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Книги обычно указываются здесь в той же последовательности, в какой в каждой из глав рассмотрено творчество художников и другие вопросы, подробнее анализируемые в данных книгах.
1 ЗАГАДОЧНЫЕ ИСТОКИ
Anthony Forge. Primitive Art and Society(London: Oxford U.P., 1973)
Douglas Fraser. Primitive Art.(London: Thames and Hudson, 1962)
Franz Boas. Primitive Art.(New York: Peter Smith, 1962)
2 ИСКУССТВО ДЛЯ ВЕЧНОСТИ
Heinrich Schafer. Von agyptischer Kunst. Ein Grundlage(Wiesbaden: Harrassowitz, 1963)
Kurt Lang, Max Hitmer. Aegypten. Architektur, Plastik, Malerei in drei Jahrtausenden(Munchen: Hirmer, 1955; 2-е изд., Munchen: Deutscher Taschenbuch, 1976)
Henri Frankfort. The Art and Architecture of the Ancient Orient(Harmondsworth: Penguin, 1954; 4-е изд., 1970)
3 ВЕЛИКОЕ ПРОБУЖДЕНИЕ
Gisela M.A. Richter. A Handbook of Greek Art(London: Phaidon, 1959; 9-е изд., Oxford, 1987; переизд. London, 1994)
Martin Robertson. A History of Greek Art (2vols., Cambridge U.P., 1975)
Andrew Stewart. Greek Sculpture(2 vols., New Haven-London: Yale U.P., 1990)
John Boardman. The Parthenon and its Sculptures(London: Thames and Hudson, 1985)
Bernard Ashmole. Architect and Sculptor in Classical GreeceJ.J. Pollitt. Art and Experience in Classical Greece(Cambridge U.P., 1972)
R.V. Cook. Greek Painted Pottery(London: Methuen, 1960; 2-е изд., 1972)
Claude Rolley. Greek Bronzes(London: Sotheby's, 1986)
4 ЦАРСТВО ПРЕКРАСНОГО
Margarete Bieber. Sculpture of the Hellenistic Age(New York: Columbia U.P., 1955; переработ. изд., 1961)
J. Onians. Art and Thought in the Hellenistic Age(London: Thames and Hudson, 1979)
J.J. Pollitt. Art in the Hellenistic Age(Cambridge U.P., 1986)
5 ПОКОРИТЕЛИ МИРА
Ranuccio Bianchi Bandinelli. Rome: the Centre of Power(London: Thames and Hudson, 1970)
Он же. Rome: the Late Empire(London: Thames and Hudson, 1971)
Richard Brilliant. Roman Art: From the Republic to Constantine(London: Phaidon, 1974)
William Macdonald. The Pantheon(Harmondsworth: Penguin, 1976)
Diana E.E. Kleiner. Roman Sculpture(New Haven-London: Yale U.P., 1993)
Roger Ling. Roman Painting(Cambridge U.P., 1991)
6 РАСХОЖДЕНИЕ ПУТЕЙ
Richard Krautheimer. Rome, Profile of a City, 312-1308(Princeton U.P., 1980)
Otto Demus. Byzantine Art and the West(London: Weidenfeld and Nicolson, 1970)
Ernst Kitzinger. Byzantine Art in the Making(London: Faber, 1977)
Он же. Early Medieval Art in the British Museum(London: British Museum, 1940; John Beckwith. The Art of Constantinople(London: Phaidon, 1961; 2-е изд., 1968)
Richard Krautheimer. Early Christian and Byzantine Art and Architecture(Harmondsworth: Penguin, 1965; 4-е изд., 1986)
7 ВЗГЛЯД НА ВОСТОК
Jerrilyn D. Dodds, ed. Al-Andalus. The Art of Islamic Spain(New York: Metropolitan Museum of Art, 1992)
Oleg Grabar. The Alhambra(London: Allen Lane, 1978)
Он же. The Formation of Islamic Art(New Haven-London: Yale U.P., 1973; переработ. изд. 1987)
Godfrey Goodwin. History of Ottoman Architecture(London: Thames and Hudson, 1971; переизд. 1987)
Basil Gray. Persian Painting(London: Batsford, 1947; переизд. 1961)
R.W. Ferrier, ed. The Arts of Persia(New Haven-London: Yale U.P., 1989)
J.C. Harle. Art and Architecture of the Indian Subcontinent(Harmondsworth: Penguin, 1986)
T. Richard Burton. Hindu Art(London: British Museum, 1992)
James Cahill. Chinese Painting(Geneva: Skira, 1960; переизд. New York: Skira/Rizzoli, 1977)
W. Willtees. Foundations of Chinese Art(London: Thames and Hudson, 1965)
William Watson. Style in the Arts of China(Harmondsworth: Penguin, 1974)
Michael Sullivan. Symbols of Eternity(Oxford U.P., 1980)
Он же. The Arts of China(Berkeley: California U.P., 1967; 3-е изд., 1984)
Wen C. Fong. Beyond Representation(New Haven-London: Yale U.P., 1992)
8 ИСКУССТВО В ПЛАВИЛЬНОМ КОТЛЕ
David Wilson. Anglo-Saxon Art(London: Thames and Hudson, 1984)
Он же. The Bayeux Tapestry(London: Thames and Hudson, 1985)
Janet Backhouse. The Lindisfarne Gospels(Oxford: Phaidon, 1981; переизд. London, 1994)
Jean Hubert et al. L'Empire Carolingien.(Paris: Gallimard, 1968)
9 ЦЕРКОВЬ ВОИНСТВУЮЩАЯ
Meyer Schapiro. Romanesque Art(London: Chatto and Windus, 1977)
George Zarnecki, ed. English Romanesque Art 1066–1200(London: Royal Academy, 1984)
Hanns Swarzenski. Monuments of Romanesque Art: the Art of Church Treasures in North-Western Europe(London: Faber, 1954; 2-е изд., 1967)
Otto Pacht. Book Illumination in the Middle Ages(London: Harvey Miller, 1986)
Christopher de Hamel. A History of Illuminated Manuscripts(Oxford: Phaidon, 1986; 2-е изд., London, 1994)
J.J.G. Alexander. Medieval Illuminators and their Methods(New Haven-London: Yale U.P., 1992)
10 ЦЕРКОВЬ ТОРЖЕСТВУЮЩАЯ
Henri Focillon. L'Art d'Occident. Le moyen age roman et gothique.(Paris: Colin, 1947)
Joan Evans. Art in Medieval France(London: Oxford U.P., 1948)
Robert Branner. Chartres Cathedral(London: Thames and Hudson, 1969; переизд. New York: W.W. Norton, 1980)
Max Hirmer, Willibald Sauerlander. Gotische Skulptur in Frankreich. 1140–1270 (Munchen: Hirmer, 1970)
Jean Bony. Cathedrals gothiques en France(Paris: Braun, 1954)
James H. Stubblebine. Giotto, the Arena Chapel Frescoes(London: Thames and Hudson, 1966; 2-е изд., 1993)
Jonathan Alexander, Paul Binski, ed. Age of Chivalry: Art in Plantagenet England 1200–1400(London: Royal Academy, 1987)
11 ПРИДВОРНЫЕ И ГОРОЖАНЕ
Jean Bony. The English Decorated Style(Oxford: Phaidon, 1979)
Andrew Martindale. Simone Martini(Oxford: Phaidon, 1988)
Millard Meiss. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries(2 vols., New York: Braziller, 1974)
Jean Longnon et al. The Tres Riches Heures of the Duc de Berry(London: Thames and Hudson, 1969; переизд. 1989)
12 ЗАВОЕВАНИЕ РЕАЛЬНОСТИ.
Eugenio Battisti. Brunelleschi: the Complete Work(London: Thames and Hudson, 1981)
Bruce Cole. Masaccio and the Art of Early Renaissance Florence(Bloomington: Indiana U.P., 1980)
Umberto Baldini, Ornella Casazza. La Capella Brancacci(Milano: Olivetti; Electa, 1990)
Paul Joannides. Masaccio and Masolino(London: Phaidon, 1993)
H.W. Janson. The Sculpture of Donatello(Princeton U.P., 1957)
Bonnie A. Bennett, David G. Wilkins. Donatello(Oxford: Phaidon, 1984)
Kathleen Morand. Claus Sluter: Artist of the Court of Burgundy(London: Harvey Miller, 1991)
Elizabeth Dhanens. Hubert and Jan van Eyck(Antwerp: Fonds Mercator, 1980)
Erwin Panofsky. Early Netherlandish Painting: Its Origin and Character(2 vols., Cambridge, Mass.: Harvard U.P., 1953; переизд. New York: Harper and Row, 1971)
13 ТРАДИЦИЯ И НОВАТОРСТВО: I
Franco Borsi. L.B. Alberti: L'opera completa(Milano: Electa, 1980)
Richard Krautheimer. Lorenzo Ghiberti(Princeton U.P., 1956; пересмотр. изд., 1970)
John Pope-Hennessy. Fra Angelico(London: Phaidon, 1952; 2-е изд., 1974). Русск. перев.:
Джон Поуп-Хеннесси. Фра Анджелико(М.: Слово/Slovo, 1995)
Он же. Uccello(London: Phaidon, 1950; 2-е изд., 1969)
Ronald Lightbown. Mantegna(Oxford: Phaidon-Christie's, 1986)
Jane Martineau, ed. Andrea Mantegna(London: Thames and Hudson, 1992)
Kenneth Clark. Piero della Francesca(London: Phaidon, 1951; 2-е изд., 1969)
Ronald Lightbown. Piero della Francesca(New York: Abbeville, 1992)
L.D. Ettlinger. Antonio and Piero Pollaiuolo(Oxford: Phaidon, 1978)
H. Horne. Botticelli: Painter of Florence(London: Bell, 1908; переработ. изд.: Sandro Botticelli: Life and Work.London: Thames and Hudson, 1989)
О картинах Веснаи Рождение Венерысм. мою статью Botticelli's Mythologies — Symbolic Images(London: Phaidon, 1972; 3-е изд., Oxford, 1985; переизд. London, 1995)
14 ТРАДИЦИЯ И НОВАТОРСТВО: II
John Harvey. The Perpendicular Style(London: Batsford, 1978)
Martin Davies. Rogier van der Weyden: An Essay, with a Critical Catalogue of Paintings ascribed to him and to Robert Campin(London: Phaidon, 1972)
Michael Baxandall. The Limewood Sculptors of Renaissance Germany(New Haven — London: Yale U.P., 1980)
Jan Bialostocki. The Art of the Renaissance in Eastern Europe(Oxford: Phaidon, 1976)
15 ДОСТИГНУТАЯ ГАРМОНИЯ
Arnaldo Bruschi. Bramante.Bari: Laterza, 1973 Kenneth Clark. Leonardo da Vinci(Cambridge U.P., 1939; переработ. изд., Harmondsworth: Penguin, 1988)
A.E. Popham, ed. Leonardo da Vinci: Drawings(London: Cape, 1946; переработ. изд., 1973)
Martin Kemp. Leonardo da Vinci: The Marvellous Works of Nature and Man(London: Dent, 1981)
См. также эссе в моих книгах: The Heritage of Apelles(Oxford: Phaidon, 1976; переизд. London, 1993), pp. 39–56, и New Light on Old Masters(Oxford: Phaidon, 1986; переизд. London, 1993), pp. 32–88.
Herbert von Einem. Michelangelo. Bildhauer, Maler, Baumeister(Berlin: Mann, 1973)
Howard Hibbard. Michelangelo(Harmondsworth: Penguin, 1975; 2-е изд., 1985).
См. особенно введения здесь и в предыдущей книге. Johannes Wilde. Michelangelo: Six Lectures(Oxford U.P., 1978)
Ludwig Goldscheider. Michelangelo: Paintings, Sculpture, Architecture(London: Phaidon, 1953; 6-е изд., 1995)
Michael Hirst. Michelangelo and his Drawings(New Haven-London: Yale U.P., 1988)
Полные каталоги произведений Микеланджело см.: Frederick Hartt. The Paintings of Michelangelo(New York: Abrams, 1964)
Он же. Michelangelo: The Complete Sculpture(New York: Abrams, 1970)
Он же. Michelangelo Drawings(New York: Abrams, 1970)
О Сикстинской капелле см.: Charles Seymour, ed. Michelangelo: the Sistine Ceiling(New York: W.W. Norton, 1972)
Carlo Pietrangeli, ed. The Sistine Chapel: Michelangelo Rediscovered(London: Muller, Blond and White, 1986)
John Pope-Hennessy. Raphael(London: Phaidon, 1970)
Roger Jones, Nicholas Penny. Raphael(New Haven-London: Yale U.P., 1983)
Luitpold Dussler. Raphael: Kritisches Verzeichnis der Gemalde, Wandbilder und Bildteppiche(Munchen, 1966)
Paul Joannides. The Drawings of Raphaelwith a Complete Catalogue (Oxford: Phaidon, 1983)
О Станца делла Сеньятура см. статью в моей книге: Symbolic Images(London: Phaidon, 1972; 3-е изд., Oxford, 1985; переизд. London, 1995), pp. 85-101;
О Мадонне в креслесм. статью в моей книге: Norm and Form(London: Phaidon, 1966; 4-е изд., Oxford, 1985; переизд. London, 1995), pp. 64–80.
16 СВЕТ И ЦВЕТ
Deborah Howard. Jacopo Sansovino(New Haven-London: Yale U.P., 1975)
Bruce Boucher. The Sculpture of Jacopo Sansovino(2 vols., New Haven-London: Yale U.P., 1992)
Johannes Wilde. Venetian Art from Bellini to Titian(Oxford U.P., 1974)
Giles Robertson. Giovanni Bellini(Oxford U.P., 1968)
Terisio Pignatti. Giorgione: Complete Edition(London: Phaidon, 1971)
Harold Wethey. The Paintings of Titian(3 vols., London: Phaidon, 1969–1975)
Charles Hope. Titian(London: Jupiter, 1980)
Cecil Gould. The Paintings of Correggio(London: Faber, 1976)
A.T. Popham. Correggio's Drawings(London: British Academy, 1957)
17 РАСПРОСТРАНЕНИЕ НОВОГО СТИЛЯ
Erwin Panofsky. The Life and Art of Albrecht Durer(Princeton U.P., 1943; 4-е изд., 1955; переизд. 1971)
Nikolaus Pevsner, Michael Veier. Grunewald(London: Thames and Hudson, 1948)
G. Scheja. The Isenheim Altarpiece(Cologne: DuMont; New York: Abrams, 1969)
Max J. Friedlander. Die Gemalde von Lucas Cranach(Berlin: Deutscher Verein fur Kunstwissenschaft, 1932)
Walter S. Gibson. Hieronymus Bosch(London: Thames and Hudson, 1973) — см. также статью в моей книге: The Heritage of Apelles(Oxford: Phaidon, 1976; переизд. London, 1993), pp. 79–90.
R.H. Marijnissen. Hieronymus Bosch: The Complete Works(Antwerp: Tatard, 1987)
18 КРИЗИС ИСКУССТВА
James Ackerman. Palladio(Harmondsworth: Penguin, 1966)
John Sherman. Mannerism(Harmondsworth: Penguin, 1967)
John Pope-Hennessy. Cellini(London: Macmillan, 1985)
Sydney J. Freedberg. Parmigianino: His Works in Painting(2 vols., Cambridge, Mass.: Harvard U.P., 1950)
A.T. Popham. Catalogue of the Drawings of Parmigianino(3 vols., New Haven-London: Yale U.P., 1971)
Charles Avery. Giambologna(Oxford: Phaidon-Christie's, 1987; переизд. London: Phaidon, 1993)
Hans Tietze. Tintoretto: The Paintings and Drawings(London: Phaidon, 1948)
Harold E. Wethey. El Greco and his School(2 vols., Princeton U.P., 1962)
John Rowlands. Holbein: The Paintings of Hans Holbein the Younger(Oxford: Phaidon, 1985)
Roy Strong. The English Renaissance Miniature(London: Thames and Hudson, 1983) — статьи о Николасе Хильярде и Исааке Оливере.
Fritz Grossmann. Peeter Brueghel. Die Gemalde(Koln: Phaidon, 1955)
Ludwig Munz. Brueghel: The Drawings.Transl. from the German manuscript (London: Phaidon, 1961)
19 ВИДЕНИЕ И ВИДЕНИЯ
Rudolf Wittkower. Art and Architecture in Italy 1600–1750(Harmondsworth: Penguin, 1958; 3-е изд., 1973)
Ellis Waterhouse. Italian Baroque Painting (London: Phaidon, 1962; 2-е изд., 1969)
Donald Posner. Annibale Carracci: A Study in the Reform of Italian Painting around 1590(2 vols., London: Phaidon, 1971)
Walter Friedlander. Caravaggio Studies(Princeton U.P., 1955)
Howard Hibbard. Caravaggio(London: Thames and Hudson, 1983)
D. Stephen Pepper. Guido Reni: A Complete Catalogue of his Works with an Introductory Text(Oxford: Phaidon, 1984)
Anthony Blunt. The Paintings of Poussin(3 vols., London: Phaidon, 1966–1967)
Marcel Rothlisberger. Claude Lorrain: The Paintings(2 vols., New Haven-London: Yale U.P., 1961)
Julius S. Held. Rubens: Selected Drawings(3 vols., London: Phaidon, 1959; 2-е изд. в одном томе, Oxford, 1986)
Он же. The Oil Sketches of Peter Paul Rubens: A Critical Catalogue(2 vols., Princeton U.P., 1980)
Corpus Rubenianum Ludwig Burchard(London: Phaidon; London: Harvey Miller, 1968 — планируется 27 томов, 15 из которых уже изданы)
Michael Jaffe. Rubens and Italy(Oxford: Phaidon, 1977)
Christopher White. Peter Paul Rubens: Man and Artist(New Haven-London: Yale U.P., 1987)
Christopher Brown. Van Dyck(Oxford: Phaidon, 1982)
Jonathan Brown. Velazquez(New Haven-London: Yale U.P., 1986)
Enriqueta Harris. Velazquez(Oxford: Phaidon, 1982)
Jonathan Brown. The Golden Age of Painting in Spain(New Haven-London: Yale U.P., 1991)
20 ЗЕРКАЛО ПРИРОДЫ
Katharine Fremantle. The Baroque Town Hall of Amsterdam(Utrecht: Dekker and Gumbert, 1959)
Seymour Slive. Trans Hals(3 vols., London: Phaidon, 1970-4)
Он же. Jacob van Ruisdael(New York: Abbeville, 1981)
Gary Schwarz. Rembrandt: His Life, his Paintings(Harmondsworth: Penguin, 1985)
Jakob Rosenberg. Rembrandt: Life and Work(2 vols., Cambridge, Mass.: Harvard U.P., 1948; 4-е изд., Oxford: Phaidon, 1980)
A. Bredius. Rembrandt: Complete Edition of the Paintings(Vienna: Phaidon, 1935; 4-е, переработ. изд., London: Phaidon, 1971)
Otto Benesch. The Drawings of Rembrandt(6 vols., London: Phaidon, 1954-7; переработ. изд., 1973)
Christopher White, K.G. Boon. Rembrandt's Etchings: An Illustrated Critical Catalogue(2 vols., Amsterdam: Van Ghendt, 1969)
Christopher Brown, Jan Kelch, Pieter van Thiel. Rembrandt: The Master and his Workshop(2 vols., New Haven-London: Yale U.P., 1991)
Baruch D. Kirschenbaum. The Religious and Historical Paintings of Jan Steen(Oxford: Phaidon, 1977)
Wolfgang Stechow. Dutch Landscape Painting of the Seventeenth Century(London: Phaidon, 1966; 3-е изд., Oxford, 1981)
Svetlana Alpers. The Art of Describing: Dutch Art in the Seventeenth Century(London: John Murray, 1983)
Lawrence Gowing. Vermeer(London: Faber, 1952)
Albert Blankert. Vermeer of Delft: Complete Edition of the Paintings(Oxford: Phaidon, 1978)
John Michael Montias. Vermeer and his Milieu(Princeton U.P., 1989)
21 ВЛАСТЬ И СЛАВА: I
Anthony Blunt, ed. Baroque and Rococo Architecture and Decoration(London: Elek, 1978)
Он же. Borromini(Harmondsworth: Penguin, 1979; нов. изд. Cambridge, Mass.: Harvard U.P., 1990)
Rudolf Wittkower. Gian Lorenzo Bernini(London: Phaidon, 1955; 3-е изд., Oxford, 1981)
Robert Enggass. The Paintings of Baciccio: Giovanni Battista Gaulli 1639–1709(University Park: Pennsylvania State U.P., 1964)
Michael Levey. Giambattista Tiepolo(New Haven-London: Yale U.P., 1986)
Он же. Painting in Eighteenth Century Venice(London: Phaidon, 1959; 3-е изд., New Haven-London: Yale U.P., 1994)
Julius S. Held, Donald Posner. Seventeenth and Eighteenth Century Art(NewYork-London: Abrams, 1972)
22 ВЛАСТЬ И СЛАВА: II
G. Walton. Louis XIV and Versailles(Harmondsworth: Penguin, 1986)
Anthony Blunt. Art and Architecture in France 1500–1700(Harmondsworth: Penguin, 1953; 4-е изд., 1980)
Henry-Russell Hitchcock. Rococo Architecture in Southern Germany(London: Phaidon, 1968)
Eberhard Hempel. Baroque Art and Architecture in Central Europe(Harmondsworth: Penguin, 1965)
Marianne Roland Michel. Watteau: Un artiste au XVIII-e siecle(Paris: Flammarion, 1984)
Donald Posner. Antoine Watteau(London: Weidenfeld and Nicolson, 1984)
23 ВЕК РАЗУМА
Kerry Downes. Sir Christopher Wren(London: Granada, 1982)
Ronald Paulson. Hogarth: His Life, Art and Times(2 vols., New Haven-London: Yale U.P., 1971; сокращен. изд. в одном томе, 1974)
David Blindman. Hogarth(London: Thames and Hudson, 1981)
Ellis Waterhouse. Reynolds(London: Phaidon, 1973)
Nicolas Penny, ed. Reynolds(London: Royal Academy, 1986)
John Hayes. Gainsborough: Paintings and Drawings(London: Phaidon, 1975; переизд. Oxford, 1978)
Он же. The Landscape Paintings of Thomas Gainsborough: A Critical Text and Catalogue Raisonne(2 vols., London: Sotheby's, 1982)
Он же. The Drawings of Thomas Gainsborough(2 vols., London: Zwemmer, 1970)
Он же. Thomas Gainsborough(London: Tate Gallery, 1980)
Georges Wildenstein. Chardin, a Catalogue Raisonne(Oxford: Cassirer, 1969)
Philip Conisbee. Chardin(Oxford: Phaidon, 1986)
H.H. Arnason. The Sculptures of Houdon(London: Phaidon, 1975)
Jean-Pierre Cuzin. J ean-Honore Fragonard: Vie et oeuvre; catalogue complet des peintures(Fribourg: Suisse, 1987)
Oliver Millar. Zoffany and his Tribuna(London: Routledge and Kegan Paul, 1967)
24 РАЗРЫВ ТРАДИЦИИ
J. Mordaunt Crook. The Dilemma of Style(London: John Murray, 1987)
J.D. Prown. John Singleton Copley(2 vols., Cambridge, Mass.: Harvard U.P., 1966)
Anita Brookner. J acques-Louis David(London: Chatto and Windus, 1980)
Paul Gassier, Juliet Wilson. The Life and Complete Work of Francisco Goya(New York: Reynal, 1971; переработ. изд., 1981)
Janis Tomlinson. Goya(London: Phaidon, 1994)
David Bindman. Blake as an Artist(Oxford: Phaidon, 1977)
Martin Butlin. The Paintings and Drawings of William Blake(2 vols., New Haven-London: Yale U.P., 1981)
Martin Butlin, Evelyn Joll. The Paintings of J.M.W. Turner, a Catalogue(2 vols., New Haven-London: Yale U.P., 1977; переработ. изд., 1984)
Andrew Wilton. The Life and Work of J.V.W. Turner(London: Academy, 1979)
Graham Reynolds. The Late Paintings and Drawings of John Constable(2 vols., New Haven-London: Yale U.P., 1984)
Malcolm Cormack. Constable(Oxford: Phaidon, 1986)
Walter Friedlander. From David to Delacroix(Cambridge, Mass.: Harvard U.P., 1952)
William Vaughan. German Romantic Painting(New Haven-London: Yale U.P., 1980)
Helmut Borsch-Supan. Caspar David Friedrich(London: Thames and Hudson, 1974; 4-е изд., Munich: Prestel, 1990)
Hugh Honour. Neo-classicism(Harmondsworth: Penguin, 1968)
Он же. Romanticism(Harmondsworth: Penguin, 1981)
Kenneth Clark. The Romantic Rebellion(London: Sotheby's, 1986)
25 ПЕРМАНЕНТНАЯ РЕВОЛЮЦИЯ
Robert Rosenblum. Ingres(London: Thames and Hudson, 1967)
Robert Rosenblum, H.W. Janson. The Art of the Nineteenth Century(London: Thames and Hudson, 1984)
Lee Johnson. The Paintings of Eugene Delacroix(6 vols., Oxford U.P., 1981–1989)
Michael Clarke. Corot and the Art of Landscape(London: British Museum, 1991)
Peter Galassi. Corot in Italy: Open-Air Painting and the Classical Landscape Tradition(New Haven-London: Yale U.P., 1991)
Robert Herbert. Millet(Paris: Grand Palais; London: Hayward Gallery, 1975)
Courbet(Paris: Grand Palais; London: Royal Academy, 1977)
Linda Nochkin. Realism(Harmondsworth: Penguin, 1971)
Virginia Surtees. The Paintings and Drawings of Dante Gabriel Rossetti(Oxford U.P., 1971)
Albert Boime. The Academy and French Painting in the Nineteenth Century(London: Phaidon, 1971; переизд. New Haven-London: Yale U.P., 1986)
Manet(Paris: Grand Palais; New York: Metropolitan Museum of Art, 1983) John House. Monet(Oxford: Phaidon, 1977; 3-е изд., London, 1991)
Paul Hayes Tucker. Monet in the 90s: The Series Paintings(New Haven — London: Yale U.P., 1989)
Renoir(Paris: Grand Palais; London: Hayward Gallery; Boston: Museum of Fine Arts, 1985)
Pissarro(London: Hayward Gallery; Paris: Grand Palais; Boston: Museum of Fine Arts, 1981)
J. Hillier. The Japanese Print: A New Approach(London: Bell, 1960)
Richard Lane. Hokusai: Life and Word(London: Barrie and Jenkins, 1989)
Jean Sutherland Boggs et al. Degas(Paris: Grand Palais; Ottawa: National Gallery of Canada; New York: Metropolitan Museum of Art, 1988)
John Rewald. The History of Impressionism(New York: Museum of Modern Art, 1946; 4-е изд., London: Secker and Warburg, 1973).
Русск. перевод: Джон Ревалд. История импрессионизма.Перев. А.Н. Изергиной (Л.-М.: Искусство, 1959; 2-е изд.: перев. П.В. Мелковой под ред. М.А. Бессоновой; М.: Республика, 1995)
Robert L. Herbert. Impressionism: Art, Leisure and Parisian Society(New Haven-London: Yale U.P., 1988)
Albert Elsen. Rodin(New York: Metropolitan Museum of Art, 1963)
Catherine Lampert. Rodin: Sculptures and Drawings(London: Hayward Gallery, 1986)
Andrew Maclaren Young, ed. The Paintings of James McNeill Whistler(New Haven-London: Yale U.P., 1980)
K.E. Maison. Honore Daumier: Catalogue of the paintings, Watercolours and Drawings(2 vols., London: Thames and Hudson, 1968)
Quentin Bell. Victorian Artists(London: Routledge and Kegan Paul, 1967) Graham Reynolds. Victorian Painting(London: Studio Vista, 1966)
26 В ПОИСКАХ НОВЫХ НОРМ
Robert Schmutzler. Art Nouveau — Jugendstil(Teufen: Niggli, 1962)
Roger Fry. Cezanne: A Study of his Development(London: Hogarth Press, 1927; нов. изд., Chicago U.P., 1989)
William Rubin, ed. Cezanne. The Late Work(London: Thames and Hudson, 1978)
John Rewald. Cezanne: The Watercolours(London: Thames and Hudson, 1983)
John Russell. Seurat(London: Thames and Hudson, 1965)
Richard Thomson. Seurat(Oxford: Phaidon, 1985; переизд. 1990)
Ronald Pickvance. Van Gogh in Aries(New York: Metropolitan Museum of Art, 1984)
Он же. Van Gogh in Saint Remy and Auvers(New York: Metropolitan Museum of Art, 1986)
Michel Hoog. Gauguin(London: Thames and Hudson, 1987)
Gauguin(Paris: Grand Palais; Chicago: Art Institute; Washington: National Gallery of Art, 1988)
Nicolas Watkins. Bonnard(London: Phaidon, 1994)
Gotz Adriani. Toulouse-Lautrec(London: Thames and Hudson, 1987)
Он же. Post-Impressionism: From Van Gogh to Gauguin(New York: Museum of Modern Art, 1956; 3-е изд., London: Secker and Warburg, 1978)
27 ЭКСПЕРИМЕНТАЛЬНОЕ ИСКУССТВО.
Robert Rosenblum. Cubism and Twentieth-CenturyArt (London: Thames and Hudson, 1960; переработ. изд., New York: Abrams, 1992)
John Golding. Cubism: A History and an Analysis, 1907–1914(London: Faber, 1959; 3-е изд., 1988)
Bernard S. Myers. Expressionism(London: Thames and Hudson, 1963)
Walter Grosskamp, ed. German Art in the Twentieth Century: Painting and Sculpture 1905–1985(London: Royal Academy, 1985)
Hans Maria Wingler. The Bauhaus(Cambridge, Mass.: MIT Press, 1969)
H. Bayer, W. Gropius, I. Gropius, Hrsg. Bauhaus 1919–1928(Teufen: Niggli, 1959)
William J.R. Curtis. Modern Architecture since 1900(Oxford: Phaidon, 1980; 2-е изд., 1989; переизд. London, 1994)
Robert Hughes. The Shock of the New: Art and the Century of Change(London: BBC, 1980; переработ. и расширен. изд., 1991)
William Rubin, ed. «Primitivism» in 20th Century Art: Affinity of the tribal and the Modern(2 vols., New York: Museum of Modern Art, 1984)
Reinhold Heller. Munch: His Life and Work(London: John Murray, 1984)
C.D. Zigrosser. Prints and Drawings of Kathe Kollwitz(London: Constable; New York: Dover, 1969)
Werner Haftmann. Emil Nolde.(5 Aufl., Koln: Du Mont Schauberg, 1966)
Richard Calvocoressi, ed. Oskar Kokoschka 1886–1980(London: Tate Gallery, 1987)
Peter Vergo. Art in Vienna 1898–1918: Klimt, Kokoschka, Schiele and their Contemporaries(London: Phaidon, 1975; 3-е изд., 1993, переизд. 1994)
Paul Overy. Kandinsky: The Language of the Eye(London: Elek, 1969)
Hans Kroethel, Joan K. Benjamin. Kandinsky: Catalogue Raisonne of the Oil Paintings(2 vol., London: Sotheby's, 1982-4)
Will Grohmann. Wassily Kandinsky: Life and Work(New York: Abrams, 1958)
Sixten Ringbom. The Sounding Cosmos(Abo: Academia, 1970)
Jack Flam. Matisse: The Man and his Art, 1869–1918(London: Thames and Hudson, 1986)
John Elderfield, ed. Henri Matisse(New York: Museum of Modern Art, 1992)
Pablo Picasso: A Retrospective(New York: Museum of Modern Art, 1980)
Timothy Hilton. Picasso(London: Thames and Hudson, 1975)
Richard Verdi. Klee and Nature(London: Zwemmer, 1984)
Margaret Plant. Paul Klee: Figures and Faces(London: Thames and Hudson, 1978)
Ulrich Luckhardt. Lyonel Feininger(Munchen: Prextel, 1989)
Pontus Hulten, Natalia Dumitresco, Alexandre Istrati. Brancusi(London: Faber, 1988)
John Milner. Mondrian(London: Phaidon, 1992)
Norbert Lynton. Ben Nicholson(London: Phaidon, 1993)
Le Douanier Rousseau(New York: Museum of Modern Art, 1985)
Susan Compton, ed. British Art in the Twentieth Century: The Modern Movement(London: Royal Academy, 1987)
Joan M. Marter. Alexander Calder, 1898–1976(Cambridge U.P., 1991)
Alan Bowness, ed. Henry Moore: Sculptures and Drawings(6 vols., London: Lund Humphries, 1965-7)
Susan Compton, ed. Chagall(London: Royal Academy, 1985)
David Sylvester, ed. Rene Magritte, Catalogue Raisonne(2 vols., Houston: The Menil Foundation; London: Philip Wilson, 1992–1993)
Yves Bonnefoy. Giacometti(New York: Abbeville, 1991)
Robert Descharnes. Dali de Gala: Le monde de Salvador Dali(Paris: Bibliotheque de arts, 1962); русск. перевод: Р. Дешарн, Н. Дешарн.
Сальвадор Дали. Лозанна: Эдита, 1996) Dawn Ades. Salvador Dali(London: Thames and Hudson, 1982)
28 ИСТОРИЯ БЕЗ КОНЦА
John Elderfield. Kurt Schwitters(London: Thames and Hudson, 1985)
Irving Sandler. Abstract Expressionism: The Triumph of American Painting(London: Pall Mall, 1970)
Ellen G. Landau. Jackson Pollock(London: Thames and Hudson, 1989)
James Johnson Sweeney. Pierre Soulages(Neuchatel: Ides et Calendes, 1972)
Douglas Cooper. Nicolas de Stael(London: Weidenfeld and Nicolson, 1962)
Patrick Waldburg, Herbert Read, Giovanni de San Luzzaro, eds. Complete Works of Marino Marini(New York: Tudor Publishing, 1971)
Marilena Pasquali, ed. Giorgio Morandi 1890–1964(London: Electa, 1989)
Hugh Adams. Art of the Sixties(Oxford: Phaidon, 1978)
Charles Jencks, Maggie Keswick. Architecture Today(London: Academy, 1988)
Lawrence Gowing. Lucian Freud(London: Thames and Hudson, 1982)
Naomi Rosenblum. A World History of Photography(New York: Abbeville, 1989)
Henri Cartier-Bresson, photographe(Paris: Delpire, 1980)
Hockney on Photography: Conversations with Paul Joyce(London: Jonathan Cape, 1988)
Maurice Tuchman, Stephanie Barron, eds. David Hockney: A Retrospective(Los Angeles: Los Angeles County Museum of Art; London: Thames and Hudson, 1988)
