1566
Великий мертвиарх (фр.).
1567
Это собственные слова Хенце; см., напр., Paul Griffiths, ‘A Bohemian Spirit Comfortable with the Classical’, The New York Times (6 January 1999).
1568
Ноктюрны и арии (нем.).
1569
Hans Werner Henze, Peter Labanyi (trans.), Music and Politics: Collected Writings 1953–1981 (Ithaca, NY: Cornell University Press, 1982).
1570
Helmut Lachenmann, Jeffrey Stadelman (trans.), ‘Open Letter to Hans Werner Henze’, in Perspectives of New Music vol. 35, no. 2 (Summer 1997), p. 189–200.
1571
См. Bálint András Varga, Conversations with Iannis Xenakis (London: Faber & Faber, 2003), p. 47.
1572
См. Nouritza Matossian, Xenakis (London: Kahn and Averill, 1986), p. 48.
1573
Le Corbusier, Le Modulor (Paris: Éditions de l’Architecture d’Aujourd’hui, 1945), p. 74.
1574
Carey Lovelace, ‘How Do You Draw a Sound?’, in Sharon Kanach, Carey Lovelace, Mâkhi Xenakis, Ivan Hewett, Iannis Xenakis: Composer, Architect, Visionary (New York: The Drawing Center, 2010).
