См. пример в Marla S. Stone, The Patron State: Culture and Politics in Fascist Italy (Princeton, N.J., 1998); Edward Tannenbaum, The Fascist Experience: Italian Society and Culture, 1922 — 1945 (New York, 1972), 213-302; Orlando Figes and Boris Kolonitskii, Interpreting the Russian Revolution: The Language and Symbols of 1917 (New Haven, 1999), 30-103, 153-86, и Richard Stites, Russian Popular Culture: Entertainment and Society since 1900 (Cambridge, 1992); см. сводку в Richard J. Overy, The Dictators: Hitler’s Germany and Stalin’s Russia (New York, 2004), 349-91. Комментарии нацистов о выставке футуристов см. в Willrich, Säuberung, 32.
