Chapter Seventeen

“Art, science-you seem to have paid a fairly high price for your happiness,” said the Savage, when they were alone. “Anything else?”

“Well, religion, of course,” replied the Controller. “There used to be something called God-before the Nine Years’ War. But I was forgetting; you know all about God, I suppose.”

“Well…” The Savage hesitated. He would have liked to say something about solitude, about night, about death. He would have liked to speak; but there were no words. Not even in Shakespeare.

The Controller, meanwhile, had crossed to the other side of the room and was unlocking a large safe set into the wall between the bookshelves. The heavy door swung open. “It’s a subject,” he said, “that always held a great interest for me.” He pulled out a thick black volume. “You’ve never read this, for example.”

The Savage took it. “The Holy Bible, containing the Old and New Testaments,” he read aloud from the title-page.

“Nor this.” It was a small book without a cover.

“The Imitation of Christ.”

“Nor this.” He handed out another volume.

“The Varieties of Religious Experience. By William James.”

“And I’ve got plenty more,” Mustapha Mond continued, resuming his seat. “A whole collection. God in the safe and Ford on the shelves.” He pointed with a laugh to his avowed library.

“But if you know about God, why don’t you tell them?” asked the Savage. “Why don’t you give them these books about God?”

“For the same reason as we don’t give them Othello: they’re old; they’re about God hundreds of years ago. Not about God now.”

“But God doesn’t change.”

“Men do, though.”

“What difference does that make?”

“All the difference in the world,” said Mustapha Mond. He got up again and walked to the safe. “There was a man called Cardinal Newman,” he said. “A cardinal,” he exclaimed, “was a kind of Arch-Community-Songster.”

“‘I Pandulph, of fair Milan, cardinal.’ I’ve read about them in Shakespeare.”

“Of course you have. Well, as I was saying, there was a man called Cardinal Newman. Ah, here’s the book.” He pulled it out. “And I’ll take this one too. It’s by a man called Maine de Biran. I’ll read you one of the things he did dream of in a moment. Meanwhile, listen to what this old Arch-Community-Songster said.” He opened the book at the place marked by a slip of paper and began to read. “‘We are not our own any more than what we possess is our own. We did not make ourselves, we cannot be supreme over ourselves. We are not our own masters. We are God’s property.’” Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. “Take this, for example,” he said, and in his deep voice once more began to read: “‘A man grows old; he feels in himself that radical sense of weakness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older.’” Mustapha Mond shut the book and leaned back in his chair. “One of the numerous things in heaven and earth that these philosophers didn’t dream about was this,” (he waved his hand), “us, the modern world. ‘You can only be independent of God while you’ve got youth and prosperity; independence won’t take you safely to the end.’ Well, we’ve now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. ‘The religious sentiment will compensate us for all our losses.’ But there aren’t any losses for us to compensate. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail?”

“Then you think there is no God?”

“No, I think there quite probably is one.”

“Then why?…”

Mustapha Mond looked at him. “But he manifests himself in different ways to different men. In premodern times he manifested himself as the being that’s described in these books. Now…”

“How does he manifest himself now?” asked the Savage.

“Well, he manifests himself as an absence; as though he weren’t there at all.”

“That’s your fault.”

“Call it the fault of civilization. God isn’t compatible with machinery and scientific medicine and universal happiness. You must make your choice. Our civilization has chosen machinery and medicine and happiness…”

The Savage interrupted him. “But isn’t it natural to feel there’s a God? When you’re alone-quite alone, in the night, thinking about death…”

“But people are never alone now,” said Mustapha Mond. “We make them hate solitude; and we arrange their lives so that it’s almost impossible for them ever to have it.”

The Savage nodded gloomily. At Malpais he had suffered because they had shut him out from the communal activities, in civilized London he was suffering because he could never escape from those communal activities, never be quietly alone.

“Do you remember that bit in King Lear?” said the Savage at last. “‘The gods are just and of our pleasant vices make instruments to plague us; the dark and vicious place where thee he got cost him his eyes,’ and Edmund answers-you remember, he’s wounded, he’s dying-‘Thou hast spoken right; ‘tis true. The wheel has come full circle; I am here.’ What about that now? Doesn’t there seem to be a God-managing things, punishing, rewarding?”

“Well, does there?” questioned the Controller in his turn. “You can indulge in any number of pleasant vices with a freemartin and run no risks of having your eyes put out by your son’s mistress. ‘The wheel has come full circle; I am here.’ But where would Edmund be nowadays? Sitting in a pneumatic chair, with his arm round a girl’s waist, looking at the feelies. The gods are just. No doubt. But their code of law is dictated, in the last resort, by the people who organize society; Providence takes its cue from men.”

“Are you sure?” asked the Savage. “Are you quite sure that the Edmund in that pneumatic chair hasn’t been just as heavily punished as the Edmund who’s wounded and bleeding to death? The gods are just. Haven’t they used his pleasant vices as an instrument to degrade him?”

“Degrade him from what position? As a happy, hard-working, goods-consuming citizen he’s perfect. Of course, if you choose some other standard than ours, then perhaps you might say he was degraded. But you’ve got to stick to one set of rules.”

“If you allowed yourselves to think of God, you wouldn’t allow yourselves to be degraded by pleasant vices. You’d have a reason for bearing things patiently, for doing things with courage. I’ve seen it with the Indians.”

“But we aren’t Indians. There isn’t any need for a civilized man to bear anything that’s seriously unpleasant. And as for doing things-Ford forbid that he should get the idea into his head. It would upset the whole social order if men started doing things on their own.”

“What about self-denial, then? If you had a God, you’d have a reason for self-denial.”

“But industrial civilization is only possible when there’s no self-denial. Self-indulgence keeps the wheels turning.”

“You’d have a reason for chastity!” said the Savage, blushing a little as he spoke the words.

“But chastity means passion. And passion means instability. And instability means the end of civilization. You can’t have a lasting civilization without plenty of pleasant vices.”

“But God’s the reason for everything noble and fine and heroic. If you had a God…”

“My dear young friend,” said Mustapha Mond, “civilization has absolutely no need of nobility or heroism. These things are symptoms of political inefficiency. In a properly organized society like ours, nobody has any opportunities for being noble or heroic. Where there are wars, where there are divided allegiances, where there are temptations, objects of love to be fought for or defended-there, obviously, nobility and heroism have some sense. But there aren’t any wars nowadays. The greatest care is taken to prevent you from loving any one too much. There’s no such thing as a divided allegiance; you’re so conditioned that you can’t help doing what you ought to do. And there’s always soma to calm your anger, to reconcile you to your enemies, to make you patient. Christianity without tears-that’s what soma is.”

“But the tears are necessary. Don’t you remember what Othello said? ‘If after every tempest came such calms, may the winds blow till they have wakened death.’ There’s a story one of the old Indians used to tell us, about the Girl of Mataski. The young men who wanted to marry her had to do a morning’s hoeing in her garden. It seemed easy; but there were flies and mosquitoes, magic ones. Most of the young men simply couldn’t stand the biting and stinging. But the one that could-he got the girl.”

“Charming! But in civilized countries,” said the Controller, “you can have girls without hoeing for them, and there aren’t any flies or mosquitoes to sting you. We got rid of them all centuries ago.”

The Savage nodded, frowning. “You got rid of them. Yes, that’s just like you. Getting rid of everything unpleasant instead of learning to put up with it. You just abolish the slings and arrows. It’s too easy.”

He was suddenly silent, thinking of his mother. In her room on the thirty-seventh floor, Linda had floated in a sea of singing lights-floated away, out of space, out of time, out of the prison of her memories, her habits, her aged and bloated body. And Tomakin, ex-Director of Hatcheries and Conditioning, Tomakin was still on holiday-on holiday from humiliation and pain, in a world where he could not hear those words, that laughter, could not see that hideous face, feel those moist and flabby arms round his neck, in a beautiful world…

“What you need,” the Savage went on, “is something with tears for a change. Nothing costs enough here. Isn’t there something in living dangerously?”

“There’s a great deal in it,” the Controller replied. “Men and women must have their adrenals stimulated from time to time.”

“What?” asked the Savage, uncomprehending.

“It’s one of the conditions of perfect health. That’s why we’ve made the V.P.S. treatments compulsory.”

“V.P.S.?”

“Violent Passion Surrogate. Regularly once a month. We flood the whole system with adrenin. It’s the complete physiological equivalent of fear and rage. All the tonic effects of murdering Desdemona and being murdered by Othello, without any of the inconveniences.”

“But I like the inconveniences.”

“We don’t,” said the Controller. “We prefer to do things comfortably.”

“But I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”

“In fact,” said Mustapha Mond, “you’re claiming the right to be unhappy.”

“All right then,” said the Savage defiantly, “I’m claiming the right to be unhappy.”

“Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer; the right to have too little to eat; the right to be lousy; the right to live in constant apprehension of what may happen tomorrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind.”

There was a long silence.

“I claim them all,” said the Savage at last.

Mustapha Mond shrugged his shoulders. “You’re welcome,” he said.