Chapter XI

The train had started punctually. Among the passengers were a number of officers, Government officials, and opium and indigo merchants, whose business called them to the eastern coast. Passepartout rode in the same carriage with his master, and a third passenger occupied a seat opposite to them. This was Sir Francis Cromarty, one of Mr. Fogg’s whist partners on the Mongolia, now on his way to join his corps at Benares. Sir Francis was a tall, fair man of fifty. He made India his home, only paying brief visits to England at rare intervals; and was almost as familiar as a native with the customs, history, and character of India and its people. But Phileas Fogg, who was not travelling, but only describing a circumference, did not inquire into these subjects; he was a solid body, traversing an orbit around the terrestrial globe, according to the laws of rational mechanics.

Sir Francis Cromarty had observed the oddity of his travelling companion, and questioned himself whether a human heart really beat beneath this cold exterior, and whether Phileas Fogg had any sense of the beauties of nature.

Phileas Fogg had not concealed from Sir Francis his plan of going round the world, nor the circumstances under which he set out; and the general only saw in the wager a useless eccentricity and a lack of common sense.

Passepartout, on waking and looking out, could not realise that he was actually crossing India in a railway train. The travellers crossed the fatal country so often stained with blood by the sectaries of the goddess Kali. Not far off rose Ellora, with its graceful pagodas, and the famous Aurungabad.

At half-past twelve the train stopped at Burhampoor, where Passepartout was able to purchase some Indian slippers, ornamented with false pearls.

The train stopped, at eight o’clock, in the midst of a glade some fifteen miles beyond Rothal, where there were several bungalows, and workmen’s cabins. The conductor, passing along the carriages, shouted, “Passengers will get out here!”

Phileas Fogg looked at Sir Francis Cromarty for an explanation; but the general could not tell what meant a halt in the midst of this forest of dates and acacias.

Passepartout, not less surprised, rushed out and speedily returned, crying: “Monsieur, no more railway!”

“What do you mean?” asked Sir Francis.

“I mean to say that the train isn’t going.”

The general at once stepped out, while Phileas Fogg calmly followed him, and they proceeded together to the conductor.

“Where are we?” asked Sir Francis.

“At the hamlet of Kholby.”

“Do we stop here?”

“Certainly. The railway isn’t finished.”

“What! Not finished?”

“No. There’s still a matter of fifty miles to be laid from here to Allahabad, where the line begins again.”

“But the papers announced the opening of the railway throughout.”

“What would you have, officer? The papers were mistaken.”

“Yet you sell tickets from Bombay to Calcutta,” retorted Sir Francis, who was growing warm.

“No doubt,” replied the conductor; “but the passengers know that they must provide means of transportation for themselves from Kholby to Allahabad.”

Sir Francis was furious. Passepartout did not dare to look at his master.

“Sir Francis,” said Mr. Fogg quietly, “we will, if you please, look about for some means of conveyance to Allahabad.”

“Mr. Fogg, this is a delay greatly to your disadvantage.”

“No, Sir Francis; it was foreseen.”

“What! You knew that the way—”

“Not at all; but I knew that some obstacle or other would sooner or later arise on my route. Nothing, therefore, is lost. I have two days to sacrifice. A steamer leaves Calcutta for Hong Kong at noon, on the 25th. This is the 22nd, and we shall reach Calcutta in time.”

The greater part of the travellers were aware of this interruption, and, leaving the train, they began to engage such vehicles as the village could provide wagons drawn by zebus, carriages that looked like pagodas, palanquins, ponies, and what not.

Mr. Fogg and Sir Francis Cromarty, after searching the village from end to end, came back without having found anything.

“I shall go afoot,” said Phileas Fogg.

Passepartout, after a moment’s hesitation, said,

“Monsieur, I think I have found a means of conveyance.”

“What?”

“An elephant! An elephant that belongs to an Indian who lives but a hundred steps from here.”

“Let’s go and see the elephant,” replied Mr. Fogg.

They soon reached a small hut. An Indian came out of the hut, his elephant was half domesticated.

Kiouni—this was the name of the beast—could travel rapidly for a long time, and Mr. Fogg resolved to hire him. But elephants are not cheap in India. When Mr. Fogg proposed to the Indian to hire Kiouni, he refused. Mr. Fogg persisted, offering the excessive sum of ten pounds an hour for the loan of the beast to Allahabad. Refused. Twenty pounds? Refused also. Forty pounds? Still refused.

Phileas Fogg, without getting in the least flurried, then proposed to purchase the animal, and at first offered a thousand pounds for him. The Indian still refused. His small, sharp eyes were glistening with avarice.

Mr. Fogg offered first twelve hundred, then fifteen hundred, eighteen hundred, two thousand pounds. At two thousand pounds the Indian yielded.

“What a price, good heavens!” cried Passepartout. “For an elephant!”

It only remained now to find a guide, which was comparatively easy. A young Parsee, with an intelligent face, offered his services, which Mr. Fogg accepted. The elephant was led out and equipped. The Parsee, who was an accomplished elephant driver, covered his back with a sort of saddle-cloth, and attached to each of his flanks some curiously uncomfortable howdahs. Phileas Fogg paid the Indian with some banknotes which he extracted from the famous carpet-bag.

Provisions were purchased at Kholby, and, while Sir Francis and Mr. Fogg took the howdahs on either side, Passepartout got astride the saddle-cloth between them. The Parsee perched himself on the elephant’s neck, and at nine o’clock they set out from the village, the animal marching off through the dense forest of palms.

Chapter XII

At eleven o’clock guide stopped the elephant, and gave him an hour for rest. Neither Sir Francis nor Mr. Fogg regretted the delay, and both descended with a feeling of relief.

At noon the Parsee gave the signal of departure. The English have not been able to secure complete dominion over this territory, which is subjected to the influence of rajahs, whom it is almost impossible to reach in their inaccessible mountains. The travellers several times saw bands of ferocious Indians. The Parsee avoided them as much as possible.

But what would Mr. Fogg do with the elephant when he got to Allahabad? Would he carry it on with him? Impossible! The cost of transporting it would make him ruinously expensive. Would he sell it, or set it free?

The night was cold. The Parsee lit a fire in the bungalow with a few dry branches, and the warmth was very grateful, provisions purchased at Kholby sufficed for supper, and the travellers ate ravenously.

The journey was resumed at six in the morning; the guide hoped to reach Allahabad by evening. The guide avoided inhabited places, thinking it safer to keep the open country. Allahabad was now only twelve miles to the north-east. They stopped under a clump of bananas, the fruit of which was as healthy as bread and as succulent as cream.

At two o’clock the guide entered a thick forest. The elephant, becoming restless, suddenly stopped. It was then four o’clock.

“What’s the matter?” asked Sir Francis.

“I don’t know, officer,” replied the Parsee, listening attentively to a confused murmur which came through the thick branches.

The murmur soon became more distinct; it now seemed like a distant concert of human voices accompanied by brass instruments. Mr. Fogg patiently waited without a word. The Parsee jumped to the ground, fastened the elephant to a tree. He soon returned, saying:

“A procession of Brahmins is coming this way. We must prevent their seeing us, if possible.”

The guide unloosed the elephant and led him into the wood, at the same time asking the travellers not to stir.

The discordant tones of the voices and instruments drew nearer, and now droning songs mingled with the sound of the tambourines and cymbals. The head of the procession soon appeared beneath the trees, a hundred paces away; and the strange figures who performed the religious ceremony were easily distinguished through the branches. First came the priests, with mitres on their heads, and clothed in long lace robes. They were surrounded by men, women, and children, who sang a kind of lugubrious psalm, interrupted at regular intervals by the tambourines and cymbals; while behind them was drawn a car with large wheels, the spokes of which represented serpents entwined with each other. Upon the car, which was drawn by four richly caparisoned zebus, stood a hideous statue with four arms, the body coloured a dull red, with haggard eyes, disheveled hair, protruding tongue, and lips tinted with betel.

Sir Francis, recognising the statue, whispered:

“Kali; the goddess of love and death.”

“Of death, perhaps,” muttered back Passepartout, “but of love—that ugly old hag? Never!”

The Parsee made a motion to keep silence.

A group of old fakirs were making a wild ado round the statue. Some Brahmins were leading a woman who faltered at every step. This woman was young, and as fair as a European. Her head and neck, shoulders, ears, arms, hands, and toes were loaded down with jewels and gems with bracelets, earrings, and rings; while a tunic bordered with gold, and covered with a light muslin robe, betrayed the outline of her form.

The guards who followed the young woman presented a violent contrast to her, armed as they were bearing a corpse on a palanquin. It was the body of an old man, gorgeously arrayed in the habiliments of a rajah. Next came the musicians

Sir Francis watched the procession with a sad countenance, and, turning to the guide, said, “A suttee.”

The Parsee nodded, and put his finger to his lips. The procession slowly wound under the trees, and soon its last ranks disappeared in the depths of the wood. The songs gradually died away.

Phileas Fogg had heard what Sir Francis said, and, as soon as the procession had disappeared, asked: “What is a suttee?”

“A suttee,” returned the general, “is a human sacrifice, but a voluntary one. The woman you have just seen will be burned tomorrow at the dawn of day.”

“Oh, the scoundrels!” cried Passepartout, who could not repress his indignation.

“And the corpse?” asked Mr. Fogg.

“Is that of the prince, her husband,” said the guide; “an independent rajah of Bundelcund.”

“Is it possible,” resumed Phileas Fogg, “that these barbarous customs still exist in India, and that the English have been unable to put a stop to them?”

“These sacrifices do not occur in the larger portion of India,” replied Sir Francis; “but we have no power over these savage territories, and especially here in Bundelcund. The whole district is the theatre of incessant murders and pillage.”

“The poor wretch!” exclaimed Passepartout, “To be burned alive!”

“Yes,” returned Sir Francis, “burned alive. And the sacrifice which will take place tomorrow at dawn is not a voluntary one.”

“How do you know?”

“Everybody knows about this affair in Bundelcund.”

“But the wretched creature did not seem to be making any resistance,” observed Sir Francis.

“That was because they had intoxicated her with fumes of hemp and opium.”

“But where are they taking her?”

“To the pagoda of Pillaji, two miles from here; she will pass the night there.”

“And the sacrifice will take place—”

“Tomorrow, at the first light of dawn.”

Just at the moment that the guide was about to urge Kiouni forward with a peculiar whistle, Mr. Fogg stopped him, and, turning to Sir Francis Cromarty, said, “Suppose we save this woman.”

“Save the woman, Mr. Fogg!”

“I have yet twelve hours to spare; I can devote them to that.”

“Why, you are a man of heart!”

“Sometimes,” replied Phileas Fogg, quietly; “when I have the time.”