Sean Rainbird (ed.), Max Beckmann (London, 1003), 157-64, 273-4; Adam, Arts, 53; Petropoulos, The Faustian Bargain, 216-21.
961
Wulf, Die Bildenden Künste, 39–45; Koehler, ‘The Bauhaus’, 292-3; Igor Golomstock, Totalitarian Art in the Soviet Union, Third Reich, Fascist Italy and the People's Republic of China (London, 1990), 21; West, The Visual Arts, 83-133.
