Избранная библиография

Книги

Rebstock D, Roesner D. Composed Theatre: Aesthetics, Practices, Processes. GB: Intellect Books; 2012.

Paddison MP, Deliège, Irène, Max. Contemporary Music: Theoretical and Philosophical Perspectives. GB: Routledge Ltd; 2016.

Contemporary Theatres in Europe: A Critical Companion. Edited by Joe Kelleher and Nicholas Ridout. Abingdon and New York: Routledge, 2006.

Dixon, Steve Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation, MIT Press, 2007.

Fischer-Lichte, Erika The Transformative Power of Performance: A New Aesthetics, Routledge, 2008.

Ranciere, Jacques. The Emancipated Spectator, London and New York: Verso, 2009.

Winslow L. Puppets, Masks, and Performing Objects. Whole Earth. 2002.

Brauneck, Manfred, and ITI Germany, editors. Independent Theatre in Contemporary Europe: Structures – Aesthetics – Cultural Policy, 2017.

Sandahl C, Auslander P. Bodies in Commotion: Disability and Performance. Ann Arbor: University of Michigan Press; 2009.

Wilcox D. Performance: A Critical Introduction. By Marvin Carlson. London and New York: Routledge, 1996.

Political Performances: Theory and Practice, edited by Susan C. Haedicke, et al., Editions Rodopi, 2009.

Greatest Shows on Earth: World Theatre from Peter Brook to the Sydney Olympics, edited by John Freeman, Libri Publishing, 2012.

Carlson M. Theatre Is More Beautiful Than War: German Stage Directing in the Late Twentieth Century. Iowa City: University of Iowa Press; 2009.

Nadel, Myron. Looking at Contemporary Dance: A Guide for the Internet Age, Princeton Book Company, 2012.

Weijdom, Joris. Mixed Reality and The Theatre of The Future, IETM, 2017.

Bonet, Lluis & Négrier, Emmanuel & Guérin, Michel. Music festivals a changing world, 2016.

Klaic, Dragan. Resetting the Stage: Public Theatre Between the Market and Democracy, Intellect Books Ltd, 2013.

Political Performances: Theory and Practice, edited by Susan C. Haedicke, et al., Editions Rodopi, 2009.

Grau, Andree, and Stephanie Jordan. Europe Dancing: Perspectives on Theatre, Dance, and Cultural Identity, Routledge, 2000.

Carter, Alexandra. Rethinking dance history: a reader. Routledge, 2004.

‘Sensuality and Sexuality’. Journal of Theatre and Performing Arts Vol.9, No.1, 2015.

Reinsone S, Reinsone, Guna Zeltiņa with Sanita. Text in Contemporary Theatre: The Baltics within the World Experience.

Legacy of Opera: Reading Music Theatre as Experience and Performance, edited by Dominic Symonds, and Pamela Karantonis, Editions Rodopi, 2013

Salzman E, Desi T. The New Music Theater: Seeing the Voice, Hearing the Body. New York: Oxford University Press; 2008.

Manuel, P. Theatre Without Actors: Rehearsing New Modes of co-Presence, Utrecht University Repository, 2017.

Тексты

Lehman, Hans-Thies Dramatic and Post-dramatic Theatre: Ten Years After / Critical Stages, 2015 – Issue № 11 – 150 pp.

Sidiropoulou, Avra The theatre of the director-auteur: text, form and authorship, 2009.

Quinn, Bernadette Arts Festivals and the City, 2005 – urban studies, 42. 927–943 pp.

Being Contemporary – PAJ: A Journal of Performance and Art, Vol. 34, No. 1 (JANUARY 2012), pp. 93–110.

Bell J. Can Theatre Change Lives and Impact Underserved Communities? Theatre Survey. 2016;57(3): 441–51.

Auslander, Philip. “Digital Liveness: A Historico-Philosophical Perspective.” PAJ: A Journal of Performance and Art, vol. 34, no. 3, 2012, pp. 3–11.

Hauptfleisch, T. Eventifying Identity: Festivals in South Africa and the Search for Cultural Identity. New Theatre Quarterly, 22(2), 181–198, 2006.

Sauter, W. Introduction: Festival Culture in Global Perspective. Theatre Research International, 30(3), 237–239, 2005.

Négrier, Emmanuel Festivalisation: Patterns and Limits, 2014.

Rumens, Nick and Broomfield, John Gay men in the performing arts: Performing sexualities within ‘gay-friendly’ work contexts, 2014.

Goebbels, Heiner, and Stathis Gourgouris. “Performance as Composition”. PAJ: A Journal of Performance and Art, vol. 26, no. 3, 2004, pp. 1–16.

Rapi, N. Hide and Seek: The Search for a Lesbian Theatre Aesthetic. New Theatre Quarterly, 9(34), 147–158, 1993.

Burt, Ramsay. “History, Memory, and the Virtual in Current European Dance Practice”. Dance Chronicle, vol. 32, no. 3, 2009, pp. 442–467.

Wehle, Philippa. “A History of the Avignon Festival”. The Drama Review: TDR, vol. 28, no. 1, 1984, pp. 52–61.

Werry M, Schmidt B. Immersion and the spectator. Theatre Journal. 2014; 66(3): 467.

Yeganeh F. Iranian Theatre Festivalized. Theatre Research International. 2005; 30(3): 274.

Wesemann, Arnd, and Marta Ulvaeus. “Jan Fabre: Belgian Theatre Magician”. TDR (1988-), vol. 41, no. 4, 1997, pp. 41–62.

Graham K. In the Shadow of a Dancer: Light as Dramaturgy in Contemporary Performance. Contemporary Theatre Review. 2018; 28(2): 196–209.

Hübner, Falk. Entering The Stage: Musician as Performers in Contemporary Music Theatre. New Sound, 36/II, 2010.

Irmer, Thomas. “A Search for New Realities: Documentary Theatre in Germany”. TDR (1988-), vol. 50, no. 3, 2006, pp. 16–28.

White, G. On Immersive Theatre. Theatre Research International, 37(3), 221–235, 2012.

Causey M. Postdigital Performance. Theatre Journal. 2016; 68(3): 427–41.

Sizemore-Barber A. A Queer Transition: Whiteness in the Prismatic, Post-Apartheid Drag Performances of Pieter-Dirk Uys and Steven Cohen. Theatre Journal. 2016; 68(2): 191–211.

Hillman, R. (Re)constructing Political Theatre: Discursive and Practical Frameworks for Theatre as an Agent for Change. New Theatre Quarterly, 31(4), 380–396, 2015.

Tyszka, J. (1997). The School of Being Together: Festivals as National Therapy during the Polish ‘Period of Transition’. New Theatre Quarterly, 13(50), 171–182.

Schechner, Richard. “The Conservative Avant-Garde”. New Literary History, vol. 41, no. 4, 2010, pp. 895–913.

Wandor, Michelene. “The Impact of Feminism on the Theatre”. Feminist Review, no. 18, 1984, pp. 76–92.

Parker-Starbuck, Jennifer. “THE SPECTATORIAL BODY IN MULTIMEDIA PERFORMANCE”. PAJ: A Journal of Performance and Art, vol. 33, no. 3, 2011, pp. 60–71.

Sabino Da Costa, Felisberto & Pereira, Ipojucan & De, Cristiane & Martins, Fátima & Kurtz, Winston. Views on Absence/Presence: theater and technology. ARJ – Art Research Journal. 3. 80–91, 2016.