1071
Budden, p. 130.
1072
Abbate and Parker, p. 423.
1073
Benjamin Britten, ‘Verdi – A Symposium’, in Opera magazine (February 1951), p. 113–114.
1074
Ernest Newman, More Opera Nights (London: Putnam, 1954), p. 465.
1075
Eric Frederick Jensen, Debussy (Oxford: Oxford University Press, 2014), p. 186.
1076
Там же.
1077
Roger Nichols and Richard Langham Smith (eds.), Claude Debussy: Pelléas et Mélisande (Cambridge: Cambridge University Press, 1989), p. 148.
1078
Norman Lebrecht, ‘Ethel Smyth’, in Mahler Remembered (London: Faber & Faber, 1987), p. 45.
1079
Hans Hollander, Leoš Janáček: His Life and Works (London: John Calder, 1963), p. 51.
1080
Michael Beckerman, Janáček and His World (Princeton, NJ: Princeton University Press, 2003), p. 246.
1081
Abbate and Parker, p. 458.
1082
Прекрасная эпоха (фр.).
1083
Julian Barnes, The Man in the Red Coat (London: Jonathan Cape, 2019), p. 26, 28.
1084
Прихвостни Шбрг (Шенберга).
1085
Арнольд Шенберг в записке себе, см. Robert Craft, Stravinsky: Glimpses of a Life (New York: St Martin’s Press, 1993), p. 40.
1086
Моррис – английский народный танец.
1087
Igor Stravinsky, Poetics of Music in the Form of Six Lessons (Cambridge, MA: Harvard University Press, 1947), ch. 5.
1088
. ‘Khachaturian, Aram’, Current Biography Yearbook (New York: H. W. Wilson Co., 1949), vol. 9, p. 345.
1089
Paul Ehlers, ‘Die Musik und Adolf Hitler’, in Die Neue Zeitschrift für Musik (April 1939), p. 361.
1090
Ernst Krenek, ‘A Composer‘s Influences’, in Perspectives of New Music vol. 3, no. 1 (Autumn—Winter 1964), p. 36–41.
1091
Из рецензии на труд Блюме его студента Вольфганга Штайнеке ‘Musik und Rasse: Vortrag Professor Blumes bei den Reichsmusiktagen’, in Deutsche Allgemeine Zeitung (28 May 1938), цит. по: Martin Iddon, New Music at Darmstadt (Cambridge: Cambridge University Press, 2013), p. 11.
