563
Ibid., 29.
564
COGL, 69.
565
COGL, 69.
566
Pollock, Skywalking, 118.
567
Biskind, Easy Riders, 243.
568
COGL, 6, 70.
569
Biskind, Easy Riders, 243.
570
Creating an Empire.
571
Biskind, Easy Riders, 243.
572
Ibid., 244.
573
See Lillian Ross, “Some Figures on a Fantasy”, The New Yorker, November 8, 1982.
574
Biskind, Easy Riders, 244.
575
COGL, 71.
576
Biskind, Easy Riders, 244.
577
Pollock, Skywalking, 120.
578
Kline, GL Interviews, 43.
579
“A Legacy of Filmmakers”.
580
Kline, GL Interviews, 77.
581
“Wendy Lucas Comments on American Graffiti, the State Theatre, Modesto, May 31, 2008”, http://www.youtube.com/watch?v=yvEwUOR0kkE.
582
Kline, GL Interviews, 77–78.
583
Ibid., 77.
584
Pollock, Skywalking, 123.
585
Jay Cocks, “Cinema: Fabulous ’50s”, Time, August 20, 1973.
586
Gary Arnold, “Cruising through ‘American Graffiti’: Hot Rods, Good Times and Longings”, Washington Post, August 31, 1973.
587
Charles Champlin, “A New Generation Looks Back in ‘Graffiti’”, Los Angeles Times, July 29, 1973.
588
Stephen Farber, “‘Graffiti’ Ranks with ‘Bonnie and Clyde’”, New York Times, August 5, 1973.
589
Kline, GL Interviews, 21.
590
Peter Hartlaub, “The Chronicle Panned It: ‘American Graffiti’”, SF Gate, February 4, 2015.
591
Ibid.
592
See Gene Siskel, “Graffiti – How Many Golden Oldies Can You Handle?” Chicago Tribune, August 24, 1973.
593
Farber, “‘Graffiti’ Ranks with ‘Bonnie and Clyde’”; Klemesrud, “‘Graffiti’ Is the Story of His Life”.
594
Cocks, “Cinema: Fabulous ’50s”.
595
Arnold, Once Upon a Galaxy.
596
Klemesrud, “‘Graffiti’ Is the Story of His Life”.
597
Ibid.
598
Ibid.; Paul Gardner, “‘Graffiti’ Reflects Its Director’s Youth”, New York Times, September 19, 1973.
599
Creating an Empire.
600
Во время переговоров о приобретении прав для использования песен в самом фильме Лукас пытался уговорить «Юниверсал» выделить деньги и на покупку прав на альбом с саундтреком фильма. Если бы «Юниверсал» купила права на саундтрек тогда, это бы сохранило ей миллионы, которые она заплатила за него позднее, когда фильм стал успешным.
