Библиография
Albus, Anita. The Art of Arts (Kunst der Kunste). перевод Michael Robertson. New York: Alfred A. Knopf, 2000.
Anderson, James. Correspondence for the of Cochineal Insects from America. Madras: Joseph Martin, 1791.
Angeloglou, Maggie. A History of Makeup. New York: Macmillan, 1970.
Artists’ Pigments: A Handbook of their History and Characteristics, том 1. Изд. Robert Feller. Washington: National Gallery of Art, 1986.
Artists» Pigments: A Handbook of their History and Characteristics, том 2. Изд. Ashok Roy. Washington: National Gallery of Art, 1993.
Artists’ Pigments: A Handbook of their History and Characteristics, том 3. Изд. Elizabeth West Fitzhugh. Washington: National Gallery of Art, 1997.
Ayres, James. The artist’s craft, a history of tools, techniques and materials. Oxford: Phaidon, 1985.
Baer, N.S., A. Joel, R. L. Feller and N. Indictor. «Indian Yellow». In Artists’ Pigments, том 1, стр. 17–36.
Bahn, Paul. The Cambridge Illustrated History of Prehistoric Art. Cambridge: Cambridge University Press, 1988.
Baker, Christopher, and Tom Henry (компиляторы). The National Gallery Complete Illustrated Catalogue. Лондон: National Gallery, 1995.
Baker, Ian. The Dalai Lama’s Secret Temple: Tantric wall paintings from Tibet. London; New York: Thames & Hudson, 2000.
Balfour-Paul, Jenny. Indigo. London: British Museum Press, 1998.
Ball, Philip. Bright Earth, the Invention of Colour. London: Viking, 2001.
Bardon, Geoffrey. Papunya Tula: Art of the Western Desert. Australia: JB Books, 1991.
Beare, Charles. Antonio Stradivari, The Cremona Exhibition of 1987. London: J. & A. Beare, 1993.
Berlin, Brent, and Paul Kay. Basic Color Terms; their universality and evolution. Berkeley: University of California Press, 1969.
Berndt, Ronald M., and Catherine H. Berndt. The World of the First Australians, Aboriginal Traditional Life, Past and Present. Canberra: Aboriginal Studies Press, 1987.
Binski, Paul. Painters. London: British Museum Press, 1991.
Birren, Faber. Color; a survey in words and pictures, from ancient mysticism to modern science. New York: New Hyde Park, 1963
Boger, Louise Ade. The Dictionary of World Pottery and Porcelain. London: Adam & Charles Black, 1971.
Bomford, David, and Ashok Roy. Colour. London: National Gallery, 2000.
Bomford, David, Jo Kirby, John Leighton and Ashok Roy. Impressionism. London: National Gallery совместно с Yale University Press, 1990.
Bomford, David, et al. Italian Painting before 1400, Art in the Making. London: National Gallery, 1989.
Boulter, Michael. The Art of Utopia, a new direction in contemporary Aboriginal art. Tortola: Craftsman House, 1991.
Bowersox, Gary, and Bonita Chamberlin. Gemstones of Afghanistan. Tucson, Ariz.: Geoscience Press, 1995.
Bridge, Dave. «Wad». In Beneath the Lakeland Fells, Cumbria’s mining heritage. Cumbria: Red Earth Publications, 1992.
Bridgeman, Jane. «Purple Dye in Late Antiquity and Byzantium». In The Royal Purple and the Biblical Blue: Argaman and Tekhelet. Jerusalem: Keter Publishing House, 1987, стр. 159–165.
Brusatin, Manolo. A History of Colours (Storia dei colori). Boston, MA.: Shambhala, 1991.
Bryan, Michael. Bryan’s Dictionary of Painters and Engravers. New York; Port Вашингтон: Kennikat Press, 1964 (1-е изд. 1903).
Burton, Richard (перевод). The Kama Sutra of Vatsyayana. Benares: Hindoo Kama Shastra Society, 1883.
Bushell, Stephen Wootton. Oriental Ceramic Art. New York: Appleton & Co., 1896.
Byron, Robert. The Road to Oxiana. London: Macmillan, 1937.
Callow, Philip. Vincent Van Gogh, A life. London: Allison & Busby, 1990.
Carvalho, David Nunes. Forty Centuries of Ink, or A chronological narrative concerning ink and its background. New York: Bank Law Publishing Co., 1904.
Cennino, Cennino d’Andrea Cennini. The Craftsman’s Handbook (Il Libro dell’Arte). перевод Daniel V. Томпсон. New York: Dover Publications, 1960 (впервые опубликовано в 1933).
Cennino, Cennino d’Andrea Cennini. A Treatise on Painting. перевод Mrs Merrifield. London: Edward Lumley, 1844.
Chaloupka, George. Journey in Time: the world’s longest continuing art tradition. NSW: Chatswood, Reed, 1993.
Chambers, David, and Brian Pullan (редакторы). Venice, A Documentary History 1450–1630. Toronto: University of Toronto Press, 1992.
Chauvet, Jean-Marie, Eliette Brunel Deschamps and Christian Hillaire.
Chauvet Cave, the Discovery of the World’s Oldest Paintings. London: Thames and Hudson, 1996.
Chenciner, Robert. Madder Red, a history of luxury and trade, plant dyes and pigments in world commerce and art. Richmond: Curzon, 2000.
Ciba Review. Madder & Turkey Red (39), Indigo (85), Black (1,963).
Basle: Society of Chemical Industry, 1937–1970.
Clark, Kenneth. Looking at Pictures. London: John Murray, 1961.
Cole, Уильям. «Purple Fish». In Philosophical Transactions, том 15.
London: Royal Society, стр. I, 278–286.
Corbally Stourton, Patrick. Songlines and Dreamings, Contemporary Australian Aboriginal Painting. London: Lund Humphries, 1996.
Costaras, Nicola. «A study of the materials and techniques of Johannes Vermeer». In Vermeer Studies. Вашингтон: National Gallery of Art, 1998, стр. 145–161.
Cummings, Robert. Art: an eye-opening guide to art and artists. New York: Alfred A. Knopf, 2001.
Dampier, Уильям. Captain Уильям Dampier’s voyages around the world. London: James & John Knapton, 1729.
Darwin, Charles. Charles Darwin» s Beagle Diary. Изд. Richard Darwin and Richard Keynes. Cambridge: Cambridge University Press, 1988.
Delamare, Francois, and Bernard Guineau. Colour, Making and Using Dyes and Pigments. перевод Sophie Hawkes. London: Thames & Hudson, 2000.
Diaz-Mas, Paloma. Sephardim. Chicago: University of Chicago Press, 1992.
Dodd, George. The Textile Manufactures of Great Britain. London: Knight’s Weekly Volumes, 1844.
Donkin, R. A. Spanish Red: an ethnogeographical study of cochineal and the opuntia cactus. Philadelphia: The American Philosophical Society, 1977.
Dorment, Richard, and Margaret Macdonald. James McNeill Whistler. London: Tate Gallery Publications, 1994.
Dorn, Roland. «The Arles Period: Symbolic Means, Decorative Ends». In Van Gogh Face to Face. Detroit: Detroit Institute of Art with Thames and Hudson, 2000, стр. 134–171.
Dossie, R. The Handmaid to the Arts. London, 1758.
Downer, Leslie. Geisha, the secret history of a vanishing world. London: Headline, 2000.
Dreyfuss, Henry. Symbol Sourcebook: An Authoritative Guide to International Graphic Symbols. New York: Henry Dreyfuss, 1972.
Eastlake, Charles. Materials for the History of Oil Painting. London, 1847.
Edmonds, John. The History of Вайда and the Medieval Woad Vat. Little Chalfont: John Edmonds, 1998.
Edmonds, John. The History and Practice of 18th century Dyeing. Little Chalfont: John Edmonds, 1999.
Edmonds, John. The Mystery of Imperial Purple Dye. Little Chalfont: John Edmonds, 2000.
Egerton, Judy, with Martin Wyld and Ashok Roy. Turner, The Fighting Temeraire. London: National Gallery, 1995.
Elkins, James. What Painting Is. London; New York: Routledge, 1999.
Emmison, Frederick George. Elizabethan Life: Home, Work and Land. From Essex wills and sessions and manorial records. Chelmsford: Essex County Council, 1976.
Field, George. Chromatography: or a Treatise on Colours and Pigments and of their Powers in Painting. London: Charles Tilt, 1835.
Finlayson, Iain. Denim, an American Legend. Norwich: Parke Sutton, 1990.
Fitzhugh, Elizabeth West. «Orpiment and Realgar». In Artists’Pigments, том 3, стр. 47–80.
Fitzhugh, Elizabeth West. «Red Lead and Minium». In Artists’Pigments, том 1, стр. 109–140.
Flood, Josephine. Archaeology of the Dreamtime. Sydney: Angus & Robertson, 1983.
Gage, John. Colour and Culture, practice and meaning from antiquity to abstraction. London: Thames & Hudson, 1993.
Gage, John. George Field and His Circle: from Romanticism to the Pre-Raphaelite Brotherhood. Cambridge: Fitzwilliam Museum, 1989.
Garfield, Simon. Mauve: How one man invented a colour that changed the world. London: Faber & Faber, 2000.
Gega, Lama. Principles of Tibetan art: illustrations and explanations of Buddhist iconography and iconometry according to the Karma Gardri School. Darjeeling: Jamyang Singe, 1983.
Gettens, Rutherford, and George L. Stout. Painting Materials: a short encyclopaedia. New York: Dover Publications Inc., 1966.
Gettens, Rutherford, Hermann Kuhn and W. T. Chase. Lead White. In Artists Pigments, том 2, стр. 67–82.
Gettens, Rutherford, Robert Feller and W. T. Chase. «Vermilion and Cinnabar». In Artists’Pigments, том 2, стр. 159–182.
Gettens, Rutherford, and Elizabeth West Fitzhugh. «Malachite and Green Verditer». In Artists’Pigments, том 2, стр. 183–202.
Glaser, Hugo. Poison, the history, constitution, uses and abuses of poisonous substances. перевод Marguerite Wolff. London: Hutchinson, 1937.
Goethe, Johann Wolfgang von. Goethe» s Color Theory (Farbenlehre). Изд. Rupprecht Matthauei. New York: Van Nostrand Reinhold, 1971.
Grant, Colesworthey. Rural Life in Bengal, Illustrative of Anglo-Indian Suburban Life. Letters from an artist in India to his sisters in England. London: W Thacker & Co., 1859.
Gulik, Robert van. The Chinese Maze Murders. London: Michael Joseph, 1962.
Hackney, Stephen, Rica Jones and Joyce Townsend (редакторы). Paint and Purpose. London: Tate Gallery Publications, 1999.
Harley, R. D. Artists’Pigments 1600–1835, a study in English documentary sources. London: Butterworth Scientific, 1982.
Hayes, Colin. The Complete Guide to Painting and Drawing Techniques and Materials. London: Phaidon, 1979.
Hebborn, Eric. The Art Forger’s Handbook. London: Cassell, 1997.
Herbert, William. A History of the Species of Crocus. Stamford Street: William Clowes and Sons, 1847.
Hibi, Sadao. The Colors of Japan. Tokyo: Kodansha International, 2000.
Hirst, Michael, and Jill Dunkerton. Making and Meaning: The Young Michelangelo. London: National Gallery, 1994.
Hopkirk, Peter. Foreign Devils on the Silk Road, the search for the lost cities and treasures of Chinese Central Asia. London: John Murray, 1980.
Hulley, Charles E. Ainslie Roberts and the Dreamtime. Melbourne: J. M. Dent, 1988.
Hulley, Charles E. The Rainbow Serpent. Australia: New Holland Publishers, 1999.
Humphries, John. The Essential Saffron Companion. London: Grub Street, 1996.
Hunt, Holman. Journal of the Society of Arts, 23 апреля 1880 года, стр. 485–499.
Januszczak, Waldemar (ред.). Techniques of the World’s Greatest Painters. Oxford: Phaidon, 1980.
Jidejian, Nina. Tyre through the Ages. Beirut: Dar el-Mashreq, 1996.
Jones, Philip. «Red охра Expeditions: An Ethnographic and Historical Analysis of Aboriginal Trade in the Lake Eyre Basin». In Journal of the Anthropological Society of South Australia, 1983, стр. 10–15.
Josephus. Jewish Antiquities, books VII–VIII. перевод Ralph Marcus. Cambridge, Mass.: Harvard University Press, 1934.
Kemp, Martin (ed.). Leonardo on Painting. Yale: Yale University Press, 1985.
Kling, Blair. The Blue Mutiny: the Indigo Disturbances in Bengal, 1859–1862. Philadelphia: University of Pennsylvania Press, 1966.
Kuhn, Hermann. Zinc White’ In Artists’Pigments, том 1, стр. 169–186.
Kuhn, Hermann. «Verdigris and Copper Resonate». In Artists’Pigments, том 2, стр. 131–158.
Langmuir, Erika. National Gallery Companion Guide. London: National Gallery Publications, 1994.
Lao Zi. The Tao Te Ching. перевод Man-Ho Kwok, Martin Palmer and Jay Ramsay. Shaftesbury: Element, 1994.
Lin, Yutang. The gay genius: the life and times of Su Tungpo. New York: John Day, 1947.
Liu Liang-yu. A Survey of Chinese Ceramics. Taipei: Aries Gemini Publishing Ltd, 1991.
Lucan. Civil War. перевод S. H. Braund. Oxford: Clarendon Press, 1992.
Marohn Bendix, Deanna. Diabolical Designs; paintings, interiors and exhibitions of James McNeill Whistler. Washington: Smithsonian Institution Press, 1995.
Marshall, Ingeborg. The Red охра People. Vancouver: J. J. Douglas, 1977.
Mayer, Ralph. The Artist’s Handbook of Materials and Techniques. New York: Viking, 1991.
McBryde, Isabel. «Goods from another country: exchange networks and the people of the Lake Eyre Basin». In Australians to 1788. Fairfax: Syme and Weldon Associates, 1987, стр. 252–273.
Menonville, Thierry de. Traite de la Culture du Nopal… precede d’un Voyage a Guaxaca. Paris: 1787.
Merrifield, Mary. Medieval and Renaissance Treatises on the Arts of Painting. New York: Dover Publications, 1999 (1-е издание 1849).
Meyuhas, Ginio (ред.). Jews, Christians and Muslims in the Mediterranean World after 1492. London: Frank Cass and Co. Ltd, 1992.
Milton, Giles. Nathaniel’s Nutmeg. London: Hodder & Stoughton, 1999.
Mitra, Dinabandhu. Nil Darpan or the Indigo Planting Mirror. перевод «A Native». Calcutta: C. H. Manuel, 1861.
Moorhouse, Geoffrey. Calcutta. London: Weidenfeld, 1972.
Morgan, TИзд. Wilderness at Dawn: the settling of the North American continent. New York: Simon & Schuster, 1993.
Morphy, Howard. Aboriginal Art. London: Phaidon, 1999.
Morris, Jan. Венеция. London: Faber & Faber, 1983.
Mosca, Matthew. «Paint Decoration at Mount Vernon». In Paint in America, the colors of historic buildings. Изд. Roger Moss. Washington: Preservation Press, 1994, стр. 105–127.
Nassau, Kurt. The Physics and Chemistry of Color, The Fifteen Causes of Color. New York: John Wiley and Sons, 1983.
Neidje, Bill. Australia’s Kakadu Man. Изд. Stephen Davis and Alan Fox. Darwin: Resource Managers, 1986.
Newton, Isaac. Opticks: or, a Treatise of the Reflexions, Refractions, Inflexions and Colours of Light. London: Sam Smith and Benjamin Walford, 1704.
Nuttall, Zelia. «A curious survival in Mexico of the use of the Purpura shellfish for dyeing». In Putnam Anniversary Volume. New York, E. Stechert & Co., 1909, стр. 368–384.
Nuttall, Zelia. The Codex Nuttall: The Peabody Museum Facsimile Copy. New York: Dover Publications, 1975.
Osborne, Roger. The Floating Egg, Episodes in the Making of Geology. London: Jonathan Cape, 1998.
Paint and Painting, an exhibition and working studio sponsored by Winsor & Newton to celebrate their 150th anniversary. London: Tate Gallery, 1982.
Paludan, Ann. Chronicle of the Chinese Emperors. London: Thames and Hudson, 1998.
Parkinson, John, herbalist to the King. Theatrum Botanicum or the Theatre of Plants, or An Herbal of a Large Extent. London: Thomas Coates, 1640.
Perilla, Francesco. Chio. L’ile heureuse. Paris, 1928.
Peterson, Nicholas, and Ronald Lampert. «A Central Australian охра Mine». In Records of the Australian Museum, том 37 (1). Sydney: The Australian Museum, 1985, стр. 1–9.
Petit. The Manufacture and Comparative Merits of White Lead and Zinc White Paints. перевод Donald Grant. London: Scott, Greenwood & Son, 1907.
Petroski, Henry. The Pencil: a history of design and circumstance. New York: Alfred A. Knopf, 1989.
Pinckney, Elise. The Letterbook of Eliza Lucas Pinckney 1739–1762. Изд. Elise Pinckney. Chapel Hill: University of North Carolina Press, 1972.
Pinkerton, John. Collection of the Best and Most Interesting Voyages and Travels in All Parts of the World, volume XIII. London: Longman, Hurst, Rees and Orme, 1812.
Plesters, Joyce. «Ultramarine Blue, Natural and Artificial». In Artists’Pigments, том 2, стр. 37–66.
Pliny the Elder. The Natural History. перевод John Bostock and H. T. Riley. London: Henry G. Bohn, 1842.
Ponting, K.G. A Dictionary of Dyes and Dyeing. London: Bell & Hyman Ltd, 1980.
Rao, Amiya. The blue devil: indigo and colonial Bengal, with an English translation of Neel darpan by Dinabandhu Mitra. Delhi: Oxford University Press, 1992.
Rashid, AhmИзд. Taliban, Islam, Oil and the New Great Game. London: I. B. Tauris & Co, 2000.
Reade, Charles. Cremona Violins. Four letters descriptive of those exhibited in 1873 at the South Kensington Museum. Gloucester: John Bellows, 1873.
Riddell, W. H. Altamira. Edinburgh: Oliver and Boyd, 1938.
Rosetti, Gioanventura. Plictho de Larte de Tentori che Insegna Tenger Pani Telle Banbasi et sede si per Larte Magiore Come per la Comune. Венеция, 1548.
Rowlands, John. The Age of Durer and Holbein, German Drawings 1400–1550. London: British Museum, 1988.
Roy, Ashok (ред.). Artist’s Pigments: A Handbook of their History and Characteristics, том 2. Washington: National Gallery of Art, 1993.
Rudenko, Sergei. Frozen Tombs of Siberia. London: J. M. Dent & Sons, 1970.
Rumphius, Georgius Everhardus. The Ambonese Curiosity Cabinet. перевод E. M. Beekman. Yale: Yale University Press, 1999.
Sagona, A.G. (ред.). Bruising the Red Earth: ochre mining and ritual in aboriginal Tasmania. Carlton, Виктория: Melbourne University Press, 1994.
Sandberg, Gosta. Indigo Textiles: technique and history. London: A. & C. Black, 1989.
Sargent, Walter. The Enjoyment and Use of Color. New York: Scribner, 1923.
Schama, Simon. Rembrandt’s Eyes. London: Penguin, 2000.
Schweppe, Helmut. «Indigo and Woad». In Artists’Pigments, том 3, стр. 81–109.
Schweppe, Helmut, and Heinz Roosen-Runge. «Carmine». In Artists’Pigments, том 1, стр. 255–279.
Schweppe, Helmut, and John Winter. «Madder and Ализарин». In Artists’Pigments, том 3, стр. 109–142.
Seale, William. The President’s House: A History. Washington: White House Historical Association, 1986.
Shackleford, George. «Van Gogh in Paris: Between the Past and the Future». In Van Gogh face to face: the portraits. London: Thames & Hudson, 2000.
Sloane, Patricia. Primary Sources: selected writings on color from Aristotle to Albers. New York: Design Press, 1991.
Smith, Joseph. Safflower. Champaign, Ill.: AOCS Press, 1996.
Smith, Ramsay. Myths and Legends of the Australian Aborigines.
Sydney: Angus & Robertson, 1930.
Spalding, Frances. Whistler. Oxford: Phaidon, 1979.
Spanier, Ehud (ред.). The Royal Purple and the Biblical Blue: Argaman and Tekhelet. Jerusalem: Keter Publishing House, 1987.
Starzecka, D.C. (ред.). Maori Art and Culture. London: British Museum Press, 1996.
Stead, I.M., J. B. Bourke and Don Brothwell (ред.). Lindow Man, the body in the bog. London: British Museum, 1986.
Strehlow, Theodor. Songs of Central Australia. Sydney: Angus & Robertson, 1971.
Taylor, Hilary. James McNeill Whistler. London: Studio Vista, Cassell Ltd, 1978.
Theophilus. On Divers Arts. перевод John G. Hawthorne and Cyril Stanley Smith. New York: Dover Publications Inc., 1979.
Theroux, Alexander. The Primary Colours. London: Papermac, 1996.
Theroux, Alexander. The Secondary Colours. New York: Henry Holt, 1996.
Thom, Laine. Becoming Brave: The Path to Native American Manhood. San Francisco: Chronicle Books, 1992.
Томпсон, Daniel. The Materials of Medieval Painting. London: Allen & Unwin Ltd, 1936.
Томпсон, James Matthew. Napoleon Bonaparte. London: Basil Blackwell, 1988.
Томпсон, Jon. «Shellfish Purple: The Use of Purpura Patula Pansa on the Pacific Coast of Mexico». In Dyes in History and Archaeology, том 13. York: Textile Research Associates, 1991.
Toch, Maximilian. Materials for Permanent Painting. London: Constable and Co. Ltd, 1911.
Townsend, Joyce. Turner’s Painting Techniques. London: Tate Publications Ltd (2-е издание), 1999.
Travis, Anthony. The Rainbow Makers. The Origins of the Synthetic Dyestuffs Industry in Western Europe. Bethlehem, Pa.: Lehigh University Press, 1993.
Turner, R.C., and R. G. Scaife. Bog Bodies, new discoveries and new perspectives. London: British Museum Press, 1995.
Tweedie, Penny. Spirit of Arnemland. Australia: New Holland Publishers, 1995.
Varley, Helen (ред.). Colour. London: Marshall Editions, 1980.
Vasari, Giorgio. Lives of the Most Eminent Painters, Sculptors and Artists. перевод Gaston Duc de Vere. London: Macmillan and the Medici Society, 1976. (1-е изд. 1912).
Wang, Kai. The Mustard Seed Garden Manual of Painting. Факсимиле шанхайского издания 1887–1888 годов. перевод Sze Mai-mai. Princeton, NJ: Princeton University Press, 1977.
Warner, Langdon. The Long Old Road in China. London: William Heinemann, 1926.
Whitfield, Susan. Life along the Silk Road. London: John Murray, 1999.
Whorf, Benjamin Lee. Language, Thought and Reality. London: Chapman and Hall, 1956.
Willard, Pat. Secrets of Saffron: The Vagabond Life of the World’s Most Seductive Spice. Boston: Beacon Press, 2001.
Wilson-Bareau, Juliet and Manuela B. Mena Marquez. Goya: Truth and Fantasy, The Small Paintings. Madrid: Museo del Prado совместно с Yale University Press, 1994.
Winter, John. «Gamboge». In Artists» Pigments, том 3, стр. 143–156.
Wood, John. A Journey to the Source of the River Oxus. London: John Murray, 1872.
Zollinger, Heinrich. Color: A Multidisciplinary Approach. Zurich: Verlag Helvetica Chimica Acta, 1999.