546
James Rhodes, Instrumental: A Memoir of Madness, Medication, and Music (Edinburgh: Canongate, 2015), 76.
547
Sigmund Freud, «Analysis Terminable and Interminable», International Journal of Psycho-Analysis 18 (1937):373–405; quote on pp. 388–389.
548
Alan Moore, Watchmen (New York: DC Comics, 1987), 9.
549
Karen Horney, Our Inner Conflicts: A Constructive Theory of Neurosis (New York: Norton, 1992), 240.
550
Johnny Cash, quoted in Robert Hilburn, Johnny Cash: The Life (New York: Little, Brown and Company, 2013), 17.
551
Laurence Maslon and Michael Kantor, Superheroes!: Capes, Cowls, and the Creation of Comic Book Culture (New York: Crown Archetype, 2013), 142–146.
552
Laurence Maslon and Michael Kantor. Superheroes!: Capes, Cowls, and the Creation of Comic Book Culture (New York: Crown Archetype, 2013), 143.
553
Laurence Maslon and Michael Kantor, Superheroes!: Capes, Cowls, and the Creation of Comic Book Culture (New York: Crown Archetype, 2013),129–146; отметим также, что в истории комиксов Человеку-пауку предшествовал Невероятный Халк, который, в свою очередь, в определенной мере наследовал качества Франкенштейна и доктора Джекила и мистера Хайда.
