Trauma, Writing, and Simulated Orality in Toni Morrison’s Beloved’. Connotations 16(1–3): 116–36.

Berlant, Lauren. 2008. ‘Thinking about Feeling Historical’. Emotion, Space and Society 1: 4–9.

Best, Steven and Douglas Kellner. 1999. Postmodern Theory: Critical Interrogations. Basingstoke: Macmillan.

Beigbeder, Frйdйric. 2004. Windows on the World. London: Harper Perennial.

Bloch, Ernst. 1965. Tьbinger Einleitung in die Philosophie I. Frankfurt a.M: Suhrkamp.

Bloch, Ernst. 1985 [1935]. Erbschaft dieser Zeit. Frankfurt a.M: Suhrkamp.

Boltanski, Luc and Иve Chiapello. 2007. The New Spirit of Capitalism. London: Verso.

Booth, Wayne C. 1961. ‘Distance and Point-of-View: An Essay in Classiёcation’. Essays in Criticism 11: 60–79.

Bourriaud, Nicolas. 2002 [1998]. Relational Aesthetics. Translated by Simon Pleasance, Fronza Woods and Mathieu Copeland. Les presses du reel.

Bourriaud, Nicolas. 2009. The Radicant. New York: Lucas & Sternberg.

Boxer, Sarah. 2001. ‘Paintings Too Perfect? The Great Optics Debate’. New York Times. 4 December 2001. Accessed 16 October 2016. www.ny-times.com/2001/12/04/arts/paintings-too-perfect-the-great-optics-de-bate.html

Brandt, Jenn. 2015. ‘9/11, Hyperreality, and the Global Body Politic: Frédéric Beigbeder’s Windows on the World’. Studies in 20th & 21st Century Literature 39(1): 1–17. doi: 10.4148/2334–4415.1578

Brenner, Neil, Jamie Peck and Nik Theodore. 2010. ‘Neoliberalism Resurgent? Market Rule After the Great Recession’. The South Atlantic Quarterly 111(2): 265–288.

Brenner, Neil, Jamie Peck and Nik Theodore. 2011. ‘After Neoliberalization?’ In Global Ideologies and Urban Landscapes, edited by Manfred B. Steger and Anne McNevin, 9–21. Abindon; New York: Routledge.

Brinkema, Eugenie. 2014. The Forms of the Affects. Durham, NC; London: Duke University Press.

Britton, Andrew. 2009. ‘In Defense of Criticism’. In Britton on Film: The Complete Film Criticism of Andrew Britton, edited by Barry Keith Grant, 373–377. Detroit: Wayne State University Press.

Brouillette, Sarah. 2014. Literature and the Creative Economy. Stanford: Stanford University Press.

Browse, Sam. forthcoming. Cognitive Rhetoric: The Cognitive Poetics of Political Discourse. Amsterdam: John Benjamins.

Buchanan, Ian. 2006. Fredric Jameson: Live Theory. London; New York: Continuum.

Buchen, Stefan and Marie Delhaes. 2014. ‘Die Katzen der Jeiligen Krieger’. Sьddeutsche Zeitung. 2 August 2014. Accessed 15 August 2014.

Butt, Gavin, ed. 2004. After Criticism: New Responses to Art and Performance. Wiley-Blackwell.

Caiani, Manuela and Linda Parenti. 2016 [2013]. European and American Extreme Right Groups and the Internet. London; New York: Routledge.

Cardoso, Rafael. 2010. ‘Craft Versus Design: Moving Beyond a Tired Dichotomy’. In The Craft Reader, edited by Glenn Adamson, 321–32. Oxford; New York: Berg Publishers.

Carson, Tom. 2004. Gilligan’s Wake. New York: Picador.

Castells, Manuel. 2012. Networks of Outrage and Hope: Social Movements in the Internet Age. Cambridge; Malden, MA: Polity.

Castells, Manuel, Joгo Caraзa and Gustavo Cardoso, eds. 2012. Aftermath: The Cultures of the Economic Crisis. Oxford: Oxford University Press.

Castro, Brian. 2008 [2003]. Shanghai Dancing. New York: Kaya Press.

Chaadaev, Peter. 1969. The Major Works of Peter Chaadaev: A Translation and Commentary. Notre Dame: University of Notre Dame Press.

Clough, Patricia Ticineto. 2007. ‘Introduction’. In The Affective Turn: Theorizing the Social, edited by Patricia Ticineto Clough and Jean Halley, 1–33. Durham, NC; London: Duke University Press.

Colbert, Stephen. 2006. ‘Stephen Colbert Roasts Bush at Whitehouse Correspondent’s Dinner’. YouTube. Accessed 1 November 2016. https://www. youtube.com/watch?v=2X93u3anTco

Cole, Michael W. 2002. Cellini and the Principles of Sculpture. Cambridge: Cambridge University Press.

Cole, Teju. 2012. Open City. New York: Random House.

Cole, Teju. 2014 [2007]. Every Day Is for the Thief. London: Faber & Faber.

Collins, Suzanne. 2008–2010. ‘A Conversation – Suzanne Collins, Author of The Hunger Games Trilogy: Questions and Answers’. Scholastic. Accessed 15 August 2015. http://www.scholastic.com/thehungergames/media/qanda.pdf

Coogan, Steve. 2011. ‘Steve Coogan: I’m a Huge Fan of Top Gear. But This Time I’ve Had Enough’. The Guardian. Accessed 23 May 2016. http:// www.theguardian.com/tv-and-radio/2011/feb/05/top-gear-offensive-steve-coogan

Corbyn, Jeremy. 2016. ‘Jeremy Corbyn – A People-Powered Project’. You-Tube. Accessed 1 November 2016. https://www.youtube.com/ watch?v=3H-Jbu89etY

Cornell, Lauren. 2013. ‘Beginnings + Ends’. Frieze 159. Accessed 15 August 2015. https://frieze.com/article/beginnings-ends/ Crawford, Alison. 2009. ‘“Oh Yeah!”: Family Guy as Magical Realism?’ Journal of Film and Video 61(2): 52–69.

Critchley, Simon. 2012. Inёnitely Demanding: Ethics of Commitment, Politics of Resistance. London; New York: Verso.

Culler, Jonathan D. 1988. Framing the Sign: Criticism and Its Institutions. Oxford: Blackwell.

Cutter, Martha J. 2000. ‘The Story Must Go On and On: The Fantastic, Narration, and Intertextuality in Toni Morrison’s Beloved and Jazz’. African American Review 34(1): 61–75.

d’Agata, John. 2003. The Next American Essay (A New History of the Essay). Graywolf Press.

d’Agata, John. 2009. The Lost Origins of the Essay (A New History of the Essay). Graywolf Press.

d’Agata, John. 2016. The Making of the American Essay (A New History of the Essay). Graywolf Press.

Dalrymple, William. 2014. ‘The Isis Demand for a Caliphate Is About Power, Not Religion’. The Guardian. 13 July 2014. Accessed 15 August 2014. https://www.theguardian.com/commentisfree/2014/jul/13/isis-caliph-ate-abu-bakr-albaghdadi-jihadi-islam

Danielewski, Mark Z. 2000. House of Leaves. New York: Pantheon.

Davis, Kimberly Chabot. 1998. ‘“Postmodern Blackness”: Toni Morrison’s Beloved and the End of History’. Twentieth Century Literature 44(2): 242–260.

De Landa, Manuel. 1997. ‘The Machinic Phylum’. In TechnoMorphica, edited by Joke Brouwer and Carla Hoekendijk, 34–59. Rotterdam: V2_Publishers.

Deleuze, Gilles. 2002 [1981]. Francis Bacon: The Logic of Sensation. Translated by Daniel W. Smith. London; New York: Continuum.

Deleuze, Gilles and Félix Guattari. 1983. Anti-Oedipus. Minneapolis: University of Minnesota Press.

Deleuze, Gilles and Félix Guattari. 1987. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. Minneapolis: University of Minnesota Press.

de Mul, Jos. 1999 [1990]. Romantic Desire in (Post)modern Art and Philosophy. Albany: State University of New York Press.

Derrida, Jacques. 1982. ‘Signature Event Context’. In Margins of Philosophy, translated by Alan Bass, 309–30. Chicago, IL: Chicago University Press.

Derrida, Jacques. 1994. Spectres of Marx: The State of the Debt, the Work of Mourning, and the New International. Translated by Peggy Kamuf. New York: Routledge.

Derrida, Jacques. 2002. ‘Force of Law: The “Mystical Foundation of Authority”’. In Acts of Religion, edited by Gil Anidjar, translated by Mary Quaintance, 228–298. New York: Routledge.

DeWitt, Helen and Ilya Gridneff. 2006. Your Name Here. Publisher: Author.

Donne, John (2012 [1624]) ‘Meditation 17 (“For Whom the Bell Tolls” and “No Man is an Island”)’, The Best of John Donne. 45-7. Createspace Independent Publishing Platform.

Doubrovsky, Serge. 2013. ‘Autofi ction’. Auto/Fiction 1(1): 1–3.

Duménil, Gérard and Dominique Lévy. 2004. Capital Resurgent. Roots of the Neoliberal Revolution. Cambridge; London: Harvard University Press.

Duménil, Gérard and Dominique Lévy. 2011. The Crisis of Neoliberalism. Cambridge, MA; London: Harvard University Press.

Dupré, Sven, von Kerssenbrock-Krosigk, Dedo and Wismer, Beat. 2014. Art and Alchemy. The Mystery of Transformation. Hirmer.

Dumitrescu, Alexandra. 2007. ‘Interconnections in Blakean and Metamodern Space’. Double Dialogues 7. Accessed 28 October 2016.

Duncan, Pansy. 2016. The Emotional Life of Postmodern Film: Affect Theory’s Other. New York; London: Routledge.

Dupré, Sven, Dedo von Kerssenbrock-Krosigk and Beat Wismer. 2014. Art and Alchemy: The Mystery of Transformation. Hirmer.

Dworkin, Graig and Kenneth Goldsmith. 2010. Against Expression: An Anthology of Conceptual Writing. Evanston, IL: Northwestern University Press.

Dyer, Geoff. 2009. Jeff in Venice, Death in Varanasi. Edinburgh: Canongate. Eagleton, Terry. 2008 [1983]. Literary Theory: An Introduction. Anniversary edition. London: Blackwell.

Eco, Umberto. 1993. ‘Postmodernism, Irony, the Enjoyable’. In Modernism/ Postmodernism, edited by Peter Brooker, 225–228. London; New York: Longman.

Edelkoort, Li and Philip Fimmano, curators. 2014. ‘For the Gathering: From Domestic Craft to Contemporary Process exhibition’. 28 May – 27 June 2014, Israel’s Design Museum Holon.

Egan, Jennifer. 2011 [2010]. A Visit from the Goon Squad. New York: Anchor.

Egenhofer, Sebastian. 2010. Produktionsдsthetik. Zьrich; Berlin: Diaphanes.

Eggers, Dave. 2001. A Heartbreaking Work of Staggering Genius: A Memoir Based on a True Story. New York: Vintage Books.

Egginton, William. 2013. How the World Became a Stage: Presence, Theatricality, and the Question of Modernity. Albany: State University of New York Press.

Elias, Amy J. 2012. ‘Postmodern Metaёction’. In The Cambridge Companion to American Fiction After 1945, edited by John N. Duvall, 15–29. Cambridge: Cambridge University Press.

Elkins, James. 2011. What Photography Is. New York: Routledge.

Elkins, James. 2013. ‘Chapter 25: What Is an Essay? Eleven Theories’. What Is Interesting Writing in Art History? Accessed 5 September 2016. http://305737.blogspot.fr/2013/02/chapter-25.html

Elkins, James and Harper Montgomery. 2013. Beyond the Aesthetic and the Anti-Aesthetic: The Stone Art Theory Institutes. Volume Four. Penn State University Press.

Eshelman, Raoul. 2008. Performatism, or the End of Postmodernism. Aurora, CO: The Davies Group Publishers.

Eshelman, Raoul. 2010. ‘Performatism in Contemporary Photograpy: Alina Kisina’. Artmargins. 29 May 2010. http://www.artmargins.com/index. php/2-articles/581-performatism-contemporary-photography-alina-kisi-na-article

Eshelman, Raoul. 2011. ‘Performatism, Dexter, and the Ethics of Perpetration’. Anthropoetics 17(1). http://www.anthropoetics.ucla.edu/ap1701/ 1701Eshelman.htm

Eugenides, Jeffrey. 2011. The Marriage Plot. New York: Farrar, Straus and Giroux.

Eve, Martin Paul. 2012. ‘Thomas Pynchon, David Foster Wallace and the Problems of “Metamodernism”: Post-Millennial Post-Postmodernism?’ C21 Literature: Journal of 21st Century Writings 1(1): 7–25.

Fairclough, Norman. 2000. New Labour, New Language? London: Routledge.

Falguiиres, Patricia. 2005. ‘Afterword’. In Ernst Kris, Le style rustique, translated by Christophe Jouanlanne & Ginette Morel, 241–245. Paris: Editions Macula.

Feigelfeld, Paul. 2015. ‘Media Archeology Out of Nature: An Interview with Jussi Parikka’. e-flux. Accessed 23 July 2016. http://www.e-яux.com/jour-nal/media-archaeology-out-of-nature-an-interview-with-jussi-parikka/

Fielding, Steven. 2014. A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollop to The Thick of It. London: Bloomsbury.

Filmer, Paul. 2003. ‘Structure of Feeling and Socio-Cultural Formation: The Signiёcance of Literature and Experience to Raymond William’s Sociology of Culture’. The British Journal of Sociology 54(2): 199–219.

Fish, William. 2016. ‘“Post-Truth” Politics and Illusory Democracy’. Psychotherapy and Politics International. doi: 10.1002/ppi.1387.

Fisher, Mark. 2009. Capitalist Realism? Is There No Alternative? Ripley: 0 Books.

Foster, Hal. 1996. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge, MA: MIT Press.

Franklin, Bob. 1994. Packaging Politics. London: Arnold.

Franklin, Bob. 1998. Tough on Sound Bites, Tough on the Causes of Sound Bites. London: Catalyst Trust.

Franzen, Jonathan. 2001. The Corrections. New York: Farrar Straus and Giroux.

Franzen, Jonathan. 2003. ‘Mr. Difёcult’. In How to Be Alone: Essays, 238–269. New York: Picador.

Fraser, Andrea. 2012. ‘There’s No Place Like Home’. [Essay for the 2012 Whitney Biennial] Online: whitney.org/Exhibitions/2012Biennial/Andre-aFraser

Fried, Michael. 1967. ‘Art and Objecthood’. Artforum International 5: 12–23.

Fried, Michael. 2008. Why Photography Matters as Art as Never Before. Hartford: Yale University Press.

Friedlander, Lee. 2005. Friedlander. Text by Peter Galassi. Afterword by Richard Benson. New York: Museum of Modern Art.

Frye, Northrop. 1957. Anatomy of Criticism: Four Essays. Princeton, NJ: Princeton University Press.

Fukuyama, Francis. 1992. The End of History and the Last Man. London: Penguin.

Fukuyama, Francis. 2012. ‘The Future of History’. Foreign Affairs. 1 January 2012. Accessed 16 January 2013.

Funk, Wolfgang. 2015. The Literature of Reconstruction: Authentic Fiction in the New Millennium. London: Bloomsbury Academic.

Furlani, Andre. 2007. Guy Davenport: Postmodernism and After. Evanston, IL: Northwestern University Press.

Galgut, Damon. 2010. In a Strange Room. London: Atlantic Books.

Garber, Marjorie. 1996. ‘Postmodernism and the Possibilities of Biography’. In The Seductions of Biography, edited by Mary Rhiel and David Schoff, 175–77. New York; London: Routledge.

Garcia, Angela. 2008. ‘The Elegaic Addict: History, Chronicity, and the Melancholic Subject’. Cultural Anthropology 23(4): 718–746.

Gibbons, Alison. 2015. ‘“Take That You Intellectuals” and “KaPOW!”: Adam Thirlwell and the Metamodernist Future of Style’. Studia Neophilo-logica 87(Supp 1): 29–43.

Gibbons, Alison. 2016. ‘ “I Haven’t Seen You Since (a Specifi c Date, a Time, the Weather)”: Global Identity and the Reinscription of Subjectivity in Brian Castro’s Shanghai Dancing’. Ariel: A Journal of International English Literature 47(1–2): 223–251.

Gillespie, Nick and Jesse Walker. 2006. ‘South Park Libertarians’. Reason. December 2006.

Gilmore, Leigh. 1994. ‘The Mark of Autobiography: Postmodernism, Autobiography, and Genre’. In Autobiography and Postmodernism, edited by Ashley Kathleen, Leigh Gilmore and Gerald Peters, 3–21. Amherst: University of Massachusetts Press.

Goffman, Erving. 1959. The Presentation of Self in Everyday Life. London: Penguin.

Goldsmith, Kenneth. 2011. Uncreative Writing: Managing Language in the Digital Age. New York: Columbia University Press.

Goldstein, Jeffrey. 2005. ‘Emergence, Creative Process, and Self-Transcending Constructions’. In Managing Organizational Complexity: Philosophy, Theory, and Application, edited by Kurt A. Richardson, 63–78. Greenwich, CT: Information Age Publishing.

Gorfinkel, Elena. 2005. ‘The Future of Anachronism: Todd Haynes and the Magnifi cent Andersons’. In Cinephilia: Movies, Love and Memory, edited by Marijke de Valck and Malte Hagener, 153–168. Amsterdam: Amsterdam University Press.

Green, Jeremy. 2005. Late Postmodernism: American Fiction at the Millennium. New York: Palgrave.

Greven, Thomas. 2016. ‘The Rise of Right-Wing Populism in Europe and the United States: A Comparative Perspective’. Friedrich Ebery Stiftung. May 2016. Accessed 1 November 2016. http://www.fesdc.org/fi leadmin/user_upload/publications/RightwingPopulism.pdf

Grossberg, Lawrence. 1992. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. New York; London: Routledge.

Gudmundsdóttir, Gunnthórunn. 2003. Borderlines: Autobiography and Fiction in Postmodern Life Writing. Amsterdam; New York: Rodopi.

Hardt, Michael and Antonio Negri. 2001. Empire. Cambridge, MA: Harvard University Press.

Hardt, Michael and Antonio Negri. 2011. ‘The Fight for “Real Democracy” at the Heart of Occupy Wall Street’. Foreign Affairs. 11 October 2011. Accessed 15 October 2016.

Harman, Graham. 2005. Guerilla Metaphysics. Phenomenology and the Carpentry of Things. Open Court.

Harsin, Jayson. 2015. ‘Regimes of Posttruth, Post Politics and Attention Economics’. Communication, Culture and Critique 8: 327–333.

Hartog, Francois. 2016. Regimes of Historicity: Presentism and Experiences of Time. Columbia University Press.

Harvey, David. 1990. The Condition of Postmodernity. An Enquiry into the Origins of Cultural Change. Oxford/Cambridge: Blackwell Publishers.

Harvey, David. 2005. A Brief History of Neoliberalism. Oxford: Oxford University Press.

Hassan, Ihab. 2003. ‘Beyond Postmodernism: Toward an Aesthetic of Trust’. Angelaki: Journal of the Theoretical Humanities 8(1): 3–11.

Hegel, G.W.F. 1971. Philosophy of Mind. Part 3 of the Encyclopaedia of the Philosophical Sciences. Translated by William Wallace and A.V. Miller. Oxford: Clarendon.

Hegel, G.W.F. 1977. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press.

Heise, Ursula K. 2008. Sense of Planet and Sense of Place: The Environmental Imagination of the Global. New York: Oxford University Press.

Heiser, Jörg. 2007. Romantic Conceptualism. Vienna: BAWAG Foundation.

Heiser, Jörg. 2010a. ‘State of the Art: What Is “Super-Hybridity”?’ Frieze 133. Accessed 15 August 2015. http://www.frieze.com/issue/arti-cle/pick-mix/

Heiser, Jörg. 2010b. ‘Analyze This: A Round Table Discussion Led by Jörg Heiser on “Super-Hybridity”: What Is It and Should We Be Worried? With Ronald Jones, Nina Power, Seth Price, Sukhdev Sandhu and Hito Steyerl’. Frieze. Accessed 15 August 2015.

Heiser, Jörg. 2012. Super-Hybridity. A Brief Genealogy of a Method, and a State of Being. West: The Hague. Accessed 15 August 2015.

Heti, Sheila. 2013. How Should a Person Be? London: Harvill Secker.

Holland, Mary. 2012. ‘A Lamb in Wolf’s Clothing: Postmodern Realism in A. M. Homes’s Music for Torching and This Book Will Save Your Life’. Critique 53(3): 214–237.

Holland, Mary. 2013. Succeeding Postmodernism: Language and Humanism in Contemporary American Literature. London, New York: Bloomsbury.

Huber, Irmtraud. 2014. Literature After Postmodernism: Reconstructive Fantasies. Houndmills: Palgrave Macmillan.

Huehls, Mitchum. 2016. After Critique: Twenty-First-Century Fiction in a Neoliberal Age. Oxford: Oxford University Press.

Huffer, Lynne. 2013. Are the Lips a Grave?: A Queer Feminist on the Ethics of Sex. New York: Columbia University Press.

Hurd, Robert. 2007. ‘Taking Seinfeld Seriously: Modernism in Popular Culture’. New Literary History 37(4): 761–776.

Hutcheon, Linda. 1988. A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge.

Hutcheon, Linda. 2002 [1995]. The Politics of Postmodernism. Second Edition. New York: Routledge.

Huyssen, Andreas. 1986. After the Great Divide. London. The Macmillan Press Ltd.

Iser, Wolfgang. 1993. The Fictive and the Imaginary: Charting Literary Anthropology. Baltimore, MD: Johns Hopkins University Press.

Jagoda, Patrick. 2016. Network Aesthetics. Chicago: University of Chicago Press.

James, David. 2012. Modernist Futures: Innovation and Inheritance in the Contemporary Novel. New York: Cambridge University Press.

James, David and Urmila Seshagiri. 2014. ‘Metamodernism: Narratives of Continuity and Revolution’. PMLA 129(1): 87–100.

Jameson, A. D. 2012. ‘Theory of Prose & Better Writing (ctd): The New Sincerity, Tao Lin, & “Differential Perceptions” ’. HTMLGIANT. 28 May 2012. Accessed 12 September 2016. http://htmlgiant.com/craft-notes/theory-of-prose-better-writingctd-the-new-sincerity-differential-percep-tions/

Jameson, Fredric. 1984. ‘Periodizing the 60s’. Social Text 9/10: 178–209.

Jameson, Fredric. 1991 [1984]. ‘The Cultural Logic of Late Capitalism’. In Postmodernism, or, The Cultural Logic of Late Capitalism, 1–54. London; Brooklyn: Verso.

Jameson, Fredric. 1992 [1988]. ‘Postmodernism and Consumer Society’. In Modernism/Postmodernism, edited by Peter Brooker, 163–179. London: Longman.

Jameson, Fredric. 1998. The Cultural Turn: Selected Writings on the Postmodern, 1983–1998. London; New York: Verso.

Jones, Owen. 2015. ‘Let’s Do Hope Not Despair: Owen Jones Meets Jeremy Corbyn’. YouTube. Accessed 1 November 2016. https://www.youtube. com/watch?v=qBbsU9VkRvQ

Johnson, Merri Lisa. 2008. ‘Dismembering the Heterosexual Imaginary: A Feminist Cultural Anatomy of the Inёdelity Narrative in Nancy Mair’s Remembering the Bone House’. Tulsa Studies in Women’s Literature 27(2): 327–352.

Johnston, Lucy. 2015. Digital Handmade: Craftsmanship and the New Industrial Revolution. New York: Thames and Hudson.

Kagan, Robert. 2008. The Return of History and the End of Dreams. New York: Vintage Books.

Kaletsky, Anatole. 2011 [2010]. Capitalism 4.0: The Birth of a New Economy. London: Bloomsbury.

Kashin, Oleg. 2014. ‘The Most Dangerous Man in Ukraine Is an Obsessive War Reenactor Playing Now with Real Weapons’. New Republic. 23 July 2014. Accessed 15 August 2014. https://newrepublic.com/ar-ticle/118813/igor-strelkov-russian-war-reenactor-fights-real-war-ukraine

Kaufman, Charlie, writer. Dir. Spike Jones. 2002. Adaptation. Los Angeles: Columbia Pictures.

Kelly, Adam. 2010. ‘David Foster Wallace and the New Sincerity in American Fiction’. In Consider David Foster Wallace: Critical Essays, edited by David Hering, 131–46. Los Angeles: Sideshow.

Kelsey, Robin. 2009. ‘Eye of the Beholder: Robin Kelsey on Michael Fried’s Why Photography Matters. ’ Artforum International 47(5): 53–54, 57–58.

Kenner, Hugh. 1985. ‘The Politics of the Plain Style’. New York Times. 15 September 1985. Accessed 1 November 2016. http://www.nytimes. com/1985/09/15/books/the-politics-of-the-plain.html?pagewanted=all

Keyes, Ralph. 2004. The Post-Truth Era: Dishonesty and Deception in Contemporary Life. New York: St Martins Press.

Kirby, Alan. 2009. Digimodernism: How New Technologies Dismantle the Postmodern and Reconёgure Our Culture. New York; London: Continuum.

Kjellman-Chapin, M. 2009. ‘Fake Identity, Real Work: Authenticity, Autofiction, and Outsider Art’. SPECS Journal of Art and Culture 2: 148–58. http:// scholarship.rollins.edu/cgi/viewcontent.cgi?article=1151&context=specs

Knausgaard, Karl Ove. 2013 [2009]. A Death in the Family [My Struggle:1]. Trans. Don Bartlett. London: Vintage Books.

Konstantinou, Lee. 2009. ‘Wipe That Smirk Off Your Face: Postironic Literature and the Politics of Character’. PhD diss., Stanford University.

Konstantinou, Lee. 2016a. Cool Characters: Irony and American Fiction. Cambridge, MA: Harvard University Press.

Konstantinou, Lee. 2016b. ‘Barack Obama’s Postironic Bildungsroman’. In Barack Obama’s Literary Legacy: Readings of Dreams from My Father, edited by Richard Purcell and Henry Veggian, 119–140. New York: Palgrave MacMillan.

Konstantinou, Lee. 2017. ‘Neorealist Fiction’. In American Literature in Transition: 2000–2010, edited by Rachel Greenwald Smith. Cambridge: Cambridge University Press.

Kotsko, Adam. 2010. Awkwardness. Winchester, UK: Zero Books.

Kraus, Chris. 2006 [1998]. I Love Dick. Los Angeles, CA: Semiotext(e).

Krauthammer, Charles. 2003. ‘Holiday From History’. 14 February 2003. The Washington Post. Accessed 14 August 2017. https://www.washing-tonpost.com/archive/opinions/2003/02/14/holiday-from-history/ 05dd0d16-b653-47bd-baab-06794e7291ec/?utm_term=.5419be56155f

Kushner, Rachael. 2014 [2013]. The Flamethrowers. New York: Scribner.

Lacan, Jacques. 1991. The Seminar of Jacques Lacan, Book II: The Ego in Freud’s Theory and in the Technique of Psychoanalysis 1954–1955. Edited by Jacques-Alain Miller. Translated by Sylvana Tomaselli. New York: Norton.

Landy, Joshua. 2011. ‘Still Life in a Narrative Age: Charlie Kaufman’s Adaptation’. Critical Inquiry 37(3): 497–514.

Lapoujade, David. 2000. ‘From Transcendental Empiricism to Worker Nomadism’. Pli: Warwick Journal of Philosophy 9: 190–199.

Laruelle, Fanзois. 2011. The Concept of Non-Photography. Second Revised edition. Urbanomic.

Latour, Bruno. 2010. ‘An Attempt at a “Compositionist Manifesto” ’. New Literary History 41: 471–490.

Leighton, Angela. 2007. On Form: Poetry, Aestheticism, and the Legacy of the Word. Oxford: Oxford University Press.

Lee, Stewart. 2007. ‘Stewart Lee – Taxi Driver Argument’. YouTube. Accessed 1 November 2016. https://www.youtube.com/watch?v=4n-UGQcG3Jw&list=RD4n-UGQcG3Jw#t=11

Lerner, Ben. 2011. Leaving the Atocha Station. Minneapolis, MN: Coffee House Press.

Lerner Ben. 2014. 10:04. London: Granta.

Lethem, Jonathan. 2003. The Fortress of Solitude. New York: Doubleday.

Lethem, Jonathan. 2013. Dissident Garden. New York: Doubleday.

Levinas, Emmanuel. 1998 [1981]. Otherwise Than Being or Beyond Essence. Pittsburgh, PA: Duquesne University Press.

LeWitt, Sol. 1969. ‘Sentences on Conceptual Art’. Accessed 20 September 2016. http://www.altx.com/vizarts/conceptual.html

Leyner, Mark. 2012. The Sugar-Frosted Nutsack. New York: Little, Brown.

Lin, Tao. 2009. Shoplifting from American Apparel. New York: Melville House.

Lipovetsky, Gilles. 2005. Hypermodern Times. Cambridge; Malden, MA: Polity.

Lippert, Leopold. 2010. ‘Negotiating Postmodernity and Queer Utopianism in Shortbus’. In Landscapes of Postmodernity: Concepts and Paradigms of Critical Theory, edited by Petra Eckhard, Michael Fuchs and Walter Höbling, 195–205. London: Transaction Publishers.

Loader, Reina-Marie. 2010. ‘The Fountain – A Call to Discussion’. Notes on Metamodernism. 5 September 2010. Accessed 6 September 2016. http:// www.metamodernism.com/2010/09/05/the-fountain-a-call-to-discussion

Lopate, Philip. 1997. The Art of the Personal Essay: An Anthology from the Classical Era to the Present. Anchor.

Luckhurst, Roger. 1996. ‘ “Impossible Mourning” in Toni Morrison’s Beloved and Michиle Roberts’s Daughters of the House’. Critique 37(4): 243–260.

Lueg, Konrad and Gerhard Richter. 1963. Leben mit Pop: eine Demonstration fьr den kapitalistischen Realismus. Dьsseldorf: Möbelhaus Berges.

Luhmann, Niklas. 1999. ‘The Paradox of Form’. In Problems of Form, edited by Dirk Baecker, 15–26. Stanford, CA: Stanford University Press.

Lyotard, Jean-Franзois. 1988 [1983]. The Differend: Phrases in Dispute. Manchester: Manchester University Press.

MacDowell, James. 2010. ‘Notes on Quirky’. Movie: A Journal of Film Criticism 1. http://www2.warwick.ac.uk/fac/arts/ёlm/movie/contents/ notes_on_quirky.pdf

MacDowell, James. 2012. ‘Wes Anderson, Tone and the Quirky Sensibility’. New Review of Film and Television Studies 10(1): 6–27.

MacDowell, James. 2014. ‘The Andersonian, the Quirky, and “Innocence” ’. In The Films of Wes Anderson: Critical Essays on an Indiewood Icon, edited by Peter Kunze, 153–170. London: Palgrave Macmillan.

MacDowell, James. 2016. ‘Quirky Culture: Tone, Sensibility, and Structure of Feeling’. In A Companion to American Indie Film, edited by Geoff King, 83– 105. London: Blackwell.

Mack, Michael. 2014. Philosophy and Literature in Times of Crisis: Challenging Our Infatuation with Numbers. New York; London: Bloomsbury.

MacKenzie, Scott. 2003. ‘Manifest Destinies: Dogma 95 and the Future of the Film Manifesto’. In Purity and Provocation: Dogma 95, edited by Mette Hjort and Scott MacKenzie, 48–57. London: British Film Institute.

Malabou, Catherine. 2005. The Future of Hegel: Plasticity. Temporality and Dialectic. Translated by Lisbeth During. New York: Routledge.

Malabou, Catherine. 2007. ‘Again: “The Wounds of the Spirit Heal, and Leave No Scars Behind” ’. Mosaic 40(2): 27–37.

Marcus, Ben. 1998 [1995]. The Age of Wire and String. Champaign, IL: Dalkey Archive Press.

Marples, David. 2014. ‘Igor Strelkov – Moscow Agent or Military Romantic?’ ODR: Russia and Beyond. 13 June 2014. Accessed 15 August 2014. https://www.opendemocracy.net/od-russia/david-marples/igor-strelkov-moscow-agent-or-militaryromantic

Masschelein, Anneleen. 2007. ‘Foreword’. Image [&] Narrative 19. http:// www.imageandnarrative.be/inarchive/autoёction/foreword.htm

Massumi, Brian. 2002. Parables for the Virtual: Movement, Affect, Sensation. Durham, NC; London: Duke University Press.

Mayshark, Jesse Fox. 2007. Post-Pop Cinema: The Search for Meaning in New American Film. Westport: Praeger Publishers.

McCaffery, Larry. 2012. ‘An Expanded Interview with David Foster Wallace’. In Conversations with David Foster Wallace, edited by Stephen J. Burn, 21–52. Jackson: University Press of Mississippi.

McDonough, William and Michael Braungart. 2002. Cradle to Cradle: Remaking the Way We Make Things. New York: North Point Press.

McGurl, Mark. 2009. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press.

McHugh, Gene. 2011. Post Internet. Brescia: Link Editions. http://www. linkartcenter.eu/public/editions/Gene_McHugh_Post_Internet_Link_ Editions_2011.pdf

McLaughlin, Robert L. 2004. ‘Post-Postmodern Discontent: Contemporary Fiction and the Social World’. Symploke 12(1/2): 53–69.

McLaughlin, Robert. 2007. ‘Postmodernism in the Age of Distracting Discourses’. In The Mourning After: Attending the Wake of Postmodernism, edited by Neil Brooks and Josh Toth, 53–64. Amsterdam: Rodopi.

McLaughlin, Robert L. 2012. ‘Post-Postmodernism’. In The Routledge Companion to Experimental Literature, edited by Joe Bray, Alison Gibbons and Brian McHale, 212–23. London; New York: Routledge.

Mezzoёore, Gianluca. 2014a. ‘Syrian Civil War Videos Used for Online Propaganda in Israel-Gaza Conяict’. International Business Times. 21 July 2014.

Accessed 15 August 2014. http://www.ibtimes.co.uk/syrian-civil-war-vid-eos-usedonline-propaganda-israel-gaza-conяict-1457571

Mezzoёore, Gianluca. 2014b. ‘Igor Strelkov: Key MH17 Crash Suspect Linked to Massacre of 3,000 Bosnian Muslims in 1992’. International Business Times. 25 July 2014. Accessed 15 August 2014. http://www.ibtimes. co.uk/igor-strelkovkey-mh17-crash-suspect-linked-massacre-3000-bos-nian-muslims-1992–1458304

Milne, Seumas. 2012. The Revenge of History: The Battle for the Twenty First Century. London; Brooklyn: Verso.

Mills, Brett. 2005. Television Sitcom. London: Palgrave Macmillan.

Mills, Brett. 2009. The Sitcom. Edinburgh: Edinburgh University Press.

Mitchell, W.J.T. 1980. The Language of Images. Chicago, IL: University of Chicago Press.

Mitchell, W.J.T. 1986. Iconology: Image, Text, Ideology. Chicago, IL: University of Chicago Press.

Mitchell, W.J.T. 1992. ‘Ekphrasis and the Other’. South Atlantic Quarterly 91(3): 695–719.

Mitchell, W.J.T. 1995. Picture Theory: Essays on Verbal and Visual Representation. Chicago, IL: University of Chicago Press.

Mohanty, Satya P. 2000 [1993]. ‘The Epistemic Status of Cultural Identity: On Beloved and the Postcolonial Condition’. In Reclaiming Identity: Realist Theory and the Predicament of the Postmodern, edited by Paula M. L. Moya and Michael

R. Hames-Garcia, 29–66. Berkeley: University of California Press.

MoMA. 2011. ‘Art Speech: A Symposium on Symposia, Day 1’. MoMA. 20 May 2011. Accessed 1 November 2016. www.moma.org/explore/mul-timedia/audios/248/3067

Moraru, Christian. 2011. Cosmodernism: American Narrative, Late Globalization, and the New Cultural Imaginary. Ann Arbor: University of Michigan Press.

Moraru, Christian. 2013. ‘Introduction to Focus: Thirteen Ways of Passing Postmodernism’. American Book Review, In Focus: Metamodernism May/ June: 3–4.

Moretti, Franco. 2000 [1987]. The Way of the World: The Bildungsroman in European Culture. London: Verso.

Morrison, Toni. 1988 [1987]. Beloved. New York: Plume.

Mortimer, A. K. 2009. ‘Autoёction as Alloёction: Doubrovsky’s L’Aprиsvivre’. L’Espirit Crйateur 49(3): 22–35.

Moya, Paula M. L. 2000a. ‘Introduction: Reclaiming Identity’. In Reclaiming Identity: Realist Theory and the Predicament of the Postmodern, edited by Paula M. L. Moya and Michael R. Hames-Garcia, 1–26. Berkeley: University of California Press.

Moya, Paula M. L. 2000b. ‘Postmodernism, “Realism,” and the Politics of Identity’. In Reclaiming Identity: Realist Theory and the Predicament of the Postmodern, edited by Paula M. L. Moya and Michael R. Hames-Garcia, 67–101. Berkeley: University of California Press.

Nealon, Jeffrey T. 2012. Post-Postmodernism; or, The Cultural Logic of Just-in-Time Capitalism. Stanford, CA: Stanford University Press.

Nelson, A. 2011. ‘Completely Average in Every Way’. Amazon.com. 28 March 2011. Accessed 6 September 2016. http://www.amazon.com/review/R6S1WMRYAGVD7/ref=cm_srch_res_rtr_alt_59

Ngai, Sianne. 2012. ‘Network Aesthetics: Juliana Spahr’s The Transformation and Bruno Latour’s Reassembling the Social’. In American Literature’s Aesthetic Dimensions, edited by Cindy Weinstein and Christopher Looby, 367–92. New York: Columbia University Press.

Nicholson, Linda. 1999. The Play of Reason: From the Modern to the Postmodern. Buckingham: Open University Press.

O’Brien, Geoffrey. 1997. ‘Sein of the Times’. The New York Review of Books, 12 August 1997. 12–14.

O’Connor, Alan. 2006. Raymond Williams. Oxford: Rowman and Littleёeld Publishers, Inc.

O’Reilly, Tim. 2005. ‘What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software’. Accessed 6 May 2016. http://www. oreilly.com/pub/a/web2/archive/what-is-web-20.html

Orlean, Susan. 2000 [1998]. The Orchid Thief: A True Story of Beauty and Obsession. New York: Ballantine Books.

Osborne, Peter. 2011. ‘The Fiction of the Contemporary: Speculative Collectivity and Transnationality in the Atlas Group’. In Aesthetics and Contemporary Art, edited by Armen Avanessian and Luke Skrebowski, 101–123. Berlin: Sternberg Press.

Ozeki, Ruth. 2013. A Tale for the Time Being. Edinburgh: Canongate.

Palissy, Bernard. 1996. OEuvres Complиtes, 2 vols. Edited by Marie-Madeleine Fragonard, Keith Cameron, Jean Cйard, Marie-Dominique Legrand, Frank Lestringant and Gilbert Shrenck. Mont-de-Marsan, France: Йditions Inter-Universitaires.

Parisi, Luciana. 2013. Contagious Architecture: Computation, Aesthetics, and Space. Cambridge MA; London: MIT Press.

Paterson, Richard. 1998. ‘Drama and Entertainment’. In Television: An International History. Second edition, edited by Anthony Smith, 57–68. Oxford: Oxford University Press.

Pearce, Michael. 2001. ‘ “Getting behind the image”: Personality Politics in a Labour Party Election Broadcast’. Language and Literature 10(3): 211–220.

Pellegrini, Ann and Jasbir Puar. 2009. ‘Affect’. Social Text 27(3): 35–38.

Perez, Carlota. 2009. ‘The Double Bubble at the Turn of the Century: Technological Roots and Structural Implications’. Cambridge Journal of Economics 22: 779–805.

Pfeil, Fred. 1988. ‘Postmodernism as a “Structure of Feeling” ’. In Marxism and the Interpretation of Culture, edited by Cary Nelson and Lawrence Grossberg, 381–403. Chicago: University of Illinois Press.

Pine, B. Joseph and James H. Gilmore. 2011 [1999]. The Experience Economy: Work Is Theatre and Every Business Is a Stage. Updated edition. Boston: Harvard Business School.

Place, Vanessa and Robert Fitterman. 2009. Notes on Conceptualisms. Ugly Duckling Presse.

Plascencia, Salvador. 2005. The People of Paper. New York: Mariner Books.

Poe, Edgar Allan. 1998 [1844]. ‘The Purloined Letter’. In Selected Tales, edited by David Van Leer, 249–265. Oxford: Oxford University Press.

Poecke, Niels van. 2014. ‘De ballast van vernieuwing: Over metamodernisme in de popmuziek’. Gonzo Circus 122. Accessed 29 July 2014. http://www. gonzocircus.com/essay-de-ballast-van-vernieuwing-over-metamoder-nisme-in-de-popmuziek

Pollock, Griselda and Fred Orton. 1978. Vincent Van Gogh: Artist of His Time. Phaidon.

Poniewozik, James. 2011. ‘Louie Watch: Self, Love’. Time. 12 August 2011. Accessed 1 November 2016. http://entertainment.time.com/2011/08/12/ louie-watchself-love/

Pressman, Jessica. 2014. Digital Modernism: Making It New in New Media. Oxford; New York: Oxford University Press.

Purdy, Jedediah. 1999. For Common Things: Irony, Trust, and Commitment in America Today. New York: Knopf.

Pye, Douglas. 2007. ‘Movies and Tone’. In Close-Up 02, edited by John Gibbs and Douglas Pye, 1–80. London: Wallяower Press.

Rak, Julie. 2013. Boom! Manufacturing Memoir for the Popular Market. Waterloo, ON: Wilfrid Laurier University Press.

‘R_byass’. 2001. ‘The Book I Wish I’d Written’. Amazon.co.uk. 22 August 2001. Accessed 6 September 2016. http://www.amazon.co.uk/review/ RYQWNXQYGB0AS

Rapoport, David C. 2002. ‘The Four Waves of Rebel Terror and September 11’. Anthropoetics 8(1). Accessed 28 October 2016. http://www.anthropo-etics.ucla.edu/ap0801/terror.htm

Rhee, Michelle Young-Mee. 2011. “Greater Lore”: Metaёction in Chang-rae Lee’s Native Speaker’. MELUS 36(1): 157–176.

Roberts, David. 2010. ‘Post-Truth Politics’. Grist. Accessed 1 November 2016. http://grist.org/article/2010-03-30-post-truth-politics/

Roiland, Josh. 2012. ‘Getting Away from It All: The Literary Journalism of David Foster Wallace and Nietzsche’s Concept of Oblivion’. In The Legacy of David Foster Wallace, edited by Samuel Cohen and Lee Konstantinou, 25–52. Iowa City, IA: University of Iowa Press.

Rombes, Nicholas. 2005. ‘Irony and Sincerity’. In New Punk Cinema, edited by Nicholas Rombes, 72–85. Edinburgh: Edinburgh University Press.

Rosenberg, Alyssa. 2012. ‘How “The Wire” Inяuenced “Parks and Recreation”’. ThinkProgress. http://thinkprogress.org/alyssa/2012/04/26/ 471789/the-wire-parks-and-recreation/

Rosenblatt, Roger. 2001. ‘The Age of Irony Comes to an End’. Time. 24 September 2001. Accessed 8 September 2016. http://content.time.com/ time/magazine/article/0,9171,1000893,00.html

Roth, Marco. 2009. ‘Rise of the Neuronovel’. n+1. 14 September 2009. Accessed 24 June 2016. https://nplusonemag.com/issue-8/essays/the-rise-of-the-neuronovel

Rudnick, Paul and Kurt Andersen. 1989. ‘The Irony Epidemic’. Spy (Mar): 92–98.

Rustad, Gry. 2012. ‘Metamodernism, Quirky and Feminism’. Notes on Metamodern-ism. 29 February 2012. Accessed 6 September 2016. http://www.metamod-ernism.com/2012/02/29/metamodernism-quirky-and-feminism/#_edn3

Sadoux, Marion. 2002. ‘Christine Angot’s Autoёctions: Literature and/or Reality?’ In Women’s Writing in Contemporary France: New Writers, New Literatures in the 1990s, edited by Gill Rye and Michael Worton, 171–81. Manchester; New York: Manchester University Press.

Saldнvar, Ramуn. 2011. ‘Historical Fantasy, Speculative Realism, and Postrace Aesthetics in Contemporary American Fiction’. ALH 23(3): 574–599.

Saunders, Max. 2010. Self Impression: Life-Writing, Autobiograёction, and the Forms of Modern Literature. Oxford: Oxford University Press.

Savorelli, Antonio. 2010. Beyond Sitcom – New Directions in American Television Comedy. Jefferson, MO: McFarland.

Scarry, Elaine. 1987. The Body in Pain. London: Oxford University Press.

Schwarz, Henry and Anne Balsamo. 1996. ‘Under the Sign of Semiotext(e): The Story According to Sylvere Lotringer and Chris Kraus’. Critique 37(3): 205–220.

Sconce, Jeffrey. 2002. ‘Irony, Nihilism and the New American ‘Smart’ Film’. Screen 43(4): 349–369.

Scorsese, Martin, dir. 2013. The Wolf of Wall Street. Los Angles: Paramount.

Searle, Adrian. 2009. ‘The Richest and Most Generous Tate Triennial Yet’. The Guardian. 3 February 2009. Accessed 13 May 2012. http://www.guardian. co.uk/artanddesign/2009/feb/02/altermodern-tate-triennial?intcmp=239

Sebald, W. G. 1999 [1995]. The Rings of Saturn. New York: New Directions.

Self, Will. 2010. Walking to Hollywood. London: Bloomsbury.

Sennett, Richard. 2009. The Craftsman. London: Penguin books.

Shachar, Hila. 2011. ‘Seeking Substance in Historical Costume Films’. Notes on Metamodernism. 24 October 2011. Accessed 6 September 2016. http:// www.metamodernism.com/2011/10/24/seeking-substance-in-historical-costume-ёlms/

Shotter, John. 1996. ‘“Now I Can Go On”: Wittgenstein and Our Embodied Embeddedness in the “Hurly-Burly” of Life’. Human Studies 19: 385–407.

Simondon, Gilbert. 2012. Du mode d’existence des objects techniques. Paris: Aubier.

Simpson, David. 1995. ‘Raymond Williams: Feeling for Structures, Voicing “History” ’. In Cultural Materialism: On Raymond Williams, edited by Christopher Prendergast, 29–50. Minneapolis: University of Minnesota Press.

Smith, Ali. 2012. Artful. Penguin Books. Smith, Ali. 2014. How to Be Both. London: Hamish Hamilton. Smith, Pamela. 2004. The Body of the Artisan. Art and Experience in the Scientiёc Revolution. Chicago/London: The University of Chicago Press.

Smith, Rachel Greenwald. 2015. Affect and American Literature in the Age of Neoliberalism. Cambridge: Cambridge University Press. Smith, Zadie. 2006 [2005]. On Beauty. New York: Penguin Books.

Smith, Zadie. 2007. ‘Fail Better’. The Guardian. 13 January 2007. Accessed 24 June 2016. http://faculty.sunydutchess.edu/oneill/failbetter.htm

Sontag, Susan. 1990. On Photography. New York: Picador.

Sorkin, Michael, ed. 1992. Variations on a Theme Park: The New American City and the End of Public Space. New York: Hill and Wang.

Spahr, Juliana. 2005. This Connection of Everyone with Lungs. Berkeley: University of California Press.

Spuybroek, Lars. 2012. The Sympathy of Things: Ruskin and the Ecology of Design. Rotterdam: V2_Institute for Unstable Media.

Stengers, Isabelle and Despret, Vinciane. 2014. Women Who Make a Fuss: The Unfaithful Daughters of Virginia Woolf, translated by April Knutson. Minneapolis: Univocal.

Stephanson, Anders. 1988. ‘Regarding Postmodernism – A Conversation with Fredric Jameson’. In Universal Abandon? The Politics of Postmodernism, edited by Andrew Ross, 3–30. Minneapolis: University of Minnesota Press.

Stephenson, Neal. 2000 [1995]. The Diamond Age: Or, a Young Lady’s Illustrated Primer. New York: Bantam Spectra Books.

Sterling, Bruce. 2012. ‘An Essay on the New Aesthetic’. Wired. 2 April 2012. Accessed 29 July 2014. http://www.wired.com/ 2012/04/an-essay-on-the-new-aesthetic

Stiegler, Bernard. 2010. For a New Critique of Political Economy. Translated by Daniel Ross. Cambridge/Malden MA: Polity Press.

Sturgeon, Jonathon. 2014. ‘2014: The Death of the Postmodern Novel and the Rise of Autoёction’. Flavorwire. 31 December 2014. Accessed 3 February 2015. http://яavorwire.com/496570/2014-the-death-of-the-postmodern-novel-andthe-rise-of-autoёction

Tallis, Benjamin. 2016. ‘Living in Post-Truth: Power/knowledge/responsibility’. New Perspectives 24(1): 7–18. Tarantino, Quentin, dir. 2009. Inglourious Basterds. New York: Weinstein Company.

Taylor, Charles. 1989. Sources of the Self: The Making of Modern Identity. Cambridge, MA: Harvard University Press.

Theweleit, Klaus. 1987. Male Fantasies. Minneapolis: University of Minnesota Press.

Thirlwell, Adam. 2012. Kapow! London: Visual Editions.

Timmer, Nicoline. 2010. Do You Feel It Too? The Post-Postmodern Syndrome in American Fiction at the Turn of the Millennium. Amsterdam; New York: Rodopi.

Toth, Josh. 2010. The Passing of Postmodernism: A Spectroanalysis of the Contemporary. Albany: State University of New York Press.

Toth, Josh. 2013. ‘Healing Postmodern America: Plasticity and Renewal in Danielewski’s House of Leaves’. Critique 54(2): 181–197.

Turner, Luke. 2011. ‘Metamodernist // Manifesto’. Metamodernism.org. Accessed 1 November 2016. http://www.metamodernism.org

Tyrone X, Vaman. 2012. ‘Book Review: Tao Lin’s Richard Yates, Shoplifting at American Apparel, and Bed’. AALR. 23 April 2012. Accessed 24 June 2016. https://archive.is/WtqlG

Vaessens, Thomas and Yra van Dijk. 2011. ‘Introduction: European Writers Reconsidering the Postmodern Heritage’. In Reconsidering the Postmodern, edited by Thomas Vaessens and Yra van Dijk, 7–24. Amsterdam University Press.

Vermeulen, Pieter. 2015. Contemporary Literature and the End of the Novel: Creature, Affect, Form. Basingstoke: Palgrave Macmillan.

Vermeulen, Timotheus. 2013. ‘Review: Christoph Knecht’. Frieze. 7 September 2013. Accessed 6 September 2016. https://frieze.com/article/chris-toph-knecht

Vermeulen, Timotheus. 2015. ‘The New “Depthiness”’. e-яux 61(1): n.p. http://www.e-яux.com/journal/the-new-depthiness/

Vermeulen, Timotheus and Gry Rustad. 2013. ‘Watching Television with Jacques Ranciиre: US “Quality Television’, Mad Men and the “late cut” ’. Screen 53(3): 341–354.

Vermeulen, Timotheus and Robin van den Akker. 2010. ‘Notes on Metamodernism’. Journal of Aesthetics and Culture 2: 1–14. http://www.aestheticsand-culture.net/index.php/jac/article/view/5677/6304

Vermeulen, Timotheus and Robin van den Akker. 2015. ‘Utopia, Sort Of: A Case Study in Metamodernism’. Studia Neophiliogica 18 (Supp 1): 55–67.

Voegelin, Eric. 1989. ‘Equivalences of Experience and Symbolization in History’. In The Collected Works of Eric Voegelin, edited by E. Sandoz, Volume 12, 115–133. Baton Rouge: Louisiana State University Press.

Wallace, David Foster. 1989. ‘Westward the Course of Empire Takes Its Way’. In Girl with Curious Hair, 231–373. New York: Norton.

Wallace, David Foster. 1997. ‘E Unibus Pluram: Television and U.S. Fiction’. In A Supposedly Fun Thing I’ll Never Do Again, 21–82. London: Abacus.

Wallace, David Foster. 1999. ‘Octet’. In Brief Interviews with Hideous Men, 131– 60. New York: Little, Brown and Company.

Wallace, David Foster. 2001 [1996]. Inёnite Jest. London: Abacus.

Wallace, David Foster. 2001 [1999]. ‘Octet’. In Brief Interviews with Hideous Men, 111–36. London: Abacus.

Wallace, David Foster. 2004. ‘Good Old Neon’. In Oblivion: Stories, 141–181. London: Abacus.

Wallace, David Foster. 2004 [1987]. The Broom of the System. New York: Penguin.

Wallace, David Foster. 2011. The Pale King: An Unёnished Novel. London: Hamish Hamilton.

Wampole, Christy. 2012. ‘How to Live Without Irony’. New York Times. 17 November 2012. Accessed 24 June 2016. http://opinionator.blogs.ny-times.com/2012/11/17/how-to-live-without-irony/

Warwick, A. R. 2012. ‘Falling Very Slowly: The Metamodernism of Terry Gilliam’s Tideland’. Artwrit. Accessed 6 September 2016. http://www.art-writ.com/article/falling-very-slowly-the-metamodernism-of-terry-gilliams-tideland

Wegner, Phillip E. 2014. Periodizing Jameson: Dialectics, the University, and the Desire for Narrative. Evanston, IL: Northwestern University Press.

Whyte, William H. 2002. The Organization Man. Foreword by Joseph Nocera. Philadelphia: University of Pennsylvania Press.

Will, George F. 2001. ‘The End of Our Holiday from History’. The Washington Post. 12 September 2001. Accessed 1 November 2016. https://www. washingtonpost.com/archive/opinions/2001/09/12/the-end-of-our-hol-iday-from-history/9da607fd-8fdc-4f33-b7c9-e6cda00453bb/

Williams, Raymond. 2001 [1954]. ‘Film and the Dramatic Tradition’. In The Raymond Williams Reader, edited by John Higgins, 25–41. Oxford; Malden, MA: Blackwell Publishers.

Williams, Raymond. 1965. The Long Revolution. Harmondsworth: Penguin.

Williams, Raymond. 1977. Marxism and Literature. Oxford: Oxford University Press

Williams, Raymond. 1979. Politics and Letters: Interviews with New Left Review. London: New Left Books.

Williams, Raymond and Michael Orrom. 1954. Preface to Film. London: Film Drama.

Wilson, E. O. 1998. Consilience: The Unity of Knowledge. Random House. www. wtf.tw/ref/wilson.pdf

Wittgenstein, Ludwig. 1929. ‘Lecture on Ethics’. Ts-207, normalized transcription. Transcriptions can be found on: www.wittgensteinsource.org

Wittgenstein, Ludwig. 2001 [1922]. Tractatus Logico Philosophicus. New York: Routledge.

Wodak, Ruth. 2009. The Discourse of Politics in Action: Politics as Usual. Basingstoke: Palgrave.

Wolfendale, Peter. 2014. Object-Orientated Philosophy: The Noumenon’s New Clothes. Falmouth: Urbanomic.

Woodward, Kathleen. 1996. ‘Global Cooling and Academic Warming: Long-Term Shifts in Emotional Weather’. American Literary History 8(4): 759–779.

Woodward, Kathleen. 2009. Statistical Panic: Cultural Politics and Poetics of the Emotions. Durham, NC; London: Duke University Press.

Wu, Yung-Hsing. 2003. ‘Doing Things with Ethics: Beloved, Sula, and the Reading of Judgment’. MFS 49(4): 780–805.

Zavarzadeh, Mas’ud. 1975. ‘The Apocolyptic Fact and the Eclipse of Fiction in Recent American Prose Narratives’. Journal of American Studies 9(1): 69–83.

Zeller, Christoph. 2010. Дsthetik des Authentischen: Literatur und Kunst um 1970. Berlin: de Gruyter.

Zinc, Nell. 2014. The Wallcreeper. London: Harper Collins.

Žižek, Slavoj. 2000. The Art of the Ridiculous Sublime: On David Lynch’s Lost Highway. Seattle: University of Washington Press.

Žižek, Slavoj. 2002. Welcome to the Desert of the Real! Five Essays on September 11 and Related Dates. London; New York: Verso.