943
Callow, p. xx.
944
Там же, p. 20.
945
Там же, p. 44.
946
Franz Lachner (Munich 1864); see ‘In Focus: Richard Wagner, Der fliegende Holländer’, essay for the New York Metropolitan Opera production (March 2020).
947
Ernest Newman, Wagner Nights (3rd edn, London: The Bodley Head, 1968), p. 203 n.
948
Callow, p. 64.
949
Собственное программное описание Вагнера, цит. по: Newman, p. 137.
950
См. Christopher A. Reynolds, Wagner, Schumann, and the Lessons of Beethoven’s Ninth (Oakland, CA: University of California Press, 2015), p. 80.
951
Callow, p. 77.
952
Abbate and Parker, p. 290.
953
Цит. по: Вагнер Р. Избранные работы. С. 181, 183, 237.
954
Richard Wagner, Das Kunstwerk der Zukunft (1849), in Strunk, Treitler (ed.), p. 147, 148, 160.
955
Magee, p. 15.
956
Callow, p. 154.
957
Allen, p. 68.
958
Richard Wagner, John Deathridge (trans.), The Ring of the Nibelung (London: Penguin Classics, 2019), p. 409.
959
Newman, p. 428.
960
Wagner, Deathridge (trans.), p. xxxvii.
961
Richard Wagner, Andrew Porter (trans.), The Ring of the Nibelung (London: Faber & Faber, 1977), p. xvii.
962
Abbate and Parker, p. 362.
963
W. Beatty-Kingston, ‘Our Musical Box’ (1 May 1882), in Clement Scott (ed.), The Theatre (London: Charles Dickens and Evans, Crystal Palace Press, 1882), p. 293.
